Femmes Fatales Oct 20 2018
NAKED AND UNAFRAID
No person is truly nude who is lethally armed.


In this shot that appeared in the Japanese magazine Eiga no tomo Nana Asana eschews all but the most essential worldly possessions—a seat to rest her body when it wearies, a hat to protect her from UV rays and rain, and a pistol to make her arguments crystal clear. She acted in only three movies but this photo cements her legacy, at least as far as we're concerned. It's from 1977.

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Vintage Pulp Oct 11 2018
THE BIG BANGO
Rene Bond and friends make a Blanket statement about Southern California beach life.


It still sort of amazes us how many American porn movies made it all the way to Japan. Since pubic hair was illegal to show there back then, as was, needless to say, penetrative sex, the films would have been censored to local standards, making them a bit like cable softcore, but highly disjointed and very short. Yet the public must have craved these hacked up movies anyway because we have scores of Japanese posters for them. We hope to get around to sharing the entire group one day, but today we're focused on just this one—a promo for 1975's Beach Blanket Bango. While the title borrows from the classic teenybopper flick Beach Blanket Bingo, the movie is actually a sequel of sorts to a 1974 smut film called High School Fantasies, with most of the same cast members, though in different roles.

Rene Bond is the star attraction in this Southern California 1960s style sex romp but she doesn't star on the poster. She's there, though. That's her in the right background in an Annette Funicello style wig. For some reason the position of honor on the poster is given to Cindy Taylor, who plays a bit role. But the poster is attractive anyway. It's yet another example of how seriously Japanese film distributors took their erotica. Posters for porn were fully as interesting and well designed as those for mainstream movies. But nice as it is, since Bond doesn't get a proper showing, we've given her one below. Beach Blanket Bango opened in Japan today in 1975.

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Vintage Pulp Oct 9 2018
PHILIPPINE SWINGING
When the Belle rings it's time for everyone to get it up.


Above is a Japanese poster and a pamphlet front for the French sexploitation flick Laure, aka Forever Emmanuelle, which premiered in Japan today in 1976 after opening in Italy nine months earlier. We watched it, and first of all the movie looks great. It's crisp, bright, and colorful—three things you really want when Annie Belle is the star. We gather that the palpably high budget was due to an infusion of big studio money from Twentieth Century Fox via Cinecittà Studios, as they tried to cash in on the 1970s sexploitation phenomenon. None of this means the movie is good.

Emmanuelle flicks are chaste and atmospheric, more romance than raunch, and Laure is no exception. Belle plays a highly sexed minister's daughter running wild in the Philippines, from Manila to the jungly outer reaches. There's a plot having to do with searching for the isolated Mara tribe, but the movie is more a series of swinger lifestyle lectures and sexualized vignettes, such as when Belle drops her skirt so she can walk around in public wearing nothing but a shirt that flashes her muff, and when she gets laid in a bamboo hut that's being dragged through the woods by a dozen Filipino workers. She's wanted by everyone whose path she crosses, but it's Al Cliver who piques her interest, thanks to his unwillingness to attempt caging her or cooling her hot blood. At one point he announces, “Jealousy is an obscenity.” It takes quite a man to watch the woman he loves have explosive orgasms with every stranger who happens along.

Of special note is a co-starring turn from Thai/French personality Emmanuelle Arsan, who in 1959 anonymously published the book Emmanuelle, source of the film franchise. Or at least she was thought for years to have been responsible for the book. Her husband Louis-Jacques Rollet-Andriane is now considered the author. Arsan was also credited with directing Laure, or at least co-directing it, but that was Rollet-Andriane again, whose name isn't on the film for reasons too involved to go into here. Well, it's definitely Arsan playing the role of Myrte, adding to the film's visual allure by looking great naked at age forty-four. She can't act, but she's good at giving wise looks and secretive smiles. She's easy to buy as the source—or at least inspiration—for Emmanuelle, because she's a very sexy woman. Despite all the film's beauty, we aren't going so far as to recommend it generally, but for lovers of globetrotting softcore or fans of Annie Belle it's mandatory.

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Vintage Pulp Sep 16 2018
CUSTOMER SERVICE CALL
Hi! Yes, the gloves fit perfectly but the rest of my order didn't arrive.


Above, a Technicolor lithograph featuring an unknown model—anyone? anyone?—posing with opera gloves and nothing else. Which will certainly make a splash when she actually goes to the opera. The print is titled “Perfection,” and it came from Champion Line around 1955.

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Femmes Fatales Aug 15 2018
KILLER BODY
My hands are registered as lethal weapons. Just imagine what the rest of me can do.


Burlesque queen Lili St. Cyr, looking lovely and shiny in this rare promo photo, practices an unusual brand of martial arts. Basically the way it works is she strips and everyone nearby falls stunned to the floor. It's a lot harder to master than it sounds. Mid-1950s on this image.

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Modern Pulp Aug 8 2018
THE BEAST IS YET TO COME
And she's already starting to sprout hair.


This interesting poster was made for Kemono ni natta hitozuma, aka The Beast: Married Woman, which was produced by Shin-Toho Company and starred Maki Tomota, aka Maki Tomoda. She's an adult video actress who began her career in Japan in 2002 and today is a popular figure in milf porn. In case you're wondering, they do use the term milf in Japan, but just for effect. The preferred word is actually jukujo, literally “mature woman.” Tomoda's armpit hair is not just any armpit hair. It's a trademark. One of her more successful jukujo series has been Kāsan no waki no ke, which means “mother's armpit hair.” As we've mentioned before, we're indifferent about female body hair, and it isn't an age thing—we're fully from generation wax. We just feel, you know, her body, her choice. Tomoda probably has hundreds of hirsute images out there, because she's quite well known. This particular film, on the other hand, is not. We couldn't track it down, nor uncover any plot info, though it's an ironclad certainty it's bondage related (hello, de Sade). What we did find were some promo images and we've shared two—nice Maki, and naughty Maki. Kemono ni natta hitozuma premiered in Japan today in 2008.

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Vintage Pulp Aug 6 2018
NERO AND FAR-O
Gemser heats up the deserts of Egypt.


Cinematic sleaze was often fueled, the same as was mainstream filmmaking, by star power, so it was natural to bring two popular erotic performers like Laura Gemser and Annie Belle together. It happened today in 1976 with the Italian premiere of Velluto nero. At some point after its theatrical release it was renamed for English speaking audiences Black Emmanuelle, White Emmanuelle. Gemser was actually Indonesian, born in Surabaya, East Java, however 1976 was the blaxploitation era and everybody wanted a piece of that pie, including, obviously, Gemser's production company Rekord Films. Gemser could have played anything from half black to Persian to southern Italian to Hawaiian to Latina, so it was a canny—if cynical—bit of cultural appropriation. But back then it was seemingly no harm no foul. Audiences wanted to see her naked, and she always delivered.

In Velluto nero Gemser plays a model who vacations in Egypt with her horrible husband and meets the free-spirited Belle, who awakens her to better possibilities in life—ones that don't include her criminally abusive spouse. It's generally agreed that this is one of Gemser's most tepid Emanuelle entries. We have to concur. But Gemser and Annie Belle in the same movie are worth something, at least, and the Egyptian scenery is compelling. We also like that Belle's multi-colored sweater makes another appearance. She must have lifted it from the costume department when she filmed Laure. Velluto nero isn't the last we'll see of her or Gemser, and we'll just have to hope the next encounter is an improvement over this one.

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Hollywoodland Jul 22 2018
DESPERATELY SEEKING SUSAN
Rumors of her demise were greatly exaggerated.


We've featured the Canadian tabloid Midnight numerous times. This one appeared on newsstands today in 1968. On the cover readers get a headline referring to Robert F. Kennedy, who had been assassinated the previous month. His name is accompanied by a prediction that his killer, Jordanian nationalist Sirhan Sirhan, would in turn be assassinated. It wasn't an outrageous prediction—during the late 1960s newsworthy figures were being dropped like three foot putts. Sirhan was never murdered, though, and he's still around today, languishing at Richard J. Donovan Correctional Facility in San Diego County, California.

Sirhan is an interesting character, but it's the story on Susan Denberg we're interested in today. Denberg, née Dietlinde Zechner, is a German born beauty who became a Playboy Playmate of the Year and screen actress, was a desired Hollywood party girl who had relationships with Hugh Hefner and Jim Brown, and was generally regarded as one of the major sex symbols of her time. But she also became a drug addict. After making the 1968 film Frankenstein Created Woman Denberg returned to Europe and shunned the movie business. In fact, she kept such a low profile that for years sources incorrectly reported that she had died.

Midnight journo John Wilson claims to have visited Denberg in a Vienna mental hospital near the beginning of her self-imposed exile, and his article is basically a recounting of his chat with her. He describes her depressing surroundings and portrays her as a sort of broken bird, quoting her as saying, “I was a real party girl, going out every night, dating one man after another, running around doing wild things like getting drunk and dancing nude at parties. And then someone got me started on LSD and it made everything seem so clear. It was wonderful. Only I couldn't keep away from it, and after a while that was all I was doing, staying in my room and dropping LSD.”

In 1971 Denberg had a child, and by 1972 was making her living on the nudie bar circuit, working as a topless server at the adult cinema Rondell in Vienna, and later dancing fully nude at another Vienna nightspot called Renz. She also worked elsewhere in Europe, including Geneva, where in 1974 she tried to commit suicide by swallowing a reported 200 sleeping pills, an amount that surely would have been fatal had she not been quickly found and sped to a hospital. In 1976 she became a mother again and retired from nude dancing. Today she lives quietly in Vienna.

Denberg's story is filled with twists and turns, and yet it isn't unique in a place like Hollywood. As she makes clear, once enough power brokers, modeling agents, and studio types tell a woman she's special she's probably going to believe them, but once she believes them it's hard for her to keep her head on straight. She sums up her journey to Midnight, “They told me I was beautiful enough to go all the way to the top. They told me about all the fun up there, the kicks. They never told me about the booze and the drugs, the long slide down.” 

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Femmes Fatales Jul 18 2018
DOUBLE POSITIVE
Reiko Ike leaves everyone's tongues tied in nots.


Yes, we just shared a rare calendar page of pinku legend Reiko Ike, but what are you gonna do when she stars in photos like this one? We can't not post it. That's a double negative, we know, but some thoughts can only be expressed that way. We can't not not share this photo, because that would be immoral. Is that even right? Not the immoral part. The not part. If you decide you're not not not not going to do something, that means you're going to do it, right? Or maybe you can only successfully use a single double negative, and all the extra nots can only be used as emphasis rather than meaning, like saying you're never never never never going to do something, in which case that would mean you're not going to do it. Tricky questions. We could avoid them by using a single positive, but that would lack the exactness of the double negative. We will post it lacks the punch of we can't not post it. The meaning is similar, but the double negative removes our control over the decision, which is useful when the Pulp Intl. girlfriends look at the site. Baby, we couldn't not post it. So the double negative is better than the single positive and there's no such thing as a double positive. Well, maybe that's not strictly true. For instance, we're double positive about posting this photo. And gramatically speaking, people do say yes yes under certain circumstances, but those circumstances shouldn't occur while looking at naked photos on a computer. If that happens, we can only suggest that it's time to ask someone on a date.

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Vintage Pulp Jul 11 2018
TARZANA OF THE APES
Femi Benussi has a swinging time in the jungle.


The Italian lost world adventure Tarzana sesso selvaggio, known in English as Tarzana the Wild Girl, has one thing going for it—Femi Benussi as the titular vine swinger. As an infant she was lost in the jungle in a plane crash, but somehow survived thanks to the kindly local primates. About twenty-two years later (judging by her bodily development) an expedition is launched to find her, and of course she's now queen of deepest, darkest Africa, jiggling gloriously about in nothing but a g-string loincloth. In fact the whole production is designed to display Benussi nearly naked, and there's also a topless dance routine performed by Jamaican actress Beryl Cunningham, as well as shower time exposure from Franca Polesello. Interestingly, the movie was rated X when it played in the U.S. But don't let that fool you. Around the time Tarzana was made, the X meant “persons under 16 not admitted.” Nothing pornographic happens here, except perhaps in the minds of U.S. movie censors.

Nudity was not unusual in 1969, so what's with the rating? While Benussi never manages to be clothed, we suspect the X had more to do with Cunningham—a black woman—gyrating half naked in front of the expedition. Her dance even inspires one of the onlookers to punch another in the dick. Must be some Italian thing. She's duly eaten by a leopard for daring to tempt the white man. MPAA censors must have been torn. On one hand they probably ached for America's children to see that nature itself was segregationist, but after consideration they ditched the idea of a G rating, slapped an X on the film, then scuttled home for self-hating wank sessions. All things considered we wish the movie were better. No such luck, but it's unintentionally uproarious, especially the ending, and Benussi is a vision, exploited to the max by Romana Film Co. and director Guido Malatesta. Tarzana, sesso selvaggio premiered in Italy today in 1969.

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Next Page
History Rewind
The headlines that mattered yesteryear.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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