Vintage Pulp Nov 8 2014
BAD TECHNIQUE
Is it strange that of all the ways to seduce someone we never thought of this one?


Yes, we’re doubling up on the movies today, not because we think the internet needs more amateur reviews, but because we want to show the posters. As always, it’s about the art. We have it, and it’s pointless to have it and not share it. Behold the poster. Done? Great. Okay, regarding the movie, we can sum it up by telling you there’s a scene in which a male character sticks his head in a toilet—in a nightclub—sucks up a mouthful of liquid and spits it in a gentle stream upon the chest of the woman he’s in love with. More strange yet—it turns her on. This visceral horror is counterbalanced, just barely, by a weird yet very affecting fantasy sequence where the same character sprays the object of his affection with water from a garden hose while she’s in a jail cell. Have a look at the screen grabs below.  

 
That is a very provocative expression lead actress Mari Tanaka is wearing. Is it because the water is cold? No—it’s a male character’s fantasy, so that’s supposed to be arousal. Our girlfriends don’t make that face at us, but now we’re seriously considering ways to make it happen. At least, as long as they don’t involve spraying water all over our place. Anyway, you have the yin and yang here—two scenes involving a man drenching a woman with water, of both clean and not-so-clean varietals. Is it symbolic? Maaaaybe just a little.
 
The plot goes like this: Tanaka teaches at a college and several of her students collude to break up her engagement to a chemistry professor so one can have her to himself. But everything they try only seems to make the relationship between Tanaka and her chemist stronger. Finally in desperation the students rig a lab experiment to blow the chemist to constituent particles, but succeed only separating him from his prostate, leaving him impotent. Since a sizable amount of dialogue is devoted to his prodigious endowment his maiming is a tragedy not just for him, but all women (this from the character Oharu-san, who has encountered the fiancée in her brothel and is reduced to tears at the news of his injury).
 
Will Tanaka finally ditch her love now that he’s been turned into Jake Barnes (extra credit if you know that one), or is their relationship held together by something more than sex? We’d answer, but we swore off spoilers a while ago, which means only a viewing of this exceedingly strange movie will give you the answer. Meanwhile, below, Tanaka shows her technique for hiding her naughty bits, as required by Japanese law at the time. Kanno kyoshitsu: ai no technique, which was called Excitement Class: Love Techniques in the English speaking world, premiered in Japan today in 1972.


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Femmes Fatales Nov 5 2014
DANISH POETRY
Thinking of someone Elsa.

Though this fact doesn’t seem to be widely known—which is strange for a former Playboy model—Elsa Sørensen died last year aged seventy-nine due to complications from a bicycle accident. She was a former Miss Denmark whose September 1956 bunny mag centerfold brought her to wide notice, however the above image appeared not in Playboy, but in Adam—the U.S. version—in 1960. She graced that publication several times under the pseudonym Dane Arden, and kept that for all her post-Playboy modeling assignments. In the 1960 Adam layout her photo was paired with a Robert Browning line about nothing being better than simple, unadorned beauty, and seeing her posed with neither clothes nor props, it’s clear why the editors chose that quote. 

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Vintage Pulp Oct 29 2014
WIDE-EYED SURPRISE
When the photographer called her a living doll she didn’t suspect he’d turn her into one.

This is a really striking Technicolor lithograph. Produced by Corp. A. Fox (or Fox A. Corp, or Copr. Fox A.) in 1955, it could be mistaken at first glance for a painting, but it’s actually a retouched photo—the details in the towel give it away. Even though the image is arresting, we don’t think the photographer/artist quite got the look he/she was seeking. To us, there’s an unpleasant and sinister edge to the scene, mainly due to the model’s expression shading more into horror than mere surprise. Don’t think so? Take a closer look below. Now imagine that face when you turn out the lights to go to sleep tonight. But if you think she looks horrified now, just try to imagine her expression when she saw the final result and realized she’d been turned into a lifeless porcelain figurine. 

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Vintage Pulp Oct 28 2014
IT'S A WONDERFUL LIFE
La Vie Parisenne offers readers an enticing mix of cinema, illustration and photography.


Above, La Vie Parisienne #202 of October 1967—more than one hundred years into its existence by this point—with an uncredited cover star, and interior photos of Gina Lollobrigida, Dany Carrel, Terry Martine, Jane Fonda, Slovenian actress Sceila Rozin, aka Spela Rozin, and other celebs. There’s also a shot of Talitha Pol from Barbarella, and some of you may remember she married the fast living John Paul Getty, Jr. (he of the kidnapped son, though not Pol’s) and later died of a heroin overdose. You also get some truly excellent ink illustrations by the diverse James Hodges, not to be mistaken for contemporary artist Jim Hodges. James Hodges was a French pin-up artist of the 1960s who also became a magician and illustrated magic books, painted playing cards, and designed stage sets. See more from La Vie Parisienne here.

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Sex Files Oct 25 2014
THE REICH APPROACH
Goliath Books exposes Third Reich porn to the light of day.


Of all the books Berlin-based publishing company Goliath has produced, perhaps none is more essentially pulp in nature than Private Pornography in the Third Reich. 1950s and 1960s men’s adventure magazines were obsessed with Nazis, and Third Reich spies littered post-war pulp fiction. The stories and art were often sexual in nature, such as here and here, sometimes hinting at or portraying depravity behind closed doors. With Private Pornography in the Third Reich the doors are closed no more. Stepping into forbidden salons, we’re presented not only with challenging images, but the social questions pornography raises, plus the specter of Third Reich authoritarianism and eventual war.

According to Hitler’s formulation, the perfect Aryan female was a mother. His Nazi state gave medals to women who had eight children or more, as long as mother, father and offspring were of perfect Aryan stock. It bears mentioning at this point that increasing numbers of modern day scientists have done away with race because it seems less and less to exist biologically. It is, evidence suggests more each day, an entirely social construct into which humans willingly and unwillingly self-organize. Hence there was never a master race. The theory makes as much sense scientifically as the theory of a master wizard.
 
But racial purity was Hitler’s obsession, and to force procreative sex on a country he felt needed to replace millions of military age men killed in the Great War his regime repressed the idea of recreational sex, driving sexual freedom and sexual expression underground. Prostitution was banned,sending an estimated 100,000 women and 35,000 men into the shadows. But as always, the rich, powerful, and connected could obtain whatever they wished. Secret dens of sexual performance and prostitution sprang up, and a black market in pornography blossomed, gaining momentum once it became clear that selling it outside Germany was an efficient means of accessing foreign currency.
 
Private Pornography in the Third Reich is sliced into ten sections: postcards/portraits, nudism, petting, oral sex, heterosexual intercourse, lesbian couples, lesbianism with toys, sado-masochism, and threesomes. If that sounds like a lot of photos, it is—200 images in digest size from a collection originally put together by Hans von Bockhain. The book contains only a brief introduction then presents its photos without captions or explanations. But none are needed—if pornography is the sexual id of a society then what we see is a pornographic subculture in a bread-and-circuses moment, indulging in wild diversions as the grip of an authoritarian state tightens.

In another few years the Reich would have near total control of life in Germany, and operate a chain of concentration camps in which those deemed sexual deviants could be imprisoned. As a historical document of the sex industry during the anti-lust years leading up to that period, PrivatePornography in the Third Reich is fascinating. The subject is taboo, the photos perhaps more so. They range from artful salon compositions to raunchy reverse cowgirl penetration shots, which means it may not be coffee table material for everyone, but for the adventurous it’s certain to live up to aesthetic expectations, and provoke vigorous debates as well. Read more at Goliath Books.

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Vintage Pulp Oct 13 2014
VENUS DE PARIS
French cover model earns her stripes.

This is the first issue of the Parisian art deco magazine Vénus we’ve had on the site. There’s a reason for that—they’re rare. And there’s a reason for that—they’re amazing. We think it’s the prettiest mid-century French art magazine ever made, and that’s really saying something, because plenty were published. This one survives from January 1937 and when we saw it at one of bouquinistes adjacent to the Seine it seemed to leap out from all the publications on offer. And no wonder—the cover photo-illustration of a woman dressed as a sort of theatre usher riding a carousel zebra is an instant classic. We’ve already made a high resolution scan of it and are thinking of having it framed. Our website (and other vintage websites) implicitly ask whether we are today living in a less artful age. Vénus answers that question definitively, especially when you consider that it was only one (but the best in our opinion) of a dozen or more French magazines of similar stripe (heh, because of the zebra). For a refresher on what was going on in Paris during the mid-century era check here, here, here, here, and here, but only after you scroll down and enjoy the interior of Páris, including a stunning overleaf, a great rear cover, and photography from Schostal, Caillaus, and others.

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Vintage Pulp Oct 9 2014
SPECIAL INVITATION
Sometimes a look says everything words can’t.

Below you see an issue of Folies de Paris et de Hollywood that was published yesterday in 1966. The cover star is popular glamour model Margaret Nolan, aka Vicki Kennedy, who also appears inside. More on her and Folies later. 


 
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Modern Pulp Sep 25 2014
NO TELL MOTEL
Need to rendezvous in secret? Chas Ray Krider shows you how.


The good people at Berlin based Goliath Books sent us one of their 2014 publications, Chas Ray Krider’s Dirty Rendezvous, the third and final book in his motelesque trilogy. The first two entries of the trio were Motel Fetish and Do Not Disturb, and Krider’s meticulously staged scenes in book three continue to conjure the retro chic of those lonely highwayside stopovers of American lore. The images nod strongly toward mid-century film noir and melodrama. Anything from The Postman Always Rings Twice to Psycho could apply, but soaked in deep, lush color. Krider’s women are the dangerous type—smokers and drinkers garbed in fetish wear, and often lavishly tattooed. Despite their tough looks, there’s an undercurrent of romance—the isolated motel is linked in the American psyche to freedom, adventure, and never knowing what you’ll find past the next solitary mile marker. Or who. 

But while motels suggest travel by road and the exhilaration of unexpected encounters, the title Dirty Rendezvous and the models’ elaborate garb speak of illicit plans and long guarded secrets. Not random meet-ups, but carefully woven webs of deceit—wives lied to, hats pulled down low, furtive glances in the rear view mirror. Krider has deftly achieved all these sensations and more, and when you add in the fact that his motel sets are as clean and carefully arranged as pages from vintage furniture catalogs, the result is guilty sleaze done with considerable class. Dirty Rendezvous is a book depicting the moments just before wicked acts are committed with soul-freeing joy. You imagine Krider's women checking in wearing demure garb, then transforming once concealed in the room. Of course, the desk clerk doesn’t care either way. He smirks when guests register under obviously false names and pay with cash, but all that really matters to him is that they don't wake the family in 3B. It's a futile wish—3B is about to hear things they never heard before. Get more info at the Goliath website here, and the artist’s blog here.

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Vintage Pulp Sep 19 2014
TWO KINDS OF BLUE
Which came first—the nightgown or the nudity?

Above, two Technicolor lithographs of an unknown model against a blue velvet backdrop. These were published separately, with the bottom shot “Blue Mood” appearing in 1951, and the top shot entitled “Red Hot & Blue” appearing much later in 1966. Strange that the clothed image came later, but in any case they complement each other nicely, with the second featuring an almost “ta-dah!” pose from the model. It’s as if she’s saying, “You wanted the nightie gone—it’s gone.” Chronologically speaking, it would be more accurate to say she started naked and got dressed, but where’s the fun in that? Using old negatives was common practice for the makers of Technicolor lithos—Champion Line, U.I. Co., A. Scheer, J.S.I., Corp. A. Fox (also referred to as A. Fox Corp.), and others. It was Fox that published these, and we’ll have more of their output later. You can see about a dozen more Technicolor lithos by clicking here.

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Vintage Pulp Aug 30 2014
A RAMPAGE FROM HISTORY
Cheapie tabloid offers priceless advice to American males.


Remember when Midnight explained that virgins make lousy wives? Not to be outdone, this issue of Rampage published yesterday in 1971 reveals what type of women make the best wives. Can you guess? Give up? The answer is—wait for it—prostitutes. The magazine’s reasons are many, but the one we agree with unreservedly is this: “They’ve already seen the worst men have to offer.” Elsewhere, the editors tout a cure for inverted nipples, reveal “lezzies slurping over female bodies,” and tell the tale of a woman talked into smuggling heroin in her vagina from Istanbul to New York City. Because this is a tabloid, after all, there’s an actual heroin stuffed dildo involved that the amateur smuggler secrets inside her lady parts for two days of air travel. Quote: “I felt full down there, like I was being perpetually screwed by a guy with a really big dick. It was a funny feeling, but sexy. I may have had an orgasm on the plane.” Everybody who thinks that was written by a dude raise your hands. Yep, we’re unanimously agreed. We also get America’s most popular seer the (not so) Amazing Criswell (on loan from his regular gig at National Informer), who drops this nugget: “I predict a lawsuit will reveal that one of our top glamour girls has a wooden hand!” Rampage is a gift that keeps on giving and we have about ten more issues we’re going to share. We know you can hardly wait. Scans below.

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History Rewind
The headlines that mattered yesteryear.
November 23
1936—First Edition of Life Published
Henry Luce launches Life, a weekly magazine with an emphasis on photo-journalism. Life dominates the U.S. market for more than forty years, publishing scores of iconic photographs that remain some of the most recognizable ever shot, and peaking at one point with a circulation of more than 13.5 million copies a week.
1963—Doctor Who Debuts on BBC
The BBC broadcasts the first episode of Doctor Who, starring William Hartnell as a mysterious alien who time travels in his spaceship, the TARDIS. With his companions, he explores time and space while facing a variety of foes and righting wrongs. The show would become the longest-running science fiction series ever broadcast.
November 22
1963—John F. Kennedy Is Assassinated
In Dallas, Texas, U.S. President John F. Kennedy is killed and Texas Governor John B. Connally is seriously wounded as they ride in a motorcade through Dealy Plaza. Lee Harvey Oswald, an employee of the schoolbook depository from which the shots were suspected to have been fired, was arrested on charges of the murder of a local police officer and was subsequently charged with the Kennedy killing. He denied shooting anyone, claiming he was a patsy, but was killed by Jack Ruby on November 24, before he could be indicted or tried. Today, Americans who believe JFK was killed as the result of a conspiracy are routinely dismissed in the press, yet the vast majority of them believe Oswald did not act alone.
November 21
1959—Max Baer Dies
Former heavyweight boxing champ Max Baer dies of a heart attack in Hollywood, California. Baer had a turbulent career. He lost to Joe Louis in 1935, but two years earlier, in his prime, he defeated German champ and Nazi hero Max Schmeling while wearing a Star of David on his trunks. The victory was his legacy, making him a symbol to Jews, and also to all who hated Nazis.

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