Similar to the Tennessee Waltz but with less clothing.
We showed you Wisconsin born model and Playboy playmate Marilyn Waltz not long ago on one of the Technicolor lithographs we've been featuring the last couple of years, but some celebs deserve return engagements, so here she is again, pre-Playboy and pre-blonde, looking very girl-next-door. Waltz was one of Playboy's most popular playmates of the 1950s, appearing in the centerfold three times, twice under the name Waltz, and once as Margaret Scott. We're guessing this photo was made around 1953.
Anything for a thrill.
Awesome pulp style poster for Juvenile Jungle, with Corey Allen, Rebecca Welles and a brief appearance from Playboy playmate Yvette Vickers. The movie premiered today in 1958 and is one of the rare U.S. films we've been unable to find. But reviews are copious, and they'll inform you this revolves around a gang that kidnaps a store owner's daughter in order to extort his payroll, and how the plan goes awry when the gang leader and the captive fall for each other. Stockholm Syndrome in Southern California's beachside, leather-jacketed delinquent culture, filmed in the widescreen process Republic Pictures called Naturama.
She's enough to make your head spin.
This Technicolor lithograph of a model in boldly checked pants stars Marilyn Waltz, who under that name was Playboy magazine's April 1955 centerfold, but also modeled as Margaret Scott. This print is the actual centerfold shot but slightly cropped. It's titled “A Sultry Miss” and appeared later than the magazine, we think. Probably around 1958.
All I want for Christmas is a clean slate with the county.
This photo shows actress and Playboy centerfold Sally Todd in L.A. County Court, where she was answering for drunk driving charges. Todd had triggered an August 1958 traffic accident, a five-car smash-up so violent that she was ejected from the passenger window of her sports car, but survived with minor injuries. A miracle? Perhaps, if you believe in such things. What may be even more miraculous is that charges against her were dropped, though she admitted having had drinks. Most accounts say that happened in September, but this photo, which is from the digital archive of the Los Angeles Examiner, is dated December 1, suggesting either charges were not dropped until later in the year than most sources say, or that Todd made a return trip to court for a second driving offense. We're going with option one—the photo, which we have no doubt is correctly dated, was made when she appeared in court and learned that August's drunk driving charges against her had been dropped. That was today in 1958.
What are you staring at, chérie? Have you never seen a hat before?
French burlesque dancer Yvonne Ménard is all smiles, and why not? That thing she wears between her legs probably tickles. Ménard also may be smiling because when these photos were taken she was about as famous as a dancer could be. She had started as a nude mannequin at La Cigale, then joined the cast of Folies Bergère as a replacement for a departing Josephine Baker after understudying the great American star during the 1949 season. Ménard was twenty when she took the lead role—the photos above were made backstage at the Folies shortly afterward. One of the acts Ménard developed showed her struggling against the lure of opium. She wore only her famous glittering leaf, and battled dark male figures only to be eventually carried by them into a smoking pit.
Ménard’s performances were a bit different from Baker’s—she couldn’t sing as well, and her dancing was a work in progress, but she would eventually master various flips and aerial maneuvers, which she once demonstrated for a photo feature in Life magazine. She toured the U.S. numerous times, making stops in New York, Miami Beach, and Las Vegas, and also performed in South America. Somewhere in there she made time to appear on the cover of the third issue of Playboy, in February 1954, and writer Georges Tabet said inside the issue, “Yvonne is the crystallization of Paris. She’s got a petit quelque chose—a little something—that you have to be born with. Chevalier, he has it in his smile. Edith Piaf has it in her voice. This one—she has it all over.”
Well, I use that part of my body so much I decided it was pointless to cover it.
West German born Ursula Buchfellner got her start in Playboy and was one of those models who actually got into the magazine before her eighteenth birthday, with a shot featured in the West German edition in December 1977, when she was sixteen, and a photo appearing in the U.S. edition in February 1978, when she was seventeen. Her eventual Playmate of the Month layout was in 1979, and from there she went on to star in films such as El Caníbal, aka Devil Hunter, the humorous Hot Dogs auf Ibiza, aka Hot Dogs on Ibiza, and 3 Lederhosen in Saint Tropez. This shot is from 1979.
Aren’t you a little old for this sort of thing?
Bernard Wolfe is known for several reasons, not least of them for being Leon Trotsky’s personal secretary in Mexico City, but he was also a novelist of wide-ranging interests. Come On Out, Daddy was his Hollywood book, about a New York author who moves out west to cash in on an easy screenwriting job. While making a couple thousand dollars a week for doing very little he runs into the usual assortment of jaded Tinseltown characters—from big stars to little wannabes—and trysts with an assortment of disposable beauties before of course meeting the woman of his dreams. It’s episodic due to it being partly cobbled together from short stories published in Playboy and Cavalier, but reasonably well regarded as a cultural satire. Life described it as “garrulously and surrealistically told by a huge cast of people in varying stages of corruption.” 1963 on the hardback, and 1964 on the above, with cool cover art by James Meese.
, Mexico City
, Macfadden-Bartell Corporation
, Life Magazine
, Come On Out Daddy
, Bernard Wolfe
, James Meese
, Leon Trotsky
, cover art
Sørensen throws Playboy fans off her trail.
Tempo was a pocket-sized celeb and pop culture magazine published bi-weekly out of Atlanta and New York City by Sports Report, Inc. We don’t know how long it lasted—this one is vol. 7, issue 9—but we know we’ve never seen one dated before 1953 or after 1958. When Dane Arden appeared on the cover of this one from today in 1956, she was already famous thanks to her appearance as Playboy’s centerfold just the previous month. But she had posed under her real name Elsa Sørensen, and back then that may have kept most Playboy readers from realizing Sørensen and Arden were the same person. We have no idea if that was her intention, or why she’d have wanted to do it, but it’s curious. Our guess is that Playboy wanted an exclusive association with her Sørensen identity, and pressed her to choose a new name for future modeling. Or perhaps she thought of magazines like Tempo as lower class, and didn’t want to diminish her Playboy image. Strange, considering Tempo had been around longer, but possible. Or maybe she simply thought Elsa Sørensen was a little too Danish sounding for Hollywood. But there’s no evidence she ever had an interest in movies, and if she did wouldn’t she have been sacrificing much of the useful recognition she’d gained as a Playboy centerfold? All we can say is it’s one of history’s little mysteries. Hmm… that has a nice ring. Think we’ll claim that one—History’s Little Mysteries™. More Dane/Elsa below, plus Brigitte Bardot, Shirley Falls, Erroll Garner, Sabrina, the Cleveland Browns, Anita Ekberg, et al.
, New York City
, Sports Report Inc.
, Dane Arden
, Elsa Sorensen
, Elsa Sørensen
, Shirley Falls
, Jan Harrison
, Otto Graham
, Paul Brown
, Brigitte Bardot
, Gina Lollobrigida
, Caroline Huet
, Shelley Winters
, Eva Bartok
, Sam Wanamaker
, Joan Collins
, Pier Angeli
, Lisa Montell
, Anna Maria Alberghetti
, Errol Garner
, Norma Sykes
, Anita Ekberg
Wood nymph loses her seasonal concealment.
Above, an unidentified model poses for an autumnal Technicolor print entitled “Woodland Nymph.” Though this could actually be a drought somewhere rather than autumn, we’re going with planetary tilt as the reason the normally secretive nymph has lost her cover of leaves and flowers. Recognize the model? Drop us a line if you do. As a hint, the copyright on this is 1959.
Update: Marcos comes to the rescue again, and informs us: The woman in this picture is American actress and model Marilyn Hanold. She appeared in some films and TV shows throughout the 50's and 60's. She was also Playboy's Playmate of the Month in June 1959 and the model who posed for Gil Elvgren's iconic pin-up painting "Riding High."
Virginity wasn’t against the law, but topless dancing was—until she came along.
Burlesque dancer Yvonne D’Angers graces the cover of this Midnight published today in 1967. She was born in Teheran, Iran and reached the height of her fame after a 1965 obscenity trial, a government threat to deport her, a publicity stunt where she chained herself to San Francisco’s Golden Gate Bridge, and a 1966 appearance in Playboy. There’s surprisingly little about her online—not even a measly Wikipedia page. But she was important within her milieu—she was one of four defendants in the aforementioned obscenity trial, along with Carol Doda, Kay Star, and Euraine Heimberg, and the acquittal legalized topless dancing and waitressing in San Francisco. That decision made San Fran the first city in the U.S. where this was the case.
D’Angers’ main haunt was the Off Broadway on Kearney Street, but she also danced at Gigi’s, which was located on Broadway, and she worked in Las Vegas, in addition to touring the U.S. She was married to Off Broadway owner Voss Boreta, and he was her manager, making her part a client list that included Doda and the topless girl-band The Ladybirds. She was also—though this is not often noted—a college graduate anda painter. She billed herself as being naturally endowed, but both she and Doda were said by people who knew them early in their careers to have been worked on by cosmetic surgeons. The above shots of D’Angers, pre-fame, pre-blonde, versus post-fame, 44D, hanging out with Trini Lopez, seem to confirm those stories. Well have more on D’Angers (and Doda) later. Iran
, San Francisco
, Las Vegas
, Yvonne D’Angers
, Carol Doda
, Kay Star
, Euraine Heimberg
, Voss Boreta
, Trini Lopez
The headlines that mattered yesteryear.
1938—Archbishop Denounces Dance Music
The Archbishop of Dubuque, Francis J. L. Beckman, makes headlines in the U.S. when he attacks swing music as a degenerated musical system destined to gnaw away at the moral fiber of young people. His denouncement follows on the heels of the music being banned in Germany due to its African and Jewish origins.
1993—Vincent Price Dies
American actor Vincent Price, who had achieved the height of his fame acting in low budget horror movies, and became famous again as the macabre voice in Michael Jackson's song "Thriller," dies at age 82 of complications from emphysema and Pariknson's disease.
1929—Stock Market Crashes
Black Thursday, a catastrophic crash on the New York Stock Exchange, occurs when the value of stocks suddenly declines and continues to decline for a month. The event leads to a subsequent crash in world stock prices and precipitates the Great Depression. This after famous economist Irving Fisher had declared that stock prices had reached a permanently high plateau.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
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