Vintage Pulp Feb 25 2018
THE REAL COOL WRITER
Chester Himes' tough love affair with Harlem continues.


A beautiful piece of George Ziel art fronts this Avon paperback edition of the Chester Himes' thriller The Real Cool Killers. The story here takes place during one night, as a white man is shot in the back on a Harlem street and the detective duo Gravedigger Jones and Coffin Ed make the scene. Ed goes off his head and is suspended, which makes 90% of the book Gravedigger's show. Was the victim an innocent bystander? Was the murderer who it seems to be? And what does Coffin Ed's daughter have to do with it?

Himes' descriptive flair is unique, his sense of place is vivid, his use of language is a highwire act, and his characters are interesting. Even their names are often amazing—Ulysses Galen, Sugartit, Shiek, etc. The Real Cool Killers appeared in 1959, and as we noted when read The Crazy Kill, we're struck by the fact that—in that charged cultural era on the cusp of the Civil Rights Movement—Himes doesn't bother writing a single sympathetic black character aside from his two cops. But in this way he's no different than other hard-boiled crime writers.

Himes moved black characters to the center. They drive the action from all sides rather than are merely affected by it. Research shows that books, films, and television shows in which black characters drive rather than are affected by the action tend to be less popular with white Americans. Seen in that light, Himes' success is a tribute to a unique skill set. In the same way the murdered man in The Real Cool Killers gets his thrills going to Harlem, readers in 1959 were able to visit a world not their own in Himes' fiction. He's more than just a real cool writer. He's a pioneer. 

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Vintage Pulp Sep 27 2017
HARLEM SHAKEDOWN
Mess with a man and you've got a problem. Mess with his money and you've got a murder.


Above is a cover for The Crazy Kill, by Chester Himes, 1959, with beautiful art by George Ziel, someone we've technically never featured before, but who did a lot of work for Avon. We say we haven't technically featured him, but he painted the femme fatale at the top right of our webpage. It comes from a paperback by Bonnie Golightly called The Wild One. So in a sense we've showcased him every day for many years. And even more interestingly, when we narrowed down the various femmes fatales we were considering using in the site design, we ended up with three, one of which was the figure on the cover of The Crazy Kill. Not sure why we didn't choose her. In any case, we've had an affinity for Ziel's work for a long time.

And we've had an interest in Chester Himes for a while too. The Crazy Kill was our first Himes novel but it probably won't be our last. The book wasn't perfect, though. While the Harlem setting provides good atmosphere, the professional gamblers peopling the narrative are fascinating, and the two detectives Coffin Ed Johnson and Gravedigger Jones are about as expected, the overall lack of sympathetic characters threw us a bit. In fact, we didn't like the two cops much either, but one scene won us over. During a previous investigation Ed had acid thrown in his face and was terribly scarred. But he presents an unfailingly tough façade—until a crook tells him he looks like Frankenstein's monster. Ed flies into a rage and beats the man, but then comes this:

Coffin Ed stuck his pistol back into the holster, turned and left the room without uttering a word, stood for a moment in the corridor and cried.

It turns out Ed is human after all, and from that point it was easier for us to be on his side. Though the writing has its flaws in our opinion, a central mystery that probably only Himes could have come up with kept us forging ahead: a preacher falls out of an apartment building window but lands in a bread basket, the type bakeries once used to deliver large orders. The preacher is fine and returns to the building, but somehow another man is found dead minutes later in the same bread basket. How he got there and why is utterly baffling. The Crazy Kill is weird, but fun and worth a read. In the meantime we may go back to the first Coffin Ed/Gravedigger Jones book For Love of Imabelle to see what these guys are all about.

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History Rewind
The headlines that mattered yesteryear.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
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