|Vintage Pulp||Sep 14 2015|
Of the many covers for Dashiell Hammett’s classic The Maltese Falcon, this version painted by Stanley Meltzoff is one of our favorites. It’s from 1945 and is a dust sleeve for a paperback, a rarity that explains why it goes for $100 and up, generally. We’ve even seen it listed for $250. Beneath the Meltzoff sleeve is a cover by Leo Manso, the famed collagist and abstract artist, which he first painted for the 1944 paperback edition. You can see an example of that here. The Meltzoff sleeve was supposedly controversial at the time due to the Brigid O’Shaughnessy character removing her bra. We didn’t notice that at first, to tell you the truth—our eyes moved right to that triangle of darkness where we see Sam Spade’s hands as he assesses a pair of red pumps. Lovingly, we think. Almost like he wants to keep them. Or are we reading too much into this one?
|Vintage Pulp||Jun 26 2015|
The Deadly Climate is a 1955 mystery by Ursula Curtiss, the story of a woman who thinks she’s seen a murder in the woods, but since she can’t identify the killer, and the body has vanished, nobody believes her. But of course meantime the murderer is lurking with plans to eliminate her as a witness. There are many good reviews around the internet on this one. Art is by James Meese.
|Vintage Pulp||Jun 1 2015|
We love this Ray App cover for John Ross MacDonald’s mystery The Drowning Pool because it’s incredibly bizarre. Plot of the book aside (it’s the second Lew Archer novel), there can be only two reasons for the female figure to be positioned as she is—she’s either standing in a rowboat, presumably for the pure pleasure of it, or she’s trying to conceal her mermaid half. She shouldn’t worry about hiding, though—generally guys don’t hang around the docks unless they’re at least a little interested in seafood. 1950 original copyright, and 1951 on the paperback.
|Vintage Pulp||Oct 23 2012|
In color therapy pink symbolizes unconditional love, and you wear it when you want someone to be instantly drawn to you. Well, that stuff must work, because we're instantly drawn to these covers by Robert McGinnis for Erle Stanley Gardner’s Perry Mason series, circa early 1960s. We were thinking about changing our website a bit, but now that we know this about the color pink, forget it. Our traffic might drop to nothing.
|Vintage Pulp||Jun 30 2012|
Above, the cover of Pocket Books’ 1946 edition of W. Somerset Maugham’s classic novel The Razor’s Edge, with Troop art seeming to depict the moment a woman triumphs over her unsightly facial hair. It’ll grow back, of course, but 5 o’clock is hours away. Kiss her you fool! Seriously though, this is one of our favorite books, and it’s probably at least 25% percent of the reason we keep wandering place to place, country to country. It isn’t pulp, but it’s a damn good read. Highly recommended.