Vintage Pulp May 27 2017
1,000 TO 1 SHOT
You ever feel like you're going to lose no matter what?

This awesome cover art is by Tommy Shoemaker, a new talent to us, but not to more experienced paperback illustration aficionados, and his work fronts William Irish's The Night Has 1000 Eyes. The cover alone got us into this one. It tells the story a woman who has been burdened with very dark—and very real—predictions about the future, forecasts far too specific to be lucky guesses. For example, she's told she'll meet a woman who wears a diamond watch around her knee, and it comes true when one of her friends asks to borrow a garter, then raises her skirt to show how she's dealt with her broken one by fastening her watch around her stocking. Given that these predictions are so specific, the crucial announcement that the woman's father will be killed by a lion seems utterly unavoidable, even though they live in the middle of a metropolis.

The cover may seem to remove the need to read the novel, but don't worry—it actually depicts not the climax or any point in the middle, but the first several pages, in which a beat cop comes across a woman determined to leap from a bridge. It's after he rescues her that we learn the bizarre story of why she's there. Irish, aka George Hopley, aka Cornell Woolrich, is perhaps a bit too reiterative with his prose in this one, tending to belabor his points after they've been fully made, to the extent that the novel feels a bit like it's been padded out to reach a word threshold. Minor flaw. Even if you're periodically tempted to skip some of the existentialism 101 musings, Irish/Hopley/Woolrich weaves a compelling tale here—one later made into a film noir starring Edward G. Robinson—and it's well worth the time spent.  

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Vintage Pulp Apr 18 2016
THE REAL MCCOY
DeForest Kelly makes strong impression debuting in low budget psychological noir.


We’re doubling up on the film noir with Fear in the Night, a low budget drama that hit cinemas today in 1947. It stars DeForest Kelly—Dr. McCoy of Star Trek fame—in his cinematic debut as a bank teller who has a nightmare of murder, but wakes with unnerving hints it was more than a dream—blood on his hand, thumbprints on his neck, and a few foreign items in his possession. While not a top noir, the source material—Cornell Woolrich’s story “And So to Death”—is strong, and the film is stylishly shot by director Maxwell Shane and cinematographer Jack Greenhalgh, who use various visual tricks to suggest a man barely keeping his grip on reality (see below). Some may be put off by the voiceover dominating the first reel, but we thought it was fun. Viewers know right away Kelly’s done something bad in the real world—the questions are where, when, how, and why. Luckily, his cop in-law and loyal girlfriend are there to lean on, so it’s only a matter of time before the truth comes out. Kelly is only twenty-seven in this and with his soulful eyes and perfectly waved hair he’s quite handsome. We recommend this one for true noir lovers, fans of Star Trek, and women who want material for their rub club. And no, you aren't imagining it—DeForest doesn't appear on the promo poster, even though he's the star.

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Vintage Pulp Jan 24 2016
WINDOW SHOPPING
When Hollywood fleshed out source material it often changed the flesh tones too.


 

Just a bit more on Rear Window today. The movie was based on Cornell Woolrich's story "It Had To Be Murder," which appeared in Dime Detective Magazine of February 1942. As might be expected story and film are substantially different. Lisa Fremont doesn't exist at all and neither does the insurance company nurse Stella. They were both derived from one character—a valet named Sam who does all the hard work while Jeffries watches from his wheelchair. The relationship between these two is warm, but with strong overtones of status and race, with Jeffries at one point showing his pleasure with Sam by saying, "Go and build yourself a great big two-story whisky punch; you’re as close to white as you’ll ever be."

 

Screenplay choices are always interesting, and we can see the addition of Grace Kelly's Fremont character making sense (though this being Hitchcock, he'd have put a blonde in the movie no matter what, since they represented a fantasy woman for him), but we wish Stella had been left out and Sam kept intact. We understand that changing Jeffries into a rogue photographer from a rich Manhattanite meant taking away his valet, but Sam could have been transformed into the insurance company employee. But that's just our opinion. You can decide for yourself by reading or downloading "It Had To Be Murder" yourself at this link. It's well worth the time.

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Vintage Pulp Jul 1 2013
GIRL, INTERRUPTED
Hi honey! You’ve been so tense and nervous lately I decided to drop by as a surprise and—


Above, the cover art from William Irish’s, aka Cornell Woolrich’s six story anthology Six Nights of Mystery, 1950, with excellent art by Rudolph Belarski. Both parties actually lose out here. Yeah, the woman gets shot. Painful, no doubt. But the guy? He can just forget about ever winning another argument. Fifteen years later she’ll still be on his ass about this little mishap and he’ll be like, “For the love of God! I shot you once! One time! Do I have to hear about it for-fucking-ever?”

Note: To see women exercising their equal right to shoot men, check here and here.
 

 
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Vintage Pulp Jul 28 2012
SLIPPING INTO DARKNESS
In pulp, nights of impulse are always followed by mornings of regret.

Above is a nice cover for Elick Moll’s suspense novel Night Without Sleep, the story of a playwright whose violent temper and love of drink lead to a serious dilemma—he awakens from a binge with vague memories of a woman screaming, leading him to suspect he may have committed murder. There are three women in his life—his wife, his mistress, and the woman he would like to be his new mistress—and he tracks them down one by one, praying that his suspicions are wrong. A pretty good read, all in all, even if certain elements do resemble Cornell Woolrich’s earlier The Black Angel. We noticed this book mainly because the title was familiar—a film version starred the luscious Linda Darnell, one of our favorite old actresses. You can see a great photo of her here. 1962 on this cover, by the way, with art by uncredited. 

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Vintage Pulp Mar 5 2012
EXTRA PULP
Black Lizard’s pulp anthology is as thick as an old phone book, but we’ll get through it somehow.

Stay away from the U.S. long enough and when you go back you get really good gifts. The Big Book of Pulps, above, was a belated birthday present—and what a present it is. At over 1,000 pages, this is probably the most comprehensive pulp anthology we’ve ever seen. Published in 2007 by the now defunct pulp revival specialists Black Lizard, the collection contains stories from Raymond Chandler, Cornell Woolrich, Dashiell Hammett, Erle Stanley Gardner, James M. Cain, Paul Cain and many others, and is even sprinkled with some ink illustrations. We’ll be working our way through this tome for the next couple of years, no doubt. Which means we should finish just in time to go back to the States again and get another great gift. Thanks Neil S. 

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History Rewind
The headlines that mattered yesteryear.
January 24
1961—Plane Carrying Nuclear Bombs Crashes
A B-52 Stratofortress carrying two H-bombs experiences trouble during a refueling operation, and in the midst of an emergency descent breaks up in mid-air over Goldsboro, North Carolina. Five of the six arming devices on one of the bombs somehow activate before it lands via parachute in a wooded region where it is later recovered. The other bomb does not deploy its chute and crashes into muddy ground at 700 mph, disintegrating while driving its radioactive core fifty feet into the earth, where it remains to this day.
January 23
1912—International Opium Convention Signed
The International Opium Convention is signed at The Hague, Netherlands, and is the first international drug control treaty. The agreement was signed by Germany, the U.S., China, France, the UK, Italy, Japan, Netherlands, Persia, Portugal, Russia, and Siam.
January 22
1946—CIA Forerunner Created
U.S. president Harry S. Truman establishes the Central Intelligence Group or CIG, an interim authority that lasts until the Central Intelligence Agency is established in September of 1947.
1957—George Metesky Is Arrested
The New York City "Mad Bomber," a man named George P. Metesky, is arrested in Waterbury, Connecticut and charged with planting more than 30 bombs. Metesky was angry about events surrounding a workplace injury suffered years earlier. Of the thirty-three known bombs he planted, twenty-two exploded, injuring fifteen people. He was apprehended based on an early use of offender profiling and because of clues given in letters he wrote to a newspaper. At trial he was found legally insane and committed to a state mental hospital.
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