King of the hill, top of the heap.
Owned by a publisher calling itself Sapho, Folies de Paris et de Hollywood was one of the pre-eminent pin-up magazines of the mid-century period, running from 1947 to 1975 for a total of nearly 600 issues. It also operated under other names, including Paris-Hollywood, and generated another 150 issues. Appearing this week in 1966, this issue of Folies is number 345 and features the usual assortment of showgirl portraits and write-ups. Often the magazine slipped in a model or two from outside the world of Parisian dance, and in this issue a good chunk of pages are given to British pin-ups Cleo Simmons and Penny Winters. We didn't scan all their photos—sorry. This is a big magazine, dimensionally speaking, and every page must be scanned in two pieces and merged in Photoshop—with the centerfold being scanned in four pieces and reassembled—so sometimes we don't get to all of them. But we strive to improve. Speaking of the centerfold, she's unknown to us, as is the rear cover star. If anyone knows them feel free to drop us a line. Twenty images below, and many more Folies to come.
If you're hearing this it's already too late.
This curious photo shows a bit of pulp-era technology—the acoustic mirror or acoustic locator. It was used to detect the approach of aircraft. The examples above and below are from Japan, Finland, Russia, Sweden, and other countries, and date from the 1930s to the eve of World War II, when they were replaced by radar systems. Apparently, these worked quite well, picking up engine noise from miles away. But as aircraft became speedier the effective range of the devices decreased—enemy planes would reach the site where a mirror was located within a minute or two of being detected. At such speeds, a spotter with a good pair of binoculars and decent visibility would see the planes the same time a mirror heard them. But before airspeeds increased these were the surest way to detect an oncoming aerial attack or reconnaissance flight, particularly at night. In addition to portable mirrors, some countries used cast concrete to construct massive versions that had a twenty-mile range. Great Britain built the last set of these in 1943 when fears surfaced that the Germans had developed a means to jam radar. Built to endure weather and time, some survive and have become tourist attractions. We have ten more crazy acoustic mirror designs below for your enjoyment.
If at first you aren’t impressed try Trygon again.
You may have noticed we’re really digging into our collection of Japanese posters lately. Here’s another. It was made for Das Geheimnis der weißen Nonne, a West German-British movie based on Edgar Wallace’s novel Kate Plus Ten and released in English as The Trygon Factor. Basically, a Scotland Yard investigator investigates a series of robberies and finds that a respectable English family and group of nuns living in a country manor together are not what they seem. Stuart Granger and Susan Hampshire star, but the star of the poster is Sophie Hardy, which just goes to show the Japanese distributors knew exactly how best to promote the film. We saw the movie several years back and weren’t impressed, but we watched it again last night and this time found it pretty entertaining for the type of goofy crime thriller it is. We make no guarantee, though. Das Geheimnis der weißen Nonne-The Trygon Factor premiered in Japan as Dai gôtô-dan today in 1968.
, West Germany
, Das Geheimnis der weißen Nonne
, The Trygon Factor
, Dai gôtô-dan
, Kate Plus Ten
, Stuart Granger
, Susan Hampshire
, Sophie Hardy
, Edgar Wallace
, poster art
Wait, wait, wait! Why don't we settle this like real men? By blaming the woman!
Howard Baker, born Arthur William Baker, is an Irish author sometimes referred to as W. Howard Baker, and who also wrote as Peter Saxon, William Arthur, W.A. Ballinger, and Richard Williams. The Big Steal involves a typical cast of misfit thieves trying to make off with a cache of gold bullion from Heathrow Airport, mixed with a plot thread about a killer on the loose. Baker also wrote war fiction, sci-fi and supernatural tales. The great cover art for the 1964 Mayflower Dell paperback you see here was painted by Peff, aka Sam Peffer.
, Heathrow Airport
, Howard Baker
, Peter Saxon
, William Arthur
, W.A. Ballinger
, Richard Williams
, Sam Peffer
, cover art
Pay attention so you can do this yourself one day. Rabbit hops over the log, rabbit crawls under the log, rabbit runs around the log…
Originally published in 1903, The Secret Way was one of many mysteries written by J.S. Fletcher, a prolific British author who dabbled in various genres, from poetry and history to detective and supernatural novels, eventually producing well over one hundred books. This paperback from London-based Mellifont Press, Ltd. appeared circa 1925 with uncredited cover art.
The sun (almost) never set on Short Stories magazine.
We last wrote about Short Stories in December 2008 and said we’d get back to it soon. Seven-plus years? That’s about par for us. That last post was five covers from the British edition of the magazine, which lasted from 1920 to 1959. The covers here, featuring the familiar red sun motif or clever variations thereof, are from British and American editions.
Well, there's no reason I can't be deadly and stylish, right?
Above, one of the better promos you'll see of British actress Diana Rigg. That's really saying something, because she's one of the more photogenic stars of her period. We'll bring her back later so you can see what we mean. This photo was made as a promo for her television series The Avengers and dates from 1966.
Sleeve from seminal gloom band gives fans plenty to be happy about.
This is the last of our rare bootleg record sleeves with art by Aslan, aka Alain Gourdon. The previous two were for records by The Cure, and we showed you those here and here. This one was made for Joy Division, and though undated—the blue vinyl and inner sleeve have no text at all—probably appeared in late 1980 as a rush release after lead singer Ian Curtis committed suicide. As far as we know, no other bootleg records with Aslan art were ever made, though Fontana released a series of very nice licensed Aslan covers during the 1960s. All three Aslan bootlegs are somewhat racy, this one perhaps most so, but it’s a brilliant piece of art.
The gun? Sorry to say that’s so I can deal with about 200 pounds of excess baggage I don’t want on this trip.
The Blonde and the Boodle, from Sexton Blake Library, entry number 394, is a labyrinthine tale by British author Jack Trevor Story of thwarted love and a thwarted bank heist. Basically, girl marries a crook, girl is influenced to rob bank, girl loses loot, girl decides husband is louse, girl looks for replacement, girl selects someone even worse than her first choice. All very interesting, but what we really wanted to do was share the amazing art, which is by Fernando Carcupino, a man so respected as an artist he was knighted. Really—in 1983 he was made a Knight of the Order of Merit of the Italian Republic. That takes talent. Sexton Blake books have a vertical cover banner, but we’ve cropped that so you can see Carcupino’s work a bit more closely. For the purists among you we've uploaded the full cover as well. We’ll try to dig up more examples of this genius’s output later.
1960 thriller combined voyeurism, repression, child abuse, and sexual crime long before the public was ready.
Hollywood lore is sprinkled with tales of maligned cinematic masterpieces. British director Michael Powell’s 1960 voyeuristic thriller Peeping Tom is one of them—a film so savagely reviewed that it irreparably damaged what had been an acclaimed directorial career. While Powell should not have suffered so brutal a fate, his film’s rebranding as a work of incandescent genius is also not fully deserved. In the end Peeping Tom is a perfectly decent piece of filmmaking, amazingly forward-looking but also flawed. It deals with a man-child obsessed with filming women at the moment the fear of death appears in their eyes, and our villain does this of course by murdering them, and he manages to kill, film, and keep his subjects in frame at all times by using a spear-like contraption attached to his camera tripod. As you can probably guess, his carefully balanced existence is upset by the arrival of a prospective love interest, and we know from the moment she appears that she’ll be in front of his lens at some point.
In the U.S., Peeping Tom came after Alfred Hitchcock’s similar Psycho, but it Britain it arrived first. Censorship was slipping in British cinema, but to get a sense of how prudish authorities still were, consider the fact that Hitchcock’s movie caused controversy not only for its shower murderand for showing Janet Leigh in her bra and in bed with a man, but for being the first film to show a flushing toilet—an affront to bluenoses though the contents were merely a torn up note. Peeping Tom pushed the envelope farther and did it first, showing the killer Mark Lewis preying on sex workers and nude models, showing nudie reel star Pamela Green sprawled topless on a bed just before her murder, and drawing out the killings to agonizing length as Lewis coaxes the perfect expression of terror from his victims. Powell develops his killer to the extent that the audience must understand him as a human, and uses point-of-view to make the character’s films-within-the-film the equivalent of snuff movies.
The list of technical achievements goes on—Powell deftly manages to make Peeping Tom brutal without spilling a drop of blood, and his visual approach is engrossing. So why isn’t the movie a 10? Well, there are a few glaring script incongruities, some of the acting is below professional level, the killer seems careless for someone that has been at it for a while, and the idea of so obviously disturbed a man—stuttering, mumbling, visibly shying from any form of human contact—being able to attract even awoman as kind and credulous as Anna Massey just doesn’t ring true. There are men who are projects, and there are men who are lost causes—are we right, girls? That’s what the Pulp Intl. girlfriends say anyway. But Peeping Tom is a film every cinephile should see. The moral objections of contemporary critics seem quaint now—many hated being forced to experience the murders from the killer’s perspective, but the viewer’s loss of choice echoes the killer’s helplessness to control himself, and that may very well be Powell’s best trick.
The Noir City Film Festival ends tonight with a pairing of Peeping Tom with the Michelangelo Antonioni classic Blow-Up, which means here at Pulp Intl. we’ll close the book on the fest and move back into the more diverse subject matter that usually makes up our website. We wanted to use Noir City as an excuse to delve into the film noir catalog and we managed to watch sixteen of the twenty-five films on the schedule—some for the second or third time—and write about twelve of them. This all made for a quite enjoyable week, with much wine drunk and popcorn noshed (we have a Whirley popcorn maker we had sent over from the States that does a bang-up job), but it was also a bit of work. At this point we doubt we’ll go through all the considerable effort of screening next year’s Noir City slate, but you never know. Next January is a long, long way off—or at least, it should seem that way if you’re living life the way you should. We shall see.
, Noir City Film Festival
, Peeping Tom
, Michael Powell
, Carl Boehm
, Karlheinz Böhm
, Anna Massey
, Moira Shearer
, Pamela Green
, Alfred Hitchcock
, poster art
The headlines that mattered yesteryear.
1927—First Prints Are Left at Grauman's
Hollywood power couple Douglas Fairbanks and Mary Pickford, who co-founded the movie studio United Artists with Charlie Chaplin and D.W. Griffith, become the first celebrities to leave their impressions in concrete at Grauman's Chinese Theater in Hollywood, located along the stretch where the historic Hollywood Walk of Fame would later be established.
1945—Hitler Marries Braun
During the last days of the Third Reich, as Russia's Red Army closes in from the east, Adolf Hitler marries his long-time partner Eva Braun in a Berlin bunker during a brief civil ceremony witnessed by Joseph Goebbels and Martin Bormann. Both Hitler and Braun commit suicide the next day, and their corpses are burned in the Reich Chancellery garden.
1967—Ali Is Stripped of His Title
After refusing induction into the United States Army the day before due to religious reasons, Muhammad Ali is stripped of his heavyweight boxing title. He is found guilty of a felony in refusing to be drafted for service in Vietnam, but he does not serve prison time, and on June 28, 1971, the U.S. Supreme Court reverses his conviction. His stand against the war had made him a hated figure in mainstream America, but in the black community and the rest of the world he had become an icon.
1947—Heyerdahl Embarks on Kon-Tiki
Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing.
1989—Soviets Acknowledge Chernobyl Accident
After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe.
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