Welch makes world's most unwieldy laundry technique look like a good idea.
This piece of art has two things going for it—it was painted by Italian genius Enzo Nistri, and his painting is of Raquel Welch. We know—we had you already at Enzo. Consider Welch a bonus. El Verdugo is Spanish for “the executioner,” and this is a Spanish poster, despite the artist being Italian. The film is better known as 100 Rifles, a 1969 western about a revolutionary who knocks off a bank to fund the purchase of guns. It's counterculture all the way—Burt Reynolds plays a half-Native American named Yaqui Joe, Jim Brown co-stars as a lawman sent to recover the cash, Welch is also supposed to be Indian, and the subtext of revolution was meant to mirror the social unrest in the U.S. We wrote about it in detail here.
Welch takes a shower in the middle of the film, and you see below we have some promo images of that. A clothed shower? It's silly. Welch did not do nudity*, so the filmmakers should have simply left the scene out. Within the script the shower is an ambush so she can get some Mexican soldiers' guards down then ventilate them, but just set up the ambush a different way. Don't know about you, but if we came across someone showering clothed, whatever the circumstances, we'd immediately start looking over our shoulders because it's strange. That said, the photos are fun. They show what a huge sex symbol Welch was. Douse her with water and men got hot and bothered seeing hardly any skin at all. El Verdugo opened in Spain today in 1969. *Regarding Welch nude scenes, there's a nude photo of a woman who resembles Welch and is believed by some to have been taken on a movie set. It's plausible in the sense that back then actors got naked for scenes that were nude in scripts but not meant to be shown nude or fully nude onscreen—such as here and here—but we doubt Welch did it.
Raquel, rifles and redesigned money. Above, a fantastic poster for the 1969 western 100 Rifles with Raquel Welch superimposed over a stylized U.S. currency background. It was made for the film’s 1971 stint in what was then Czechoslovakia. Amazingly, we saw it listed on a foreign poster specialty site for $275.00, and then saw the exact same piece on a big retail site for $13.99. The lesson there is to shop wisely. See our recent write-up on 100 Rifles here.
Another ’60s movie reminds us what we’re not getting in today’s cinema. When we saw these Japanese posters for the 1969 western 100 Rifles, we made a special point to watch the film just so we had a good reason to share the art. So there you go. Now as for the actual film, there’s a moment about halfway through where mega sex symbol Raquel Welch says to black ex-NFL football star Jim Brown, “Do you want me?” That’s about as rhetorical a question as has ever been asked on a motion picture screen. Of course he wants her—who wouldn’t? But this being an American movie, the real question is, “What will the consequences be?” Because after all, even though interracial romance works just fine for millions of real life couples, in Hollywood that simply can’t be. Especially when you’re talking about heterosexual black males. So we know someone’s going to end up dead. We could have prefaced that last statement with a spoiler alert, but we all know it wasn’t really a spoiler. As moviegoers, we’ve been trained to know happily-ever-after isn’t a component of these black/white love affairs. When 100 Rifles was made in 1969, it may have seemed America was on the way—if perhaps a bit turbulently—to a post-racial future. But forty-two years later we bet you can’t think of three other instances where a top tier white starlet had a love scene with a black man. So even though 100 Rifles offers up a reasonably compelling tale of guerrilla warfare on the Mexican frontier, and Burt Reynolds co-stars in a role perfectly crafted for his special brand of smarmy brilliance, and you even get an unforgettable nude minute of cult siren Soledad Miranda, you mainly come away with yet another reminder of how edgy Hollywood was capable of being back then, and how risk averse it is today. We don’t speak of risk merely in terms of race, but in general. Despite modern cinema being awash in CGI and 3D and THX sound and obscene budgets, as well as dozens of swaggering young stars, along with teams of clever writers and yachtfuls of execs who all claim to be mavericks, the movies are overwhelmingly soulless. 100 Rifles is not a great film, but even as a late-1800s period piece it asks relevant 1969-style questions about racial mixing, social struggle, and offers serious introspection about the worth of warfare. It's an interesting product of the time from which it sprang. That's worth a lot, in our book. By comparison, if we consider post-millennial movies a product of the time in which we now live, then the message seems to be: just don’t make us think.
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The headlines that mattered yesteryear.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission. 1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease. 1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot. 1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid. 1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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