Vintage Pulp Jul 30 2023
HOUSE OF PAIN
Life there is an ongoing domestic disturbance.

The posters you see here were made for the French thriller Les félins. While the French posters are fine, we thought these Italian promos were a bit more interesting. The first two were painted by Enzo Nistri, the second two by Sandro Symeoni. The movie was called Crisantemi per un delitto in Italy—“chrysanthemums for a crime.” No idea why. But fine, it's lyrical, which is never bad. It's based on the imaginative Day Keene novel Joy House, which is the title the movie retained for its U.S. run. In the book a derelict is plucked from a Chicago homeless shelter by a rich widow who needs a chauffeur, but her benevolence seems likely to backfire because her new driver was in the shelter only because it offered a perfect hiding place from mobsters seeking to kill him. But she has her own secret plans, and they're as sinister as they come.

Working from a screenplay co-written by director René Clément and crime author Charles Williams, the movie slightly alters the approach of Keene's book. With Lola Albright playing the widow and Alain Delon as the hunted man, the story is transplanted from urban Chicago to the Côte d'Azur. Pre-Barbarella Jane Fonda features in a co-starringrole as Albright's cousin and household helper. The two are soon in competition for Delon's affections, though he never forgets that his main goal is to escape the mobsters. While the general thrust of the plot remains a mystery as in Keene's novel, there's a heavy dose of action too, with excellent stunts. The ending differs as well.

The result is good, but also an example of both the highs and lows of French cinema of the period. Delon, Fonda, and Albright are decent actors bestowed a good script, and are all gorgeous and charismatic, but the movie spends a lot of time being cute. Even so, Clément and company pull it all together. Make sure you appreciate the production design, especially the Rolls Royce that Delon drives, with its completely transparent roof, c-pillars all. It's something we never knew existed. To us it looked like a good way to get heatstroke, but we guess it was made for rich occupants to see and be seen. We think Joy House should be seen. It premiered in France in June 1964, then opened at the Taormina Film Fest in Italy today the same year.
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Vintage Pulp Jul 5 2023
INMATING RITUALS
Strindberg, Tamburi, Bisera and company wip it good in Italian sexploitation drama.


We ran across this poster for a movie we watched years ago, the exploitation drama Diario segreto da un carcere femminile, which premiered in Italy today in 1973 and is known in English as Women in Cell Block 7. Such films, for the uninitiated, are thought of by b-movie fans as belonging to a sub-genre known as women-in-prison or WiP. In honor of today's post we've gone back through the website and keyworded for them, so you can see what we've done on this unusual style of cinema by clicking “women in prison” at bottom.

The art on the poster is by Enzo Nistri, which makes it worth a share. The movie is sort of interesting too, though perhaps not exactly good. However, we've never been able to forget Olga Bisera's naughty correctional facility finger. You can see her using it in a couple of the production photos below, and following those are some of the stars, who comprise a who's-who of 1970s European exploitation cinema: Anita Strindberg, Eva Czemerys, Jenny Tamburi, Paola Senatore, Maria Pia Luzi, Gabriella Giorgelli, Olga Bisera, and Valeria Fabrizi.
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Vintage Pulp May 16 2023
MALE PATTERN BADNESS
Yul be the death of each and every one of them.


It's been quite a while since we looked at the work of Italian illustrator Enzo Nistri. In recent years we've been focusing on his younger brother Giuliano, but they were both major talents. Here you see something special from Enzo—a textless original piece of art for the 1975 Yul Brenner movie The Ultimate Warrior, known in Italian as Gli avventurieri del pianeta Terra. It's about a group of people trying to survive in post-apocalyptic New York City. They eventually hire a tough-as-nails warrior to protect them. That would be Brenner. The movie is set in 2012, which is rather funny, but sci-fi fans are used to temporal predictions being way off. Blade Runner was set in 2019, and Soylent Green was set in 2022, and here we are without flying cars, replicants, or crackers made of human beings—although that last might show up soon the way things are going. In any case, fantastic work from Enzo. We'll try to feature him more later. And we may even screen the movie and report back.

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Vintage Pulp Jul 18 2020
SQUEAKY CLEAN
Welch makes world's most unwieldy laundry technique look like a good idea.


This piece of art has two things going for it—it was painted by Italian genius Enzo Nistri, and his painting is of Raquel Welch. We know—we had you already at Enzo. Consider Welch a bonus. El Verdugo is Spanish for “the executioner,” and this is a Spanish poster, despite the artist being Italian. The film is better known as 100 Rifles, a 1969 western about a revolutionary who knocks off a bank to fund the purchase of guns. It's counterculture all the way—Burt Reynolds plays a half-Native American named Yaqui Joe, Jim Brown co-stars as a lawman sent to recover the cash, Welch is also supposed to be Indian, and the subtext of revolution was meant to mirror the social unrest in the U.S. We wrote about it in detail here.

Welch takes a shower in the middle of the film, and you see below we have some promo images of that. A clothed shower? It's silly. Welch did not do nudity*, so the filmmakers should have simply left the scene out. Within the script the shower is an ambush so she can get some Mexican soldiers' guards down then ventilate them, but just set up the ambush a different way. Don't know about you, but if we came across someone showering clothed, whatever the circumstances, we'd immediately start looking over our shoulders because it's strange. That said, the photos are fun. They show what a huge sex symbol Welch was. Douse her with water and men got hot and bothered seeing hardly any skin at all. El Verdugo opened in Spain today in 1969.
*Regarding Welch nude scenes, there's a nude photo of a woman who resembles Welch and is believed by some to have been taken on a movie set. It's plausible in the sense that back then actors got naked for scenes that were nude in scripts but not meant to be shown nude or fully nude onscreen—such as here and here—but we doubt Welch did it.

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Vintage Pulp Jul 5 2017
MALEFICENT 7
And they thought cellblocks 1 through 6 were bad.


Diario segreto da un carcere femminile, for which you see a nice poster above, was released in English as Women in Cellblock 7. Jenny Tamburi is thrown in prison as an accessory to a drug trafficking doublecross that led to the disappearance of twenty kilos of heroin. Interpol agent Anita Strindberg wants to prove her father, also an Interpol agent, had nothing to do with the heist, and has herself and her amazing hair placed in prison in order to ply Tamburi for exonerating evidence. Outside parties think Tamburi knows where the missing heroin is, including her lawyer and the mafia, but she claims to have no idea.

So you have an innocent woman in prison, under threat from convicts connected to the mafia, and into this arrives an undercover agent who soon becomes her protector. The cast, which besides Tamburi and Strindberg includes Eva Czemerys, Olga Bisera, Cristina Gaioni, and Valeria Fabrizi, get to rubbing on each other in beds and showers in cinematic approximations of lesbian sex, which means you've got yourself a classic women in prison sexploitation flick. There's also a plot thread external to the prison involving the mafia trafficantes, and some of this features effective action, but it's the ladies on lockdown that are the draw here.

Do they make the movie worth watching? We wouldn't go that far, but they're certainly scenic, and they work hard to hold together a ridiculous script. The conundrum of movie acting is that you have to give it your all or be judged unfit for further roles. At eighty-one minutes in length, at least the film lets the cast out early for good behavior even if the warden doesn't. Diario segreto da un carcere femminile premiered in Italy today in 1973, and the poster was painted by Enzo Nistri. You can see more of his work here and here.

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Vintage Pulp Jan 15 2013
PSYCH WARDH
Vice and virtue in Vienna.

So, quite by coincidence there’s another movie we watched recently that also premiered today, though thirty years later than The Shanghai Gesture (see below). The movie is Lo strano vizio della Signora Wardh, which would translate as “The Strange Vice of Mrs. Wardh,” but was released in the U.S. as Blade of the Ripper. This flick is considered one of the best gialli ever made, and it’s tough to argue the point. It’s intricate, absorbing, unpredictable, colorful, and shot in an array of amazing external locations and inside one of the greatest mid-century modern apartments ever conceived. It also has Edwige Fenech, whose gifts are well known. Taking place mainly in Vienna and climaxing in Sitges, Spain (which happens to be one of our favorite towns in Europe)Signora Wardh is a tale of obssession and infidelity wrapped in a murder mystery. Mrs. Wardh does indeed have a strange vice, but that’s just window dressing. It’s her that’s being hunted throughout the movie—either by a serial killer, a demented ex-lover, or both. Or neither. They say that the only way to keep a secret is if no more than two people know it and one of them is dead. But the only way to commit murder is if the killer has an iron clad alibi, and for that he often needs help. Rule one conflicts with rule two, and that’s the fun of Signora Wardh. Above you see a rare and wonderful Italian promo poster painted by Giuliano Nistri, the younger brother of equally talented Enzo Nistri. We'll get back to both Nistri brothers a little later. Lo strano vizio della Signora Wardh opened in Italy today in 1971.

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Vintage Pulp Jun 13 2012
WAITE ALL DAY
The movie isn’t perfect, but the Japanese promo poster is.

Something a bit different today. We saw this poster and loved its colors and vibrancy. It’s for the 1968 counterculture movie Joanna, which was about a young woman in swinging 1960s London. Think of it as a distaff version of Alfie, but with the added taboo of interracial romance. The star is Geneviève Waïte, and Donald Sutherland also puts in an appearance. Like a lot of movies that tried to capture the spirit of the ’60s, Joanna has not aged particularly well, but it’s beloved by many who were in high school or college when it came out. The movie is well before our time, but we liked it anyway. It isn’t perfect, but it has some really great moments, including an interlude in Morocco. As a bonus, we’ve posted the English, Spanish and Italian promos below. You’ll note that the Italian version was painted by Enzo Nistri. He did quite a bit of nice work in the ’60s and ’70s. We’ll get back to him. 

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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