| Vintage Pulp | Aug 9 2020 |
Welch tries to Fathom the spy game in cheeseball ’60s thriller.
This great poster was painted by French artist Vanni Tealdi for the 1967 spy adventure Une super-girl nommée Fathom, originally made as Fathom. The film was based on an unpublished novel by Larry Forrester, and is set in Spain in various beautiful locations around the Costa del Sol, including Nerja, which we discussed not long ago. Sixties icon Raquel Welch plays a member of a skydiving troupe recruited by Headquarters Allied Defenses Espionage and Security—HADES—to locate the fire dragon, which is supposedly a trigger for a nuclear bomb. Mostly the mission involves Welch using her smile and showing off her supernaturel physique, which is the real nuclear bomb, packed with kilotons of destructive power.
She finds herself caught in a web of lies and soon doesn't know who's the good guy, whether the fire dragon is really a nuclear trigger, and whether she shouldn't just run away and catch up with the rest of her troupe. It's all quite lighthearted, and considering what Welch is given to work with scriptwise, she manages not to sabotage herself or the film. However, she was not that great of an actress at this point, so your primary motive for watching this would be to enjoy the scenery—certainly of Welch, but also of Spain. Those two reasons will get you through the film's ninety-nine minutes. Une super-girl nommée Fathom has no known French release date, but it premiered in the U.S. today in 1967, and would have made it to France later the same summer.
SpainFranceUne super-girl nommée FathomFathomRaquel WelchAnthony FranciosaVanni Tealdiposter artcinemamovie review
| Vintage Pulp | Jul 18 2020 |
Welch makes world's most unwieldy laundry technique look like a good idea.
This piece of art has two things going for it—it was painted by Italian genius Enzo Nistri, and his painting is of Raquel Welch. We know—we had you already at Enzo. Consider Welch a bonus. El Verdugo is Spanish for “the executioner,” and this is a Spanish poster, despite the artist being Italian. The film is better known as 100 Rifles, a 1969 western about a revolutionary who knocks off a bank to fund the purchase of guns. It's counterculture all the way—Burt Reynolds plays a half-Native American named Yaqui Joe, Jim Brown co-stars as a lawman sent to recover the cash, Welch is also supposed to be Indian, and the subtext of revolution was meant to mirror the social unrest in the U.S. We wrote about it in detail here.
Welch takes a shower in the middle of the film, and you see below we have some promo images of that. A clothed shower? It's silly. Welch did not do nudity*, so the filmmakers should have simply left the scene out. Within the script the shower is an ambush so she can get some Mexican soldiers' guards down then ventilate them, but just set up the ambush a different way. Don't know about you, but if we came across someone showering clothed, whatever the circumstances, we'd immediately start looking over our shoulders because it's strange. That said, the photos are fun. They show what a huge sex symbol Welch was. Douse her with water and men got hot and bothered seeing hardly any skin at all. El Verdugo opened in Spain today in 1969.
*Regarding Welch nude scenes, there's a nude photo of a woman who resembles Welch and is believed by some to have been taken on a movie set. It's plausible in the sense that back then actors got naked for scenes that were nude in scripts but not meant to be shown nude or fully nude onscreen—such as here and here—but we doubt Welch did it.
| Intl. Notebook | Jun 2 2020 |
Raquel Welch is a one-woman party on the Costa del Sol.
This great photo shows U.S. actress Raquel Welch when she was filming the 1967 adventure Fathom in Spain, specifically in and around the Costa del Sol towns of Málaga, Mijas, Nerja, and Torremolinos. This moment, in which she shows her ability to turn men into drooling lemmings, is actually a scene from the movie in which she walks from her villa to the sea, along the way interrupting an afternoon dance party. We recognized the spot as soon as we saw it. We've been there. It's a path below the tiny historic center of Nerja and an overlook known as Balcón de Europa, leading down to Playa Calahonda, a rocky beach. Below you see the path viewed from its top, and the bottom photo shows the general area, with the Balcón de Europa on the left. As far as we remember there's no plaque or sign commemorating Welch traversing that path to the sea. Local authorities might consider rectifying that. We'd also suggest putting up a giant version of the above photo. It says Costa del Sol in a major way. As for the actual movie, we'll talk about that later.
| Intl. Notebook | May 12 2020 |
Hitchcock says no festival for you this year!
The 73rd edition of the Festival de Cannes, aka the Cannes Film Festival, would have kicked off today in the south of France, but was cancelled a while back. It's just one of a wave of event cancellations that will cascade through the year. Festivals as diverse as Burning Man and San Fermin, aka the Running of the Bulls, have also been shelved. But getting back to Cannes, we thought this would be a good moment to commemorate past fests with some historical photos. Above you see Alfred Hitchcock on a boat with the town in the background, in 1972, and below are about fifty pix from the 1940s through 1970s, documenting various iconic moments, and a few quieter ones. Maybe the Cannes Film Festival will back next year, maybe not. At this point, predicting anything is an exercise in futility. But at least we'll always have the memories.
Edith Piaf sings on the terrace of the Carlton Hotel on the iconic Boulevard de la Croisette at the first Festival de Cannes to be held under that name, in 1946. Back then the event took place in September and October, but would shift to May a bit later.
Diana Dors and Ginger Rogers arrive at the fest the only way anyone should—breezing along the beachfront in a convertible, in 1956, with an unknown driver.
Kirk Douglas holds court on the beach in 1953, and Brigitte Bardot soaks up rays in the foreground.
Michele Morgan poses at the first Festival in 1946. Photo ops of this sort were essential sources of publicity for stars, and would soon become opportunities for non-stars seeking to be discovered.
Case in point. Robert Mitchum poses with actress Simone Sylva in 1954. Sylva was allegedly not supposed to be there, but shucked her top and photo-bombed Douglas in an attempt to raise her profile. It didn't work. She made only a couple of credited movie appearances after her topless stunt.
Romy Schneider and Alain Delon at the 1959 fest.
An unidentified model or actress poses in the style of Anita Ekberg from La dolce vita in 1960. This looks like it was shot at Plage du Midi, which is a beach located a little ways west of the Cannes town center.
A unidentified partygoer is tossed into a swimming pool after La Dolce Vita won the the 1960 Palme d’Or. The Festival is almost as well known for legendary parties as for legendary film premieres.
Another unidentified model or actress poses on the boardwalk in 1979. Generally, you don't have to be known to draw a crowd of photographers—you just have to be nearly bare. She's wearing lingerie, so that explains the interest, though this is modest garb for a Cannes publicity stunt. It's never a surprise to see a headline-seeking film hopeful strip all the way down to a string ficelle féminin, or thong, which is the limit of what is legal in Cannes
Sidney Poitier and Jean Seberg have a laugh in 1961. This was the year Poitier's flick Paris Blues was released, so it's possible he had jetted down from the capital for the Festival.
Philomène Toulouse relaxes on the sand in 1962 while a boy practices the classic French look of disgust he'll be using the rest of his life.
Actor Bernard Blier, 1975.
An unidentified bikini wearer boldly enjoys a lunch in a café on the Croisette, 1958.
Natalie Wood aboard a sailboat in 1962.
Grace Kelly, 1955.
Kelly times two—Grace Kelly and Gene Kelly, hanging out, also in 1955.
Sammy Davis, Jr. poses in front of a billboard promoting his film A Man Called Adam, 1966.
Joan Scott gets sand between her toes in 1955. Scott is obscure. She isn't even the most famous Joan Scott anymore. The IMDB entry for the only Joan Scott near the appropriate age is for an actress born in 1920 who didn't begin acting until 1967. The Joan Scott above doesn't look thirty-five, though, and we doubt she would have been the subject of this somewhat well-known photo without parlaying it into a film appearance before twelve years had passed. So we don't think this is the Joan Scott referenced on IMDB.
Sharon Tate, with Roman Polanski, and solo, 1968.
Marlene Dietrich brings glamour to a tiki themed bar in 1958.
Tippi Hedren and Alfred Hitchcock release caged birds as a promo stunt for The Birds in 1963.
Sophia Loren sits with husband Carlo Ponti, who was a member of the 1966 Festival jury.
Raquel Welch poses on a motorcycle in 1966.
Jane Birkin takes aim with one of her cameras in 1975.
Dorothy Dandridge frolics in 1955, when she was promoting her film Carmen Jones.
Cinematic icon Catherine Deneuve and her sister Françoise Dorléac in 1965. Dorléac died in an automobile accident a couple of years later.
Robert Redford lounges on the beach in 1972. Based on his outfit you'd think he was in Cannes to promote The Sting, but he was actually there for his western Jeremiah Johnson, which screened May 7 of that year.
Sophia Loren waves to well-wishers in 1964.
Bogie and Bacall paired up and looking distinguished in 1957.
John and Cynthia Lennon in 1965, and John with Yoko Ono in 1971. Every story John told on that second trip probably started with, “When I was here with the first love of my life...” until Yoko smacked him across the mouth.
Rock Hudson and bicycle in 1966.
Unidentified actresses pose on the beach in 1947. To the rear is the Hotel Carlton, mentioned in the Edith Piaf image, built on the Croisette and finished in 1910.
George Baker, Bella Darvi (right—your right, not his), and an unknown acquaintance have a surfside run/photo op in 1956.
Jayne Mansfield and Russian actress Tatiana Samoïlova enjoy a toast in 1958. Mansfield probably shared the story of how she once made Sophia Loren stare at her boobs, and Samoïlova said, “Cheers to you—well played, you provocative American minx.”
French actor Fernandel, whose real name was Fernand Contandin, on his boat Atomic in 1956.
Arlette Patrick figures out a different way to generate publicity—by walking her sheep on the Croisette in 1955.
A pair of water skiers show perfect form in 1955, as a battleship floats in the background.
Jeanne Moreau, for reasons that are unclear, poses on a banquet table in 1958. Most sources descibe this in such a way as to make it seem spontaneous, but we have our doubts. It's a great shot, though.
Two unidentified women take in the scene from the terrace of the Hotel Carlton, 1958. This shot is usually said to portray two tourists, but the woman on the left is the same person as in the bikini lunch shot from earlier, which tells us she's a model or actress, and both photos are staged. Like we said, publicity is everything in Cannes.
Danielle Darrieux and Sophia Loren at the 11th Cannes Film Festival, 1958.
Italian actress Monica Vitti chills on a boat in 1968.
Aspiring stars catch some rays on the Croisette beach in 1955. The two large posters behind them are for The Country Girl with Grace Kelly, and Jules Dassin's Du rififi chez les hommes, both below.
The renowned opera singer Maria Callas, 1960.FranceCannesFestival du CannesCannes Film FestivalPalme d’OrLa dolce vitaA Man Called AdamThe BirdsAlfred HitchcockEdith PiafDiana DorsGinger RogersKirk DouglasBrigitte BardotMichèle MorganRobert MitchumSimone SylvaRomy SchneiderAlain DelonSidney PoitierJean SebergNatalie WoodGrace KellySammy Davis Jr.Sharon TateRoman PolanskiMarlene DietrichTippi HedrenGene KellyMaria CallasSophia LorenCarlo PontiRaquel WelchJane BirkinJoan ScottDorothy DandridgeRobert RedfordJohn LennonCynthia LennonYoko OnoRock HudsonLauren BacallHumphrey BogartGeorge BakerBella DarviJayne MansfieldTatiana SamoïlovaCatherine DeneuveFrançoise DorléacFernandelArlette PatrickJeanne MoreauDanielle DarrieuxBernard BlierPhilomène ToulouseMonica Vittiposter artcinema
| Femmes Fatales | Dec 20 2019 |
Hi everyone. Meet my personal trainer and role model.
There's nothing like a perfect butt, and you certainly see a prime example in the above photo. And as a bonus, Raquel Welch's isn't bad either. This image was shot at Villa Adriana, aka Hadrian's Villa, in Rome in 1966.
| Femmes Fatales | Nov 24 2019 |
I can see forever from up here. Man, the smog over London is really bad.
Raquel Welch stands tall in this pin-up poster made for her prehistoric adventure One Million Years B.C. This was sold in West Germany, where the movie premiered today in 1966. In fact, it was the film's world premiere. It was made by Associated British-Pathé and Hammer Studios, and partly shot on British sound stages (as well as in the Canary Islands), but for some reason the filmmakers chose West Germany for a testing ground. They needn't have been so cautious—thanks to Welch an otherwise ridiculous b-flick became a worldwide smash.
West GermanyBritainSpainCanary IslandsHammer StudiosAssociated British-PathéOne Million Years B.C.Raquel Welchsex symbol
| Vintage Pulp | Sep 23 2019 |
Come along and ride on a Fantastic Voyage.
There's something about sci-fi movies from the late 1960s that makes them so pleasing to watch. The source material was innovative and ambitious thanks to a crop of fresh new sci-fi novelists, while cinematically, capabilities in special effects, a trend toward elaborate sets, and bold color thanks to improved film processing techniques resulted in more believable and engaging final products.
Fantastic Voyage, for which you see a beautiful Japanese poster above, benefits from all those elements. We queued it up and watched it straight through, impervious to distraction, marveling at the visionary look of it and its fun story of a team of doctors and scientists reduced to microscopic size and injected into a man's circulatory system to find and remove a blood clot deep in his brain.
Thanks to its provenance as a novel by Isaac Asimov it's just scientifically convincing enough—once you accept the idea of a shrink ray—to aid suspension of disbelief. A good popcorn muncher, this one, with a great cast that includes Raquel Welch, film noir legend Edmond O'Brien, and Donald Pleasence. Highly recommended. Fantastic Voyage opened in the U.S. in August 1966 and reached Japan today the same year.
JapanFantastic VoyageStephen BoydDonald PleasenceRaquel WelchEdmond O'BrienIsaac Asimovposter artcinemasci-fimovie review
| Femmes Fatales | Feb 6 2019 |
Even the first blonde in history was a prima donna.
Raquel Welch revels in her own good looks and gold locks in this promo image made in 1966 while she was filming her schlock blockbuster One Million Years B.C. It's amazing how many blondes appear in prehistoric movies. Blonde hair first evolved around 11,000 years ago in cold, northern latitudes, so these blondes running around onscreen in fur bikinis are cases of filmmakers' wishful thinking, but they definitely sold movie tickets. It's all in good fun. We love Welch, Vetri, Berger, Mercier, and the rest.
| Intl. Notebook | Jan 15 2019 |
Which one liked to wallow in crap more? National Examiner or Adolf Hitler?
National Examiner offers up a provocative cover on this issue that hit newsstands today in 1973, with an unidentified blonde model and the promise of expert lovemaking tips. Nothing new there. What's different is this issue takes Adolf Hitler's corpse for a gallop around a well-traveled track. The article “Hitler's Strange Desires” digs into der Führer's toilet training, his family background, his private writings and public statements, and comes to the conclusion: sexual pervert! The piece discusses Hitler's “sexual inadequacy and impotence, frail body and softness that was almost effeminate,” and reveals how he doted on his mother but eventually felt betrayed by her, stating, “This sudden indignation with his mother could have been caused if he saw his parents having intercourse.” The ultimate conclusion is no surprise: “[Because of] his extreme form of masochism [he derived] sexual gratification from the act of having a woman urinate or defecate on him.”
As psychological disturbances go, you can take your pick here. Like beer in a Berlin rathskeller, Hitler allegedly had multiple flavors on tap, and they culminated in turning him into a shit freak. That's amusing to consider, but was it anything other than pure bullshit itself? Labeling Hitler a disturbed child-turned sexual deviant was a mini-industry in the decades after his death, and the rumors started by these reports are still prevalent today. We get it—by making him into a non-human it's easy
to distance him from the rest of us, but as far as we know there's no evidence he was anything other than a heterosexual who had run-of-the-mill sex, or for that matter that he was anything other than a run-of-the-mill human. Many people would love for the stories to be true, but they're just too easy. We don't blame Examiner for beating that Hitler horse, though. Everybody did it—it sold piles of papers.
Examiner goes for lighter material elsewhere in the issue, with an update on the whereabouts of Canadian actress Ruby Keeler, a story about a wife who makes her husband take her to a swingers club so she can get some strange dick, and a pervy advertisement for instant peepholes we know would be illegal to use today, and which we suspect were illegal to use back then too. Other celebrities who make appearances include Maria LaTour and Monika Zinnenberg. In fact, on closer examination that unidentified cover model might be Zinnenberg. She made the usual slate of bad West German comedies and exploitation flicks during the ’60s and ’70s before leveraging her front-of-the-camera work into a directing career which she sustained all the way up until 2012. And finally there's a centerspread on the benefits of yoga, featuring stars like Cary Grant, Geraldine Chaplain, and Barbara Parkins touting its benefits. That's about it for this Examiner. Scans below, and more here and here.
to distance him from the rest of us, but as far as we know there's no evidence he was anything other than a heterosexual who had run-of-the-mill sex, or for that matter that he was anything other than a run-of-the-mill human. Many people would love for the stories to be true, but they're just too easy. We don't blame Examiner for beating that Hitler horse, though. Everybody did it—it sold piles of papers.Examiner goes for lighter material elsewhere in the issue, with an update on the whereabouts of Canadian actress Ruby Keeler, a story about a wife who makes her husband take her to a swingers club so she can get some strange dick, and a pervy advertisement for instant peepholes we know would be illegal to use today, and which we suspect were illegal to use back then too. Other celebrities who make appearances include Maria LaTour and Monika Zinnenberg. In fact, on closer examination that unidentified cover model might be Zinnenberg. She made the usual slate of bad West German comedies and exploitation flicks during the ’60s and ’70s before leveraging her front-of-the-camera work into a directing career which she sustained all the way up until 2012. And finally there's a centerspread on the benefits of yoga, featuring stars like Cary Grant, Geraldine Chaplain, and Barbara Parkins touting its benefits. That's about it for this Examiner. Scans below, and more here and here.
West GermanyCanadaNational ExaminerAdolf HitlerEva BraunCary GrantGeraldine ChaplainBarbara ParkinsMaria LaTourMonika ZinnenbergRuby KeelerRaquel Welchtabloidnazis
| Vintage Pulp | Dec 9 2018 |
Welch rocks and rolls on the derby circuit.
Above is a Japanese poster for the U.S. drama Kansas City Bomber, which starred Raquel Welch, and featured Cornelia Sharpe and a very young Jodie Foster. We won't mince words—this is a bad movie, inspired by the roller derby craze of the 1970s, which back then was simply cheeseball pro wrestling on wheels. As weak as the film is, this role actually fits Welch. After scoring big early with Fantastic Voyage and One Million B.C. it seems as if she spent the rest of her career looking for the right part. This one works. Like her, the skater character she plays is a mother of two trying to make good in a world determined to see her only as an ornament. Welch plays her as warm hearted, a bit emotionally exhausted, but resilient at the core. Yet in the end Kansas City Bomber is still a movie about roller derby, which was lowbrow fakery put over on a gullible public as real. If the script had admitted the sport was staged there might have been room for a good satire, but that didn't happen, and with a fake sport as its subject, generating genuine emotion is difficult. Hey, but it still has Raquel. After premiering in the U.S. in August 1972 Kansas City Bomber opened in Japan today the same year.
JapanKansas CityKansas City BomberRaquel WelchCornelia SharpeJodie Fosterposter artcinemamovie review
