Femmes Fatales Mar 21 2019
SCORCHY HEAT
Between the hair and the fur it's no wonder she's so hot.


This is pure cheese but we couldn't resist. A while back we talked about Connie Stevens' schlock copper flick Scorchy and above you see the photo Hickmar Productions used to make the movie's promo poster. This is an astonishing shot in so many ways—the pose, the coat that at least fifteen animals were skinned for, the platinum hairdo that possibly several hairdressers were also skinned for, the dry ice fog, the nails, and especially that elegantly extended foot. It's like she's using her toe to say, “See this spot? This is where you lesser mortals will grovel for my favors.” She should be careful, though. With hair like that she might be mistaken for another exotic animal and skinned too.

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Vintage Pulp Oct 8 2018
ROGUE SEATTLEITE
Connie Stevens goes up against international drug dealers without a single hair slipping out of place.


This one we watched entirely because of the promo art. In Scorchy Connie Stevens stars as a Seattle undercover cop assigned to bust a Rome-based drug ring. Her name isn't Scorchy—it's actually Jackie Parker, and this Seattleite is sort of tough-cute, a flirt and an eyelash batter, someone prone to making sexual quips and comical faces. None of this seems to us as though it would be conducive to convincing international drug dealers that she's a charter pilot willing to fly shady cargoes, but whatever—it's in the script, so they buy it. Stevens maneuvers her way into flying a load of heroin and, theoretically, this will be the basis of a big drug bust. Does it work out that way? We aren't saying.

Scorchy came from low budget studios Hickmar Productions and American International, but they're serious with this effort, aiming for French Connection grit combined with a bit of b-movie cheese. But lofty aspirations aside, you know going into any American International movie that it's very likely to be bad, even if it's one they bought from another production company, as was the case here. And Scorchy delivers the badness in spades—the fight scenes and shootouts are lame, the acting is merely adequate, and the plot doesn't offer much in the way of twists and turns. What does offer some twists and turns is the centerpiece car chase. It's almost good enough to redeem the movie, and as a bonus it also shows a lot of Seattle scenery.

Scorchy also may be worth watching for another reason—the decors. Check the screenshots below. The set designers really went to town. Stevens' living room is especially noteworthy, with its flowered sofa, driftwood art, and random acoustic guitar leaning against the wall just in case she wants to get groovy. We'll throw Stevens herself in there as another of the film's assets. She looks excellent at thirty-eight, even with silver candyfloss hair and mascara that looks like it was applied with a hot glue gun. Like the movie, she's a bit ridiculous, but she's fun to watch as she makes the bad guys regret ever coming to the Emerald City. Scorchy premiered in the U.S. today in 1976.

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Sex Files Jan 26 2011
FIGHTING MAD
The year of living d’Angerously.

This January 1967 issue of Whisper digs up dirt on Gina Lollobrigida, Eddie Fisher and Connie Stevens, and tells us why Uncle Sam wants to deport a topless dancer. The latter is actually an interesting story. The topless star in question is Iranian-born burlesque dancer Yvonne D’Angers, aka Yvonne Boreta, and the reason she was being deported was for obscenity.

D’Angers, who was also known by the nickname the Persian Lamb, had already been involved in a 1965 obscenity trial over the employment of topless waitresses and dancers by various San Francisco nightclubs and had gotten herself on the radar of political bluenoses scandalized by her act at the Off Broadway.

When the deportation order came, d’Angers waged a very public battle against it and finally, in 1967, chained herself to the Golden Gate Bridge in protest. The press turned out in droves for the bizarre spectacle, and all the publicity made her nationally famous. At that point she was able to make the leap into motion pictures, appearing in 1968’s Sappho Darling, 1970’s Move with Elliot Gould, and the 1971 Russ Meyer flick The Seven Minutes. And in the end d’Angers was never deported, so, in this case at least, protest paid. So there's a lesson for all of us.

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History Rewind
The headlines that mattered yesteryear.
February 28
1953—Watson and Crick Unravel DNA
American biologists James D. Watson and Francis Crick tell their friends that they have determined the chemical structure of DNA. The formal announcement takes place in April following publication in Nature magazine. In 1968, Watson writes The Double Helix, a non-fiction account of not only the discovery of the structure of DNA, but the personalities, conflicts and controversy surrounding the work.
February 27
1922—Challenge to Women's Voting Rights Rebuffed
In the United States, a conservative legal challenge to the nineteenth amendment to the U.S. Constitution establishing voting rights for women is rebuffed by the Supreme Court in Leser v. Garnett. The challenge was based partly on the idea of individual "states rights" to self determination. The failure of such reasoning as it applied to basic human rights created a framework for later states rights losses involving the denial of voting rights to African-Americans.
February 26
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
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