![GOT IT MAID](/images/headline/5961.png) When Uschi dusts the house, she dusts everything. ![](/images/postimg/got_it_maid_01.jpg)
It's been a while, so today we have another issue of the iconic French nudie magazine Folies de Paris et de Hollywood. This issue is number 400, published in 1968, and the cover features German actress Uschi Glass, better known as Uschi Glas, with a feather duster. Almost identical but more revealing versions of the shot appeared on a couple of other magazines around the same time. Glas has been in too many movies to name, including in 2020, and we've seen none of them. But we have our eye on 1970's Die Weibchen, about a woman who joins a women's health clinic only to discover that it's run by feminist cannibals. We'll report back on that.
Inside Folies de Paris et de Hollywood there are more than twenty models, many of them Parisian cabaret dancers. The striking Belinda and the striking Marlène Funch are actually both the striking Iso Yban. Why did she pose as different women? No idea, but we recognized her immediately. In fact, we have an amazing and provocative image of her we'll show you a little later, if we dare. We love her name, by the way. It sounds like a flexibility exercise. But our favorite model name from the issue is Manila Wall, which is what MB hit when he realized it was time to get out of the Philippines. We all sometimes hit a Manila Wall in our lives. We'll have more from Folies de Paris et de Hollywood down the line. ![](/images/postimg/got_it_maid_02.jpg) ![](/images/postimg/got_it_maid_03.jpg) ![](/images/postimg/got_it_maid_04.jpg) ![](/images/postimg/got_it_maid_05.jpg) ![](/images/postimg/got_it_maid_06.jpg) ![](/images/postimg/got_it_maid_30.jpg) ![](/images/postimg/got_it_maid_31.jpg) ![](/images/postimg/got_it_maid_07.jpg) ![](/images/postimg/got_it_maid_08.jpg) ![](/images/postimg/got_it_maid_09.jpg) ![](/images/postimg/got_it_maid_10.jpg) ![](/images/postimg/got_it_maid_11.jpg) ![](/images/postimg/got_it_maid_12.jpg) ![](/images/postimg/got_it_maid_13.jpg) ![](/images/postimg/got_it_maid_14.jpg) ![](/images/postimg/got_it_maid_15.jpg) ![](/images/postimg/got_it_maid_16.jpg) ![](/images/postimg/got_it_maid_17.jpg) ![](/images/postimg/got_it_maid_18.jpg) ![](/images/postimg/got_it_maid_19.jpg) ![](/images/postimg/got_it_maid_20.jpg) ![](/images/postimg/got_it_maid_21.jpg) ![](/images/postimg/got_it_maid_22.jpg) ![](/images/postimg/got_it_maid_23.jpg) ![](/images/postimg/got_it_maid_24.jpg) ![](/images/postimg/got_it_maid_25.jpg) ![](/images/postimg/got_it_maid_26.jpg) ![](/images/postimg/got_it_maid_27.jpg) ![](/images/postimg/got_it_maid_28.jpg) ![](/images/postimg/got_it_maid_29.jpg)
![TREATS DES NUITS](/images/headline/4123.png) Every night in Paris is a treasure hunt. ![](/images/postimg/treats_des_nuits_01.jpg)
This “Paris la nuit” themed issue of Folies de Paris et de Hollywood from 1959 has, in addition to the usual dancers and showgirls, a list on the cover of the clubs at which they worked. We already knew some of the places, like The Crazy Horse Saloon and Pigall's, but there are many more, all with amazing names: Boule Blanche, Drap d'Or, Shako, Grisbi, Shocking, Le Sexy, et al. If we had to choose just based on the name we'd go with Shocking. It can't be too wild in 1959, right? Anyway, the list gave us the idea of digging up photos of these venerable entertainment halls, but you'd be surprised how few historical shots exist. We're going to keep working on that. In the meantime, enjoy the photos below of the artists who occupied those stages. They include Dolly Bell, Kitty Tam-Tam, Nicole Dore, Carole Riva, and more. ![](/images/postimg/treats_des_nuits_02.jpg) ![](/images/postimg/treats_des_nuits_03.jpg) ![](/images/postimg/treats_des_nuits_04.jpg) ![](/images/postimg/treats_des_nuits_05.jpg) ![](/images/postimg/treats_des_nuits_06.jpg) ![](/images/postimg/treats_des_nuits_07.jpg) ![](/images/postimg/treats_des_nuits_08.jpg) ![](/images/postimg/treats_des_nuits_09.jpg) ![](/images/postimg/treats_des_nuits_10.jpg) ![](/images/postimg/treats_des_nuits_11.jpg) ![](/images/postimg/treats_des_nuits_12.jpg) ![](/images/postimg/treats_des_nuits_13.jpg) ![](/images/postimg/treats_des_nuits_14.jpg) ![](/images/postimg/treats_des_nuits_15.jpg)
![WHEN PARIS MET SALLY](/images/headline/3725.png) The French always know a good thing when they see it. ![](/images/postimg/when_paris_met_sally_01.jpg)
Today we have assorted scans from an issue of Folies de Paris et de Hollywood published in 1964 with cover star Sally Douglas, a British actress who appeared in numerous films and who's popped up on Pulp Intl. a couple of times before, including, memorably, fronting the French magazine Evocations. Her film roles were often uncredited, and when she was acknowledged it was often in less-than-flattering terms. For example, in Doctor in Love she was “dancer in strip show,” and in Genghis Khan she was simply “concubine.” Probably the most cringeworthy of her credits was in A Study in Terror, in which she was “whore in pub.” It's a hell of a way to make a living, but between movies, television, and modeling she managed to become mildly famous and fondly remembered. Elsewhere in Folies de Paris et de Hollywood you get glamour models and burlesque performers, and they all add up to another visually pleasing slice of naughty nostalgia. We have many more of these in the website. Just click the keywords below and start scrolling. ![](/images/postimg/when_paris_met_sally_02.jpg) ![](/images/postimg/when_paris_met_sally_03.jpg) ![](/images/postimg/when_paris_met_sally_04.jpg) ![](/images/postimg/same_old_story_05.jpg) ![](/images/postimg/when_paris_met_sally_06.jpg) ![](/images/postimg/when_paris_met_sally_07.jpg) ![](/images/postimg/when_paris_met_sally_08.jpg) ![](/images/postimg/when_paris_met_sally_09.jpg) ![](/images/postimg/when_paris_met_sally_10.jpg) ![](/images/postimg/when_paris_met_sally_11.jpg) ![](/images/postimg/when_paris_met_sally_12.jpg) ![](/images/postimg/when_paris_met_sally_13.jpg)
![FOLIES THE LEADER](/images/headline/3397.png) King of the hill, top of the heap. ![](/images/postimg/folies_the_leader_01.jpg)
Owned by a publisher calling itself Sapho, Folies de Paris et de Hollywood was one of the pre-eminent pin-up magazines of the mid-century period, running from 1947 to 1975 for a total of nearly 600 issues. It also operated under other names, including Paris-Hollywood, and generated another 150 issues. Appearing this week in 1966, this issue of Folies is number 345 and features the usual assortment of showgirl portraits and write-ups. Often the magazine slipped in a model or two from outside the world of Parisian dance, and in this issue a good chunk of pages are given to British pin-ups Cleo Simmons and Penny Winters. We didn't scan all their photos—sorry. This is a big magazine, dimensionally speaking, and every page must be scanned in two pieces and merged in Photoshop—with the centerfold being scanned in four pieces and reassembled—so sometimes we don't get to all of them. But we strive to improve. Speaking of the centerfold, she's unknown to us, as is the rear cover star. If anyone knows them feel free to drop us a line. Twenty images below, and many more Folies to come. ![](/images/postimg/folies_the_leader_02.jpg) ![](/images/postimg/folies_the_leader_03.jpg) ![](/images/postimg/folies_the_leader_04.jpg) ![](/images/postimg/folies_the_leader_05.jpg) ![](/images/postimg/folies_the_leader_06.jpg) ![](/images/postimg/folies_the_leader_07.jpg) ![](/images/postimg/folies_the_leader_08.jpg) ![](/images/postimg/folies_the_leader_09.jpg) ![](/images/postimg/folies_the_leader_10.jpg) ![](/images/postimg/folies_the_leader_11.jpg) ![](/images/postimg/folies_the_leader_12.jpg) ![](/images/postimg/folies_the_leader_13.jpg) ![](/images/postimg/folies_the_leader_14.jpg) ![](/images/postimg/folies_the_leader_15.jpg) ![](/images/postimg/folies_the_leader_22.jpg) ![](/images/postimg/folies_the_leader_16.jpg) ![](/images/postimg/folies_the_leader_17.jpg) ![](/images/postimg/folies_the_leader_18.jpg) ![](/images/postimg/folies_the_leader_19.jpg) ![](/images/postimg/folies_the_leader_20.jpg)
![SOPHIA OR NOT](/images/headline/3328.png) Folies de Paris et de Hollywood kept readers guessing with their models but this one we know. ![](/images/postimg/sophia_or_not_01.jpg)
This issue of Folies de Paris et de Hollywood is from 1963 and its theme is “les peches capiteaux,” or the seven deadly sins. You see them listed at bottom left on the cover, if you ever wanted to learn them in French. While the theme is interesting, we're sharing this cover for one reason—Sophia Loren. Well, we think it's her. Folies never credited its cover models, so we can't be sure. The editors used her image on at least three other covers, and those instances are identifiably Loren because the shots are standard portraits, leaving no doubt. But this one has an oblique angle, which is enough by itself to make positive ID more difficult. And the model is wearing a see-through blouse. For casual fans of Loren that may seem out of character, but it isn't. Her early nude scene in Era lui... sì! sì! is well known today. We've discussed it a couple of times. And of course who can forget her wet-shirt appearance in Boy on a Dolphin. The point is Loren was not shy, so the see-through lingerie here is not a sign the cover model isn't her. We're going to say this is indeed Loren until someone convinces us otherwise. Inside the magazine identities are a bit clearer. You get various Parisian showgirls, as well Vicki Kennedy, aka Margaret Nolan, who we're beginning to think may have been the most photographed glamour model of the 1960s, centerfold Terry Higgins (in a crib, disturbingly), and June Palmer as “la paresse,” or sloth—though not so slothful she wasn't able to pose for three pages of photos, then don a blonde wig and appear on the rear cover too. That's more than we did all last week. Scans below. ![](/images/postimg/sophia_or_not_02.jpg) ![](/images/postimg/sophia_or_not_03.jpg) ![](/images/postimg/sophia_or_not_04.jpg) ![](/images/postimg/sophia_or_not_05.jpg) ![](/images/postimg/sophia_or_not_06.jpg) ![](/images/postimg/sophia_or_not_07.jpg) ![](/images/postimg/sophia_or_not_08.jpg) ![](/images/postimg/sophia_or_not_09.jpg) ![](/images/postimg/sophia_or_not_10.jpg) ![](/images/postimg/sophia_or_not_11.jpg) ![](/images/postimg/sophia_or_not_12.jpg) ![](/images/postimg/sophia_or_not_13.jpg) ![](/images/postimg/sophia_or_not_14.jpg) ![](/images/postimg/sophia_or_not_15.jpg) ![](/images/postimg/sophia_or_not_16.jpg)
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The headlines that mattered yesteryear.
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect
Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives. 1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974. 1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945. 1915—Ship Capsizes on Lake Michigan
During an outing arranged by Western Electric Co. for its employees and their families, the passenger ship Eastland capsizes in Lake Michigan due to unequal weight distribution. 844 people die, including all the members of 22 different families. 1980—Peter Sellers Dies
British movie star Peter Sellers, whose roles in Dr. Strangelove, Being There and the Pink Panther films established him as the greatest comedic actor of his generation, dies of a heart attack at age fifty-four.
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