Modern Pulp | Aug 25 2022 |
When is a flower not a flower and a snake not a snake? In Japanese cinema.
Above you see a poster for the Nikkatsu Studios roman porno movie Hana to hebi: Jigoku-hen, known in English as Flower and Snake: Sketch of Hell. In this genre, any mention or sight of a flower is liable to be symbolic. Some call them vulvic symbols, some yonic symbols, but in either case something phallic is usually about to rear its ugly head. The movie starred Kaori Asô and Mami Fujimura, and it was second in a Flower and Snake franchise that eventually numbered eight entries, with this one premiering in Japan today in 1985. That puts it outside our vintage purview, since for our purposes we define modern as anything from 1980 and after, but we had to show you the poster art. How could we not? This amazing promo was painted by famed bondage artist Kaname Ozuma, whose work you can see with an image search. Japanese film studios were very interested in bondage, and Japanese audiences must have been too, because many roman porno films with bdsm themes did well at the box office.
Much of the interest in the subject derived from literature, particularly the works of Oniroku Dan, who wrote the source novel for this film. His books were behind about three-dozen roman porno productions. While we don't get these explorations of humiliation and bondage, we understand that every culture has its particulars. For example, if you go on Japanese Wikipedia, celebrities' biographies often contain their blood types. On the other hand, if you go on U.S. Wikipedia, celebrities' biographies often contain their political allegiances. Objectively, both types of information are completely pointless, yet they suggest—interestingly—what obsesses each culture.
What we're saying is that since we're not Japanese, we can't offer much insight into the roman porno wave that swept Japan. We can do the when, where, who, and how of it—but not the why. But we like the posters, the films are usually incredibly well shot, and the actresses are generally stunning, so we watch the movies and tell you whether we liked them. You're probably wondering if we watched Jigoku-hen. We did, and it's what we expected—longform bondage and torture, softcore style, with little shown, but plenty implied. While it stars Asô and the amazing Fujimura, we don't recommend it unless you're okay with plenty of tears and pee. Neither of those are our bag, and if they're yours, maybe talk to someone. Below, Fujimura is happy after washing off the stain of having starred in such a mean and pointless film, while Asô calls home from vacation and tells her family she's recovering fine.
Femmes Fatales | Sep 29 2020 |
She's very angry with all of you.
Though we're a vintage art site, we sometimes look forward all the way into the 1980s for material, so today we have a brilliant photo and zoom of Japanese actress Mami Fujimura looking like trouble incarnate. Fujimura starred in several pinku movies in 1985 and 1986, notably the Nikikatsu roman porno Hana to hebi: Jigoku-hen, aka Flower and Rope: Sketch of Hell, and OL yûkaihan – Hagu!, which was part of the popular Office Lady series. Despite her short career, she's well remembered by Japanophiles thanks to her work in other areas. As we've noted before, Japanese actresses were relentlessly cross-marketed, and photo books were a go-to medium to raise a performer's profile. Fujimura starred in a photo book called Jōnetsu Airando, or “Passion Island,” but subtitled in English Sexual Message. It came from the publishers Shishobo in 1985, and we consider it one of the better examples of the photo book phenomenon. It's where the above image came from, and numerous others are noteworthy. To prove that, we've included the cover and a few interior pages below. No further words are needed.