They finally figured out a way to convince their boyfriends to go hiking.
Above, a poster for Joshi daigaku maruhi report: Nikutai nyûgaku-shiki. This never had a U.S. release, thus no English title, but the Japanese would translate to something like Women's University (Secret) Report: Body Entrance Ceremony. This one is super obscure, and we were unable to find a copy. Again? Yes, again. It premiered in Japan today in 1977.
The most important entrance requirements are proper positioning and good lubrication.
Roman porno filmmakers used every possible Japanese social niche and professional realm for sexploitation fodder, so there's no chance they would overlook a milieu as ripe as higher education. Above are two pretty posters for Joshidaisei: sex hōteishiki, aka College Girls: Sex Equation, with roman porno goddesses Mari Tanaka and Hitomi Kozue. It premiered in Japan today in 1973. Basically, they're attending university but decide to do some nude modeling as a side hustle and things go weird in that roman porno sort of way. We looked around for a copy of it with no success, so we'll have to hope we see it later.
Want some bonus images? Alrightee, we are always happy to comply. Below you see Tanaka reacting with embarrassment after getting busted raiding the fridge when she's supposed to studying for her poli-sci exam. Meanwhile Kozue's study session has been so intense she doesn't even have the strength to make it to the kitchen. This is more or less how we've felt the last few weeks of this lockdown thing, but there's light at the end of the tunnel, or so we're being told. We shall see. Plenty more Tanaka and Kozue in the website. Just cllick their keywords below.
She gets into these situations so you don't have to.
This poster is an addendum to our earlier write-up on this film, Osoe!, a hit roman porno from Nikkatsu Studios starring Erina Miyai, who spent her entire career getting into pickles like this one. This is basically the original promo poster, reversed and with all the text removed except the title. It was unusual for title-only art like this to be produced, which is why when we found it we thought we'd better share. We also share some thoughts on the film. Just look here. Osoe! premiered in Japan today in 1978.
Uwasa matter with a little casual sex?
Redeeming ourselves from being unable to find the last two pinku films we shared posters for, today we have another promo—and we were able to see the film. This one is called Onna kyôshi: Yogoreta uwasa, aka Female Teacher 7: Dirty Rumor, and it's a roman porno starring Erina Miyai, one of the genre's most popular and prolific stars. In fact, she made twenty-seven films in 1977, ’78, and ’79, which is a pace that barely leaves enough time between projects for one's self-esteem to heal. In this one Miyai plays a classics teacher who was raised by a freaky aunt, and has inherited the same proclivities. She doesn't necessarily like being a nymphomaniac, but figures it's out of her hands, since slutty blood runs in her family. So she gets busy with all kinds of guys, in all kinds of places, in all kinds of ways, and rumors start to spread. The principal of her school mentions them. Later, tawdry tales reach one of Miyai's male acquaintances, and the perv attempts to buy her services for thirty-thousand yen. It's hard out there for a congenital nympho. But at the end comes a twist. We won't say what it is, except that we put a hint in our post title. Put on your thinking jimmy caps and it'll come to you. Onna kyôshi: Yogoreta uwasa premiered in Japan today in 1979.
I love you, driftwood. You're longer and harder than a man, and you don't pee on the toilet rim. And I also love you, seaweed balls. You give more than any guy, and you never get tired. That's right, I've been sleeping with driftwood and seaweed balls. You don't own me! Deal with it! My life is ruined. What on Earth am I going to do? I really dig you, erotic comic book. Let's not call it love. Why put a label on it at all?
Satoko Sato gets into another tight spot.
Above are a couple of beautiful rarities, colorful promos for the Japanese pinku flick Yoru no saizensen: Onna gari, known in English as Frontline of the Night - Women Hunting. It stars Satoko Sato, Kôji Wada, and Tatsuya Fuji in the tale of a man who spends four years in prison for assaulting a Yakuza, but returns to battle them upon his release. The movie is probably most remembered for a comedic seduction bit involving a woman dressed as Che Guevara, beard and all, and the scenes of Sato in a brass chastity belt. It was not the only time she wore a bizarre bondage get-up. She did it in the sequel Yoru no saizensen: Tôkyô onna chizu. Check the visuals here. As interesting as this film sounds, we had no luck tracking it down. But we wanted you to see these nice pieces of art anyway. Yoru no saizensen: Onna gari premiered in Japan today in 1969.
It's rough going for anyone who gets on Meiko's bad side.
Above we have another promo poster for Meiko Kaji's pinky violence actioner Nora-neko rokku: Bôsô shudan ’71, aka Stray Cat Rock: Crazy Rider ’71, aka Stray Cat Rock: Beat ’71, which premiered in Japan today in—you guessed it—’71. This great poster is just as rare as the others we shared. See those here and here.
When the going gets tough the smart leave town.
You see what we mean about roman porno posters? How can we not share something this pretty? And if we share the poster we have to watch the movie, at least to have an idea what the art is about. And the movies? Well, they've been a years-long exploration into some deep dark places. Other people's, not ours. This poster was made to promote Pinku saron: Kôshoku gonin onna, aka Pink Salon: Five Lewd Women, which premiered in Japan today in 1978. You've noticed by now that many of these films were based on novels. It wasn't just cinema that was delving into challenging themes during the ’70s. But this, surprisingly, is based on a work of anthological fiction written by Saikaku Ihara in 1686, during Japan's Edo period.
Broadly speaking the plot deals with the struggles of five women—Kyôko Aoyama, Erina Miyai, Eiko Matsuda, Machiko Ohtani, and Miyako Yamaguchi—who work in Tokyo's strip clubs, or pink salons. Obviously, the stories in Ihara's source material have been moved forward three centuries to the grey, concrete Tokyo you see in so many Japanese films from the ’70s. These pink salon workers aren't satisfied with their lives, and what develops is a sort of counterculture road trip film, as they and a few male companions drive from Tokyo to Otoko in a graffiti covered microbus. Do they find a better place in the world? You'll have to watch the movie yourself. But you can be certain that, as in most cinema about misfit dreamers and restless outcasts, the odds are against them and the errors of the past are not far behind.
Pink Saron has sex but no fetish, and violence but little gore, so we wonder if the age of the source material has anything to do with that. Nikkatsu Studios usually pushed its roman porno movies beyond the far edge of good taste, but not this time, and it was rewarded for its restraint. Pink Saron won Noboru Tanaka a Japan Academy Film Prize for best director—the first time a roman porno film had been thus honored. Yes, this movie is something a little different. We'd like to say it's appropriate for those seeking an entry point into the genre, but it's so different from most it would only mislead you. And next thing you know you'll find yourself watching women chained up in dungeons. So consider this a stand alone film. A pretty good one.
If you're looking for a tale with a happy ending look somewhere else.
We're doing a pinku double-dip today because life is short and the shit we want to post keeps piling up. Even at an increased rate it'll take another ten years to get this stuff uploaded. Will websites as we understand them even exist then? Will blogs exist? We've already read that blogging is dead. Multiple times. Well, we keep chugging along, and today's journey involves two more promos, these for Nikkatsu Studios' infamous roman porno drama Dabide no hoshi: Bishôjo-gari, aka Beautiful Girl Hunter, which is based on a Maasaki Soto manga and premiered in Japan today in 1979. That's Hiromi Namino on the art, who as far as we know made only one other film.
So we watched this, and yup, it's twisted. Long story short, an escaped lunatic commits a rape which results in a pregnancy, and the rape child grows up to become a rapist. Every taboo is shattered in this one, including ones you've never imagined. As we always note for readers unfamiliar with this genre, there's no actual sex, no frontal nudity. Everything is done with camera angles, the power of suggestion, and acting. Still... holy fuck. But what you really want to know is whether the movie is any good. Objectively it's well made, but it also made us question whether liking roman porno posters and being interested in the genre's history and culture are sufficient enough reasons to keep watching the films.
Yet there are also serious points in this movie about intergenerational violence, and whether it's at all possible for parents to love (or even treat decently) a child conceived via rape. To us, neither question feels responsibly examined enough to justify the existence of the movie. After all, it's first and foremost a piece of sexploitation, and the steady supply of nudity sort of undercuts any serious intent. We much prefer Toei Company's pinky violence films. The women in those either win or cause a hell of a lot of trouble trying. By contrast films like Beautiful Girl Hunter feel deliberately regressive, as we've noted before. These Nikkatsu guys will be the end of us yet.
What you see is exactly what you get.
Above are two striking pinku posters, both from the roman porno sub-genre. The first is for Osasuri hentai musume, aka Harassing Perverted Girl, with Rina Nagisa. The English title of this is interesting. You can't be sure if it refers to a perverted girl being harassed, or a perverted girl who harasses. It's the former—the Japanese title, which would translate to something like “caught hentai girl,” makes that a bit clearer. The second poster is for Onna kyôshi: Himitsu, aka Female Teacher 6, with Miyako Yamaguchi and Etsuko Hara. As the title suggests, it was part of a series, a run of thirteen Onna kyôshi movies, made between 1973 and 1983. How in the hell did Nikkatsu Studios manage to milk the concept for so many films? Because audiences didn't care a whit about the plots as long as there was what's known in Japan as fan sābisu, or “fan service”—i.e., giving consumers (usually males) what they want. It's technically a manga term, but we think it applies here, as both posters promise it, and in a laudable example of truth in advertising, the films deliver. Osasuri hentai musume and Onna kyôshi: Himitsu both premiered—in what was a banner weekend for roman porno fans—today in 1978.
The more you Zoom the weirder everything looks.
Above is a poster for Zûmu appu: Bôkô hakusho, aka Zoom Up: Sexual Crime Report, the fourth film in the Zoom Up series. This installment starred Yuki Kazamatsuri and Rie Hirase, and premiered in Japan today in 1981. Where do we start with this? Kazamatsuri plays a disc jockey married to a powerful businessman. One night on her way to the radio station she's raped by a gang of creeps on motorcycles, and it turns out this was not a random attack. That's already a spoiler, so we'll stop there.
As always, we try to remember that Nikkatsu Studios was in the business of making money. The directors and screenwriters had a lot of artistic freedom, and occasionally tried to embed social commentary and deep metaphor in these films. But you know how it goes with metaphor—if you suspect it's there you'll look for it until you strain your brain. Broadly speaking, roman porno avoids the feminist patriarchy smashing of pinky violence films, usually denying women any sort of cathartic retribution. We stress usually. Even in this retrograde genre women sometimes get the opportunity to make men eat cold steel, or hot lead, as the case may be. Which path does Zûmu appu: Bôkô hakusho take? We ain't saying.
If you look around the internet the very few reviews of roman porno films you find are by males, usually in Japanese. We sometimes add to the all-male chorus, but just as often we keep our write-ups vague, focusing mainly on the poster art. We hope one day there'll be a more diverse online analysis of these, particularly of two types: in English from Japanese viewers who can provide social context we can't; and from women. The latter you might expect us to get from PI-1 and PI-2 (did we mention they're out of town?), but they refuse to watch these. Maybe, truly, that's the most incisive analysis of all.
Wait, so this is all a cinematic metaphor?
Ahh, a wonderful, relaxing metaphor for womblike security.
Oh no! A terrible, disturbing metaphor for survival in a hostile world!
Lalalala... slurp.... gurgle... metaphor.... lalalalalala...
Shhh... trust me. This is a metaphor you're really going to enjoy.
Maybe these metaphors will be clearer without my glasses.
The headlines that mattered yesteryear.
1960—To Kill a Mockingbird Appears
Harper Lee's racially charged novel To Kill a Mockingbird
is published by J.B. Lippincott & Co. The book is hailed as a classic, becomes an international
bestseller, and spawns a movie starring Gregory Peck, but is the only novel Lee would ever publish.
1962—Nuke Test on Xmas Island
As part of the nuclear tests codenamed Operation Dominic, the United States detonates a one megaton bomb on Australian controlled Christmas Island, in the Indian Ocean. The island was a location for a series of American and British nuclear tests, and years later lawsuits claiming radiation damage to military personnel were filed, but none were settled in favor in the soldiers.
1940—The Battle of Britain Begins
The German Air Force, aka the Luftwaffe, attacks shipping convoys off the coast of England, touching off what Prime Minister Winston Churchill describes as The Battle of Britain.
1948—Paige Takes Mound in the Majors
Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.
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