Vintage Pulp Nov 30 2021
LOVE AT FIRST NIGHT
They say true love lasts forever. But why can't it be brief? Like, a few hours? A few intense, very steamy hours?


You're not seeing double. This cover for Gene Harvey's The Loves of Alice Brandt is almost identical as the Howell Dodd art from Luther Gordon's Free and Easy, which we showed you recently. This novel, published in 1951, is aka Office Hussy, 1957, by John Hunter. Both Hunter and Harvey were pseudonyms of Jack Hanley. The art is unattributed, but it isn't by Dodd unless he was in a rush. Everything is a bit less detailed, a bit less dimensional—the hair, the dress, the background. But as a brazen copy of Dodd, you have to admire the mystery painter's bolas. You see the original art below.

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Vintage Pulp Jun 29 2020
CORPORATE STIMULUS
There's been entirely too much downsizing around here. How about today you and I do a little upsizing?


When does a growth spurt occur in a typical business? In mid-century sleaze fiction, it happens whenever secretary and boss agree, as suggested in this brilliant cover by George Gross for John Hunter's 1957 novel Office Hussy, previously published in 1951 as The Loves of Alice Brandt and credited to Gene Harvey. We like to interpret this as the woman being the boss, having just told her subordinate to pour a couple of tall bourbons, and be damned quick about it. But it can be seen the other way if you wish. Doesn't matter, because when consenting parties get together everybody gets a bonus. You already know George Gross was close to the best paperback artist ever, but if you're unfamiliar with him, check here, here, and here

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Vintage Pulp Jul 17 2015
ULTIMATE FIGHTING
Vintage paperback violence gets up close and personal.


We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.

Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.

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History Rewind
The headlines that mattered yesteryear.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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