Modern Pulp Sep 12 2020
HAKUJITSUMU WRESTLING
Tetsuji Takechi comes out swinging hard in round two.


This poster was made for Hakujitsumu, aka Daydream, which premiered in Japan today in 1981. The movie is loosely based on a 1926 novel by Junichir Tanizaki, which director Tetsuji Takechi made into one of the first pinku films in 1964. The same director felt inspired to put together a porno remake and, blazing a trail once again, it was the first hardcore movie to be shown in Japanese cinemas. We wanted to see what Takechi did with his revision so we watched it, and it sets up pretty much the same way as the first movie, with Kyōko Aizome at her dentist's office, the dentist and his assistant administering gas, then both taking liberties once Aizome is helpless. The action is witnessed by another patient, who follows Aizome around town as she has a series of erotic interludes that spiral off into quasi reality designed to sow doubt concerning whether any of it really happened.

We can't say the hardcore action here is highly erotic, but certain non-sex sequences get there, including Aizome's nude hotel escape, and her naked lathering and rinse inside a car wash. Not that we're down on hardcore. It's just that we insist everything be made to look beautiful. In the sex scenes Takechi, seeking to prove that the action was indeed real, went anatomical. It's an understandable choice—if you can finally show it, why not show it, nutsacks, assholes, milky fluids and all? But even though we're from the generation that is supposed to reflexively love explicit hardcore, we're old souls, and particularly appreciate porn where we know it's real but don't see everything (maybe Aizome felt the same way—she directed her own remake in 2009). Regardless of the success or failure of Hakujitsumu, anytime we see the phrase “the first film that...” we're fully on board. Now we can say we saw the first Japanese film that went hardcore. That's something, at least. Below, Aizome inspires daydreams, and you can see more from her here.
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Vintage Pulp Jun 21 2020
DAYDREAM BELIEVER
If you're going to have a fantasy make it a doozy.


We have two exceptionally beautiful Japanese posters today. These were made for Hakujitsumu, known in English as Daydream. That's an unusually concise Japanese title, but this won't be a concise post. The movie is loosely based on a 1926 novel by Junichir Tanizaki, and was one of the first films classified as pinku eiga, as well as one of the first erotic productions to have a big budget and a run in mainstream cinemas. It also played outside Japan, with a screening at the 1964 Venice Festival and a release in Stateside cinemas. And because of its success, director Tetsuji Takechi remade the film in hardcore style, not once, but twice, in 1981 and 1987, both times starring Kyōko Aizome, who we've talked about before.

The premise of this is fascinating. Akira Ishihama meets Kanako Michi in their dentist's waiting room. Later, as both of them are receiving anesthesia, Ishihama looks over and sees—because apparently Japanese dentistry meant placing two patients into the same room—the dentist and a nurse strip Michi, then seemingly suck her blood like vampires. Was it an anesthetic dream, or a real occurrence? Ishihama needs to uncover the truth. He goes to a nightclub where Michi sings, sees the dentist approach her and demand that she leave with him. Ishihama follows—or actually sort of teleports after them—and later sees Michi submit to various forms of kinky bondage. But is any of what he's seeing real? The title of the film gives that away, doesn't it?

We wonder if Hakujitsumu used the plot device of fantasy because it softened the idea of the bondage and weirdness Michi goes through. Well, all that would soon become routine in Japanese cinema. In addition this was the first Japanese film to show an actress fully naked—which happens for extended periods. Most write-ups say there's even pubic hair shown, but we'll admit we blinked and missed it if that was the case. What we didn't miss was what a clear precursor to the pinku genre of roman porno Hakujitsumu is. Here those elements seem novel; by the 1970s, they wouldn't be, and as a result filmmakers were by then pushing the envelope with violence, water sports, and enemas. That envelope could have stayed flat, as far as we're concerned. Hakujitsumu premiered in Japan today in 1964.

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Modern Pulp Jun 16 2017
G WHIZ
If it's there you can bet we'll find it.

Above you see a poster for Aizome Kyôko: G no kaikan, aka Kyôko Aizome's G-spot Pleasure, with Kyôko Aizome (not to be confused with Kyoko Izumi) fronting the art. Aizome goes way back. She appeared in her first film in 1975, but this particular effort premiered in Japan today in 2000, when she was forty-two. Though it's a comparatively recent production we were not able to track down a copy, which when you think about it is apropos, considering science says g-spots don't really exist. We're pro-science guys, but a lot of women say there's a real piece of anatomy in there, and a dedicated search often turns something up—if only the woman's heart rate. Aizome, below, suggests you give it a try.

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History Rewind
The headlines that mattered yesteryear.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
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