Forså puts her name on the Marquis.
Above you see a poster for the erotic comedy Justine och Juliette, also known as Swedish Minx, which opened in Sweden today in 1975. We usually focus on beautiful art, but there's obviously nothing special about this particular promo. We watched the film anyway because one of its co-stars is Marie Forså, and you know how we feel about her. She's credited here as Marie Lynn, a pseudonym (sometimes it was Maria Lynn) she used in Flossie and Molly, though we didn't mention it when we talked about those movies. Theoretically Justine och Juliette is based on the Marquis de Sade novels Justine, published in 1791, and Juliette, published in 1797. Forså and Annie Bie Warburg play sisters who take different paths trying to survive in the cruel world. Forså has principles, which lead to poverty, while Warburg will do anything for money and a flashy lifestyle. Forså, try as she might, can't keep herself from being sucked into Warburg's coterie of weirdoes, and pretty soon there's a sex film that was secretly shot with Forså as the unwitting star. Justine och Juliette is one of those erotic films that had hardcore footage inserted, but instead of jarring close-ups of anonymous stunt genitals meant to deceive you into thinking Forså did the deed (which she sometimes did, just not in this movie), you get actual porn performers in action. Among them are Harry Reems, the aforementioned Warburg, and Brigitte Maier. They give the movie a bit of extra spark, but overall it just doesn't compare to the best ’70s sexploitation flicks. We're not calling it a dud, but it's not worth seeking out either, unless, like us, you're fans of the divine Miss Forså.
Maya Hiromi gets Onna roll and just can't stop.
This poster was made for the Japanese roman porno flick Onna kyôshi: Shônen-gari, known in English as Female Teacher: Boy Hunt. Nikkatsu Studios had already made two Female Teacher movies, but they're unreleated. This one did, however, spawn a sequel called Onna Kyoshi: Dotei-gari, or as it's known in English, terrifyingly, Female Teacher: Cherry Boy Hunt. We won't go there. Anyway we queued this up, and our first thought was: Wow, another roman porno film where a woman gets turned on by having her teeth drilled? Well, these movies explored every possible fetish. Having her teeth pried at turns her on so much she starts digging around her mouth herself with a fork. See the second screenshot below.
In any case, the sizzling hot Maya Hiromi plays a horny biology teacher who takes advantage of her position to indulge in some sexual extracurriculars. She shaves a student's pubes, gives a classroom lesson pantyless, has a nice little threesome, masturbates in a library, and engages in other activities that would get any teacher outside a roman porno movie arrested and placed on the sexual offender registry. We won't tell you what develops from all Hiromi's crazy academic activity, but trust us—you can expect it to be twisted. In the end Onna kyôshi: Shônen-gari is another Nikkatsu Studios humpfest where eroticism turns to something darker, and the final message—to the extent that it's comprehensible—is dubious at best. Can't recommend this one. Just can't. It premiered in Japan today in 1975.
But here's something we can recommend: a nice shot of Hiromi originally published in 1978. Just don't let it make you watch the film. It ain't worth it.
A classic story of koi meets girl.
As we've mentioned before, we rarely share boxcover art, but sometimes we make exceptions. This image is the DVD cover of the 1973 roman porno film Koi no karyudo yokubo, aka Love Hunter: Lust, but in poster form with all the informational text and logos removed. Mari Tanaka is the star, and we have plenty of her in the website, including in amazing images like these two. We'll have more from her later, as well. Koi no karyudo yokubo premiered today in 1973.
It takes a lot of guts to watch these sometimes.
A long while back we put together a collection of posters for bdsm themed Japanese pinku films. Why? Why not. But we hadn't seen the movies. One was called Shojo no harawata, aka Entrails of Virgin, aka Guts of a Virgin, and we came across it recently and figured let's watch this thing. The story concerns a slimy fashion photographer and his equally slimy buddies who take two models to a secluded cabin with the intent to take advantage of them, but are attacked by a hairy monster from the woods who has a massive boner. The film is part of Kazuo Komizu's, aka Gaira's, “splatter-eros” trilogy along with Bijo no harawata, aka Guts of a Beautiful Woman and Gômon kifujin, aka Female Inquisitor. A few of his other directorial credits include Violence porno: Jôkan and Violence porno: Nawa to bôkô. You get the idea.
We try not to make any cultural judgments when we watch these pinkus. There's a line from James M. Cain (you knew we'd work in a pulp author somehow) where one of his characters says of bullfights, “If it was my own country I'd be against it, but when it's somebody else's, I go.” That's how we feel. When something in a pinku flick confuses us or weirds us out, we generally shrug and go, “Not my place to criticize.” And now, of course, we'll criticize. In terms of Japanese erotica, the actresses make noises of pleasure that are indistinguishable—at least to our ears—from noises of pain. Not cool. It's sort of a whining, like this feels soooo good I'm on the verge of tears. That's one reason we don't generally get turned on by pinku movies. While the women are uniformly fantastic, their erotic acting is way off target for us.
The blurred line between pleasure and pain in this movie is liable to do a number on your head. And if it doesn't, the scene where a model masturbates with a severed arm while blowing the monster certainly will. Hope we didn't give too much away there. As far as the entrails aspect, well, the title is provocative, but while there's a virgin, we see no entrails. Thank fucking God. And because sex in pinku movies is mostly implied due to laws against the showing of pubic hair or sex organs, the sexualized violence is largely implied too. It's cleverly implied though. So be forewarned. We can't recommend this movie, but the poster art is so amazing we had to share it. It's signed—see just below—but we were not able to ascertain by whom. Too bad. There's real talent there. More so than in the film. Shojo no harawata premiered in Japan today in 1986.
It's pie for everyone in Girls Are for Loving.
Above you see a poster for Girls Are for Loving, which is a spy movie in which a sexy operative for hire is tapped by the CIA to foil a set of international baddies that want to disrupt Asia-U.S. trade negotiations. The movie is third in a series after 1971's Ginger and 1972's The Abductors, with Cheri Caffaro in the lead role of Ginger MacCallister, while Sheila Leighton is the head villain and Timothy Brown is the CIA's man on the spot. It's an action-sexploitation flick, but the international trade aspect, mid-level budget, and shooting locations in St. Thomas elevate it above what you'd expect.
But it isn't that elevated. Caffaro does some lingerie karate, some bikini karate, some hot pants karate, and some topless karate, while her backup Brown always shows up too late to help. Inevitably she's captured, and just as inevitably, she's stripped and molested. But you can't keep a good international spy down, even with ropes and the weight of a hairy, slobbering villain. In the end Caffaro gets the better of her foes, and she and sidekick Brown head off into the sunset smiling.
As sexploitation goes, this one is raunchier than most, and the fact that Caffaro was married to director Don Schain makes it even more eyebrow raising that he directed another man getting touchy feely with his wife's cherry pie. But on the other hand, you have to admire these spouses' commitment to art. We can imagine Schain's direction: "Suck her nipples. No, suck them. Really get them in your mouth. Great. Cheri, act like you enjoy it. Good. That's uh... actually quite convincing." As ’70s action goes Girls Are for Loving isn't great, but as ’70s sexploitation it's muff-see entertainment. It premiered in the U.S. today in 1973.
Who says cats don't like to get wet?
We're back to Japan today, with another Nikkatsu Studios pinku flick, this time Mesunekotachi no yoru, known in English as Night of the Felines. We like cats, so this one should be a slam dunk. It's about three women who work in a sort of massage parlor in the Shinjuku district of Tokyo called Turkish Paradise, where they provide soapy rubdowns and other services to male customers. They manage to get involved in efforts to convert an ostensibly gay youngster named Makoto to heterosexuality. Two items of note here: apparently soapy rubdowns are a thing in Japan; and apparently the filmmakers considered sexuality a strictly a-or-b deal. But whatever, in this all-or-nothing milieu conjured up by writer Akira Nakano and director Noboru Tanaka, men can be converted from totally gay to totally straight, which totally leads to troubles in typical Nikkatsu fashion. The movie is partly comedic in nature, and lurches between laughs—or attempts at generating them, anyway—to surprisingly dark interludes involving voyeurism, suicide, and more. It was interesting, and the gender bending nature of it was different. For us most of its value was in watching the Turkish Paradise felines and their bubbly slippings and slidings. Soapy rubdowns. Who'd have thought? Since we can't visit Turkish Paradise we're going to show the movie to the Pulp Intl. girlfriends and see if they can learn some tricks. Wish us luck. Mesunekotachi no yoru premiered in Japan today in 1972.
When they gave out maternal instincts Izumi Shima forgot to sign up for her dose.
In Japanese, “haha” means mother, and in Waisetsu kazoku: haha to musume, known in English as Indecent Family: Mother and Daughter, there's a mother who certainly qualifies as funny. Funny as in strange. Mommy dearest is none other than Izumi Shima, one of our favorite pinku actresses, as we've demonstrated numerous times, such as here and here. The idea of her having had a child in this movie defies credulity. She was twenty-nine in it, while Yōko Morimura, who plays her daughter, was at least eighteen. But whatever, it's Nikkatsu roman porno, so you have to go with it.
Plotwise, a middle-aged sad sack played by Akira Shioji makes a connection with Morimura while she's dancing at a strip bar called Mississippi Queen, and she comes to live with him. Never let a stripper move in with you. Every man knows that. But not Shioji, apparently. In short order Morimura's mother Shima moves in too. At first Shioji is pretty thrilled with this arrangement, but it isn't long before Shima decides to show him that mothers know things daughters don't. And that, of course, is the beginning of his problems. Since this is a roman porno, we don't have to detail all the things that go on—you know what to expect, and you know things don't often end well.
You also know there's usually a leftfield subplot, and in this case it has to do with Shioji's house being coveted by his nephew in order to sell it for hotel development. Or something like that. Doesn't matter, because the plot is just a framing device for nudity and cleverly simulated sex. As we've noted before, it's amazing how raunchy a film can be yet not show very much. Shioji and Morimura's sixty-nine session about halfway through is a case in point. You'll really believe he's getting up in her rump. All very fun, and we were especially happy there was no pee. It's a roman porno staple we can do without. For that reason alone we give Waisetsu kazoku: haha to musume a cautious thumbs up. It premiered in Japan today in 1982.
Mother, homemaker, community activist, and filthy freak. She does it all. I have a hot young girlfriend for sex, and her mother to clean the house. Life doesn't get much better than this. I feel like singing! Figaro! And skipping! Wheeee! Here, why don't you watch while I sensually undress my passed out mom. Dang. I never noticed until seeing her half-naked, but she's a total milf. ...zzzzzzz... Hah! I wasn't passed out at all! I was intentionally letting Shioji perv out. Now that he realizes I'm hotter than the surface of the sun, I'm going to strip him down to the bone just like this spare rib. Sluuuuurp! Mom! Quit sucking off that rib! You're embarrassing me! No, my daughter, I don't believe I shall desist from fellating this juicy rib. I don't believe I shall desist at all. If you think my foot is nice just wait until you experience the warmer and softer parts of my body. That trip I took to Akiyoshido Cave last year was so cool. How weird that I should think of that now. Yup. Fucked his brains right out of his skull. Now back to the rib. You stole my unattractive and inappropriately old lover, mom. I'm not speaking to you. Bonus material below: a couple of promo photos of Morimura and Shima.
She's a lot more dangerous than she looks.
Claudia Jennings is back today, setting a lethal mantrap in this photo made for her 1974 guilty pleasure bayou adventure 'Gator Bait. The movie is what it is—a ridiculous piece of sexploitation-lite made to take advantage of landscape and bodyscape. And Jennings is what she is—an actress trying like hell to make a bad film better than it has any right to be. Mission accomplished—'Gator Bait is watchable. Not good, but watchable. You can read about it here.
She's not quite as innocent as she looks.
This Japanese poster was made for Annie Belle's 1976 erotic romp La fine dell'innocenza, and it makes us wonder: Do erotic stars even exist anymore? We don't mean porn stars. We mean stars of erotic films. Have the reactionaries made them extinct, even on late night cable? Well, if so that's terribly sad, because if one believes cinematic sex and nudity are automatically exploitative (or worse, that all nudity in media derives from coercion), in our opinion that person has led a tragic or sheltered life. Sometimes such movies are exploitative, of course, but oftentimes they're life affirming and fun. Just like regular films, there's a range. La fine dell'innocenza, which was also titled simply Annie, falls somewhere in the middle. It has its exploitative elements, but ultimately is about Belle being far too rare and free a bird to be caged by small-minded men. Once upon a time, but not long ago, women struggled and protested and advocated in order to be free birds sexually, to express their sexuality in any way they saw fit after centuries of repression. La fine dell'innocenza is an artifact of that time period. We talked about it a few years ago, and you can read about it at this link.
Lindberg is larger than life in three dimensions.
Have you ever seen a 3D sexploitation movie? Rittai Poruno-Sukoppu: Sentensei Roshutsukyou, which was originally released as Liebe in drei Dimensionen and known in English as Love in 3-D, is a typical piece of West German goofball sexploitation—except it comes right at you! Ingrid Steeger is top billed but the film's Japanese distributors—no fools they—put Christina Lindberg on the promo poster.
There isn't much of a plot to this. It's basically just sex vignettes wrapped around Steeger apartment sitting and dealing with her bad boyfriend. 3D movies always overuse their gimmickry and this effort is no exception. Items thrust at the camera include Dorit Henke's panties, Ulrike Butz's bush, several animatronic monsters in a house of horrors, and of course Lindberg's boobs.
Lindberg was globally famous for her breasts (see what we just did there?), which means her nudity was expected and duly delivered, but watching her tour Munich rocking a red mini-skirt and fluffy pink jacket may impress you even more. Lederhosen must have gotten cramped all over Bavaria when she shot those scenes. Liebe in drei Dimensionen premiered in West Germany in January 1973 and reached Japan today in 1974.
The headlines that mattered yesteryear.
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect
Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
1915—Ship Capsizes on Lake Michigan
During an outing arranged by Western Electric Co. for its employees and their families, the passenger ship Eastland capsizes in Lake Michigan due to unequal weight distribution. 844 people die, including all the members of 22 different families.
1980—Peter Sellers Dies
British movie star Peter Sellers, whose roles in Dr. Strangelove, Being There and the Pink Panther films established him as the greatest comedic actor of his generation, dies of a heart attack at age fifty-four.
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