|Vintage Pulp||Oct 19 2023|
Gemser adds a few degrees to the equatorial heat.
Yup, Laura Gemser again. It's just one of those things. La donna della calda terra premiered in Italy two days after Emanuelle e gli ultimi cannibali, so you get to enjoy her twice this week. Above are two posters for the former film, which was originally made in Spanish and released as La mujer de la tierra caliente, then retitled in English as Emanuelle - A Woman from a Hot Country, and, more succinctly, Fury. By this point Gemser's Emanuelle series had pitted her against everything from slavers to cannibals, but here she headlines something close to a straight drama, as she meets Stuart Whitman while both are hitchhiking the hot backroads of Venezuela. As they sit together in a horse trailer being towed across the country, they tell each other their tragic histories.
We've made fun of the bizarre plots of Gemser's movies, but this attempt at unsensationalistic drama is conceptually flat and the screenplay is terrible. Our favorite line: “Don't pay too much attention to women. We have days in which we see everything distorted.” We'd retort that men have entire lifetimes in which they see everything distorted, which is why the world is fucked. *checking credits* Yeah, the screenplay was written by men. Well, they dropped the ball here, not just because of bad writing, but because—and we never thought we'd say this—Gemser's movies need rampant weirdness to be watchable. So give up being normal and enbrace the bizarre. Bring on the slavers and cannibals. They were sorely missed. After premiering in Spain in July 1978, La donna della calda terra opened in Italy today the same year.
SpainItalyVenezuelaLa donna della calda terraEmanuelle - A Woman from a Hot CountryFuryLaura GemserStuart WhitmanGabriele TintiPaola SenatorePilar VelazquezAmel Amorposter artcinemasexploitationnuditymovie review