Vintage Pulp Apr 20 2020
TRADE SECRETS
Laura Gemser makes an emancipation proclamation.


As you've deduced from the above Italian poster for La via della prostituzione, also known as Emanuelle and the White Slave Trade, we've performed a quick turnaround to Laura Gemser, last seen two days ago. In this flick she plays a journalist, a role she inhabited often, and heads to exotic Nairobi with sidekick Ely Galleani. In a Nairobi market Gemser sees a man hurrying a woman through the throng. She'd seen the same pair in the airport, except then the woman was in a wheelchair and the man was pushing it. Gemser asks her local tour guide, “Do you know that man?” His response: “That one? Only by sight. I only know that he's American, and that he comes on business, but I don't know what kind of business. Someone mentioned white slavery. But why do you ask?” Did you just cringe a little? We did too, but we get it—the white kind is far more important than the regular kind, init?

Anyway, while were still marvelling over the sad but somehow uproarious tone deafness of those dialogue exchanges, Gemser was busy jetting from Nairobi to New York City to find more info about this American slaver. After promising her editor the biggest scoop of her career, she manages to charm her way into a slave auction taking place—in an amazing stroke of luck—right there in the Big Apple. She watches as girls as young as seventeen are sold to hairy-knuckled jetsetters, including that mysterious Yank, played by hirsute Italian Gabriele Tinti. Now that she knows the basic shape of the wrongdoing taking place, she needs evidence. How does she gather it? That's right—by infiltrating the slave racket as product. She's accepted as a high priced prostitute, and from NYC she's off to San Diego to work in a private club, where she hopes to blow the racket wide open.

You may be asking yourself, Wait, how is this all voluntary for her if it's a slave ring? That question is never fully answered. Somehow, though, she's accepted in the game as a freelancer, while all the other girls seem to be wholly owned chattel. It doesn't matter. This is sexploitation cinema, and what matters are nudity and sex, which means that mixed into the confounding plotline are an amazing number of sex scenes, which consist of cast members slithering softcore style against each other like salamanders while soporific music drifts across the soundtrack. It's all very silly, but the entire point of these films is to create gauzy eye candy, not dazzle you with cinematic mastery or make social statements more than a micron deep. Emanuelle and the White Slave Trade fulfills all the requirements of the genre, not brilliantly, but certainly adequately. It premiered in Italy today in 1978.

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Vintage Pulp Apr 18 2020
AFRICA FOR LOVERS
Emanuelle goes after the wildest game of all.


Above is a French promo for the sexploitation romp Black Emanuelle en Afrique, which was originally released in Italy as Emanuelle nera, and in the English peaking world as Black Emmanuelle. After opening in Italy in late 1975 it had its French premiere today in 1976. The promo art is more a photo-illustration than painting, but it's attributed to P. Marty, a minor French creator of promo art during the 1970s. We already wrote about Black Emanuelle en Afrique a few years ago, and let's just say Gemser goes to the developing world and serves as a one woman stimulus package. Want to know more? You can read a bit about the movie and see some eye-catching promo photos at that post.

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Vintage Pulp Aug 10 2019
NUN OF YOUR AFFAIR
Laura Gemser turns out to be one twisted sister.


Laura Gemser again? Really? Well, she made a lot of movies and we find them highly amusing. This one was called Suor Emanuelle, aka Sister Emanuelle, and we'll tell you up front it'll probably be wildly offensive to anyone with religious beliefs, as she plays the horniest nun in L'Aquila, Italy. She doesn't start that way. At first she's one cold penguin, but as we've mentioned before, exotic places heat her up. Plus in the convent she finds herself in close company with Mónica Zanchi, who knows exactly which of Gemser's buttons to press. That chilly old convent starts cooking, with Gemser giving in to Zanchi, and Zanchi regularly hiking Vinja Locatelli's treasure trail. But it wouldn't be ’70s sexploitation without some hairy men. Enter Gabriele Tinti as a bank robber hiding out in the stables. Gemser and Zanchi both take carnal communion with him, multiple times. All in all, Suor Emanuelle is a typical Gemser sex flick—ethereal, ridiculous, a bit quaint by today's standards, and not to be taken at all seriously. We give it two-and-half nipple-kisses. It premiered in Italy today in 1977.

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Modern Pulp Mar 13 2019
BAN ON THE MOON
Gemser flick needs to be put someplace the sun doesn't shine.


Laura Gemser made many films, in which she mainly lost her clothes in exotic locales, and in 1980's Sexy Moon the Gemser world tour hits the island of Cyprus. First things first—the alternate titles. They include, but are not limited to, I mavri Emmanouella, which was the original Greek title, Secrets érotiques d'Emmanuelle, Emanuelle: Queen Bitch, Emanuelle: Queen of Sados, and Emanuelle's Daughter. Those last three were the titles for various English speaking countries, while Sexy Moon, interestingly, was what the film played as in Italy, where it opened today in 1980. So you're actually looking at the film's Italian poster above, and a nice one it is, painted by Enzo Sciotti, the brush behind more than 3,000 movie promos.

This was Gemser' s eleventh Emanuelle outing, depending on how you number them—she starred in two movies that had “Emanuelle” in the titles but no character in the films with that name. So some might say this was her ninth Emanuelle film. Whatever. The important aspect here is that the writers were running out of interesting things for her to do. By the time Sexy Moon came along Gemser couldn't merely be ravished by hairy Eurostuds, so after besting cannibals, becoming a nun, and smashing a prostitution ring, her handlers decided to have her play an unhappy wife who has her terrible husband murdered. At that point she becomes guardian to the departed's now rich daughter, who's played by Livia Russo.

Russo could, in some slow developing genetic universe, be eighteen, but she's more likely fifteen, which means we were ambushed by her nudity, which is both sexual and, later, violent in nature. We suspect the only reason this film isn't illegal everywhere is because nobody has a firm record of Russo's age—least of all her, since she dropped off the face of the planet right after Sexy Moon wrapped. It was a more daring time artistically. We mention that often. And it's just acting. We get that. But having a possible mid-teen even act a rape scene is sadistic. We recommend skipping this one. Sexy Moon, which turned out not to be sexy at all, premiered in Italy today in 1980.

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Vintage Pulp Aug 6 2018
NERO AND FAR-O
Gemser heats up the deserts of Egypt.


Cinematic sleaze was often fueled, the same as was mainstream filmmaking, by star power, so it was natural to bring two popular erotic performers like Laura Gemser and Annie Belle together. It happened today in 1976 with the Italian premiere of Velluto nero. At some point after its theatrical release it was renamed for English speaking audiences Black Emmanuelle, White Emmanuelle. Gemser was actually Indonesian, born in Surabaya, East Java, however 1976 was the blaxploitation era and everybody wanted a piece of that pie, including, obviously, Gemser's production company Rekord Films. Gemser could have played anything from half black to Persian to southern Italian to Hawaiian to Latina, so it was a canny—if cynical—bit of cultural appropriation. But back then it was seemingly no harm no foul. Audiences wanted to see her naked, and she always delivered.

In Velluto nero Gemser plays a model who vacations in Egypt with her horrible husband and meets the free-spirited Belle, who awakens her to better possibilities in life—ones that don't include her criminally abusive spouse. It's generally agreed that this is one of Gemser's most tepid Emanuelle entries. We have to concur. But Gemser and Annie Belle in the same movie are worth something, at least, and the Egyptian scenery is compelling. We also like that Belle's multi-colored sweater makes another appearance. She must have lifted it from the costume department when she filmed Laure. Velluto nero isn't the last we'll see of her or Gemser, and we'll just have to hope the next encounter is an improvement over this one.

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Vintage Pulp May 14 2018
THE SWEETEST TABOO
Gemser gets freaky on the island of brotherly love.


La spiaggia del desiderio is another Laura Gemser sexploitation epic, third in what would become a long series of Emanuelle movies, and the first to truly jump the shark. A bit of backstory: Author Emmanuelle Arsan wrote the original Emmanuelle character, based on herself, in 1967, and saw it become the erotic film Emmanuelle starring Sylvia Kristel. It premiered in France in June 1974 and was a worldwide smash by that autumn. But Italian production company Aquila Cinematografica had managed to film and rush release a knock-off entitled Amore libero that hit cinemas in Rome by August of 1974. The movie starred Gemser as a character named Emanuelle—with one 'm'. This film too was something of a success, in the sense that it made money while costing far less.

After the success of the French Emmanuelle its makers decided to cash in with a sequel. Trinacra Films and Orphée Productions kicked France to the curb and made Emmanuelle II with an eye toward the large U.S. market, where their sophomore entry eventually had its world premiere in December of 1975. While shooting this sequel they apparently figured the more Em(m)aunelles the better and cast Laura Gemser as a sexy masseuse in order to pair her up—naked—with Kristel. The spirit of cooperation is admirable, but certainly what this casting decision did was give Gemser's Emanuelle just as much legitimacy as Kristel's Emmanuelle.

At the time Gemser was enjoying this cameo appearance in Emmanuelle II she had already made or was about to make a sequel to her Amore libero. We use that uncertain terminology because the French Emmanuelle films were higher budget productions and took longer to film and post-produce, which means even though Gemser's sequel hit cinemas before Emmanuelle II, it's possible it was filmed after and rammed through post to get to audiences first. In any case, Gemser's sequel, already cynically thieving the original Emmanuelle concept, was titled to take advantage of the burgeoning blaxploitation wave. Emanuelle negra it was called—Black Emanuelle.

Gemser was off and running and would eventually make more than a dozen Emanuelle films, each more preposterous than the previous. Amore libero and Emanuelle negra featured Gemser playing an Emanuelle who, like the original character written by
Emmauelle Arsan, enjoyed sexual adventures in exotic tourist destinations. But La spiaggia del desiderio is a lost world flick that features her living on an isolated island with her father and brother in primitive bliss. We suspect the entire script was written to avoid high budget location work and unnecessary characters.

In any case, it's just Gemser, her dad, and her bro on this uncharted spit of tropical sand off the coast of Venezuela, until a shipwreck victim washes up and brings with him a host of problems. Because, you see, Gemser plays a game with her brother, a very pleasurable game that she—in her innocence—doesn't realize is known as incest in the civilized world. When she begins to play the game with the newcomer that's when things go terribly wrong. Think of it as The Blue Lagoon years before that movie appeared, but with brotherly love thrown in to provide an excuse to philosophize about cultural norms.

The main plot question becomes this: does the newcomer try to get Gemser to realize what she's doing is wrong, or is it really society that's wrong to judge true love? And secondarily, should he take her away to civilization, or would the real world destroy all that is innocent and wonderful about her? This is deep shit, folks. In our view, Gemser should leave the island—a few civilized cheeseburgers might actually do her good. She's 5' 7” and goes—maybe—115 soaking wet, so she really does look like she's been living on coconuts and crabs for years. But for her fans it's about her whole package, even if that package looks underfed.

We can't recommend La spiaggia del desiderio. There's just nothing much going on here. We suspect the film was toned down because of the (completely unneeded and distasteful) incest angle, a problem her production company might not have foreseen until it was too late. Like: “Uh, huddle up people—we just learned we can't show Laura boning her brother without being slapped with an injunction.” Thus with Gemser's nude frolicking reduced to a bare minimum, there's not much to sustain interest. If we were you we'd give this particular Emanuelle a pass. La spiaggia del desiderio premiered in Italy today in 1976.

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Modern Pulp Nov 18 2017
NOTTI GIRL
Laura Gemser bites off more than she can chew in z-grade zombie epic.


Finally! We've learned that the Italian poster artist who signed his work Aller was a man named Carlo Alessandrini, and we owe that information to a new book by Roberto Curti called Italian Gothic Horror Films 1970-1979. Above you see Alessandrini's work for the Laura Gemser sexploitation flick Le notti erotiche dei morti viventi, aka Sexy Nights of the Living Dead. Gemser started in erotica in 1974, and as the years wore on she basically traded on her name and did less and less actual performing, appearing in several films in little more than cameo roles. In this one she secures top billing for not showing up until the thirty-three minute mark, and not uttering a line of dialogue until probably forty minutes in.

Plotwise, a sailor takes a greedy gringo developer and his prostie companion to a deserted island where the American wants to build the finest resort in the Caribbean. The place is called Cat Island and whenever anyone mentions it to the locals who live on nearby islands they run out of the room. To normal people this would be a strong non-endorsement concerning travel to Cat Island, but such blatant hints are lost on lunkheads in horror movies. So a-boating they go. When the developer announces his plan to pave over the old island cemetery to build a heliport you just know he's sticking his dick somewhere he's likely to lose it—Gemser's mouth (see below). Her army of zombies are equally opposed to gentrification, and lodge their protests by chasing the living all over the place. But all is not lost. As the hero explains at one point: “The advantage we have is that they move at a snail's pace.”

So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.

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Modern Pulp Aug 20 2017
ESOTIC BLEND
Gemser makes a movie out of spare parts.


In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.

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Vintage Pulp Aug 9 2017
COITUS INTERRUPTUS
Last anyone heard from him he had ventured deep into the bush.


The Japanese didn't mess around when it came to promo posters during the 1970s. This one for 1977's Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals gets the point of film across immediately. The promo stars Spanish actress Nieves Navarro, aka Susan Scott, and was taken from a production still—minus actor Percy Hogan, who's been disappeared from the original image. In the movie Hogan plays a bush guide named Salvadore, and now you know exactly what type of bush he guides himself into. It's curious he was excised from the poster, but we're kind of surprised Navarro is on there either, since all by herself she still makes for a shocker of an image. But you have to admit the overall effect is really striking. We'd even say beautiful. Looking at the minimal amount of poster text, it's pretty clear the title of the film changed. Emanuelle e gli ultimi cannibali was deemed a little too unwieldy it seems, so the distributors called it 猟奇変態地獄, which means “bizarre transformation hell.” You see the flipside of the sheet just above. If you haven't seen the movie, we'll tell you that bizarre is a pretty apt description. We did a short write-up of it back in 2013 and included more production photos, so if you're curious have a look here.

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Vintage Pulp Apr 3 2016
DARKEST AFRICA
Once you go Black Emanuelle you never go back.

Javanese beauty Laura Gemser isn't black in the ethnic sense, but you know that going into Black Emanuelle, first of the Italian-made sexploitation series that borrowed the French Emmanuelle concept and took it to places its originators could never have imagined. Gemser could actually be half black or mostly black, going by skin tone alone, but in a way her being South Asian in real life becomes the whole point, as it makes all her love scenes titillatingly interracial, whether she's getting it on with Africans or white foreigners. This is the tamest of the series—before poor Emanuelle was beset by voodoo priests, cannibals, and worse. In addition to the honeyed Gemser in the starring role you get a scoop of vanilla Schubert on top—German actress Karin Schubert. We aren’t going to bother to tell you about the plot of this one—it follows the form of other movies about westerners who get freaky in the African bush and eventually leave with profound insights and fond memories (cue shot of dreamy eyed actress gazing out airplane window as dark, mysterious Africa recedes below). In addition to the Japanese poster above we were able to locate quite a few promo images, including two of Gemser and Schubert doing field tests of Newton’s laws of physical motion. See below. Black Emanuelle opened in Japan today in 1976. 

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History Rewind
The headlines that mattered yesteryear.
May 31
1957—Arthur Miller Convicted of Contempt of Congress
Award-winning American playwright Arthur Miller, the husband of movie star Marilyn Monroe, is convicted of contempt of Congress when he refuses to reveal the names of political associates to the House Un-American Activities Committee. The conviction would later be overturned, but HUAC persecution against American citizens continues until the committee is finally dissolved in 1975.
May 30
1914—Aquitania Sets Sail
The Cunard liner RMS Aquitania, at 45,647 tons, sets sails on her maiden voyage from Liverpool, England to New York City. At the time she is the largest ocean liner on the seas. During a thirty-six year career the ship serves as both a passenger liner and military ship in both World Wars before being retired and scrapped in 1950.
May 29
1914—RMS Empress Sinks
Canadian Pacific Steamships' 570 foot ocean liner Empress of Ireland is struck amidships by a Norwegian coal freighter and sinks in the Gulf of St. Lawrence with the loss of 1,024 lives. Submerged in 130 feet of water, the ship is so easily accessible to treasure hunters who removed valuables and bodies from the wreck that the Canadian government finally passes a law in 1998 restricting access.
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