Vintage Pulp Aug 1 2015
CALENDAR EVENT
Diane Webber brings a bit of warmth to winter in Baltimore.

Today’s Technicolor lithograph features a recognizable figure for once—the much adored Diane Webber, a California born model, dancer, and actress who was also known as Marguerite Empey and became one of the most important fixtures of the 1950s and 1960s nudist magazine scene. You can see a few examples of those here. Webber was also a two-time Playboy centerfold under her Empey persona, in May 1955 and February 1956. We’ve mentioned before that the blank spaces at the tops of these Technicolor prints were made for the insertion of advertising, and at right you see how that worked with a calendar for a Baltimore, Maryland establishment called Stanley’s Drive-In. The original image came from the A. Scheer Company, was called Exclusively Yours, and appeared in 1955. The calendar came out in the winter of 1958.

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Hollywoodland Jul 16 2015
CONFIDENCE GAMES
Liberace experiences tabloid wrath at its most merciless.


It was in this July 1957 issue of Confidential that journalist “Horton Streete’ infamously outed cover star Liberace in the most vicious and dehumanizing way with an article entitled “Why Liberace’s Theme Song Should Be ‘Mad About the Boy’.” We’ve talked about it before. Streete willfully attempted to damage the singer’s career by spinning a shocking tale of how he attacked a young, male press agent. The article refers to Liberace as Fatso, Pudgy, Dimples, and other, less flattering monikers.  

Here’s a rule you can count on—when a journalist or on-air personality constantly refers to someone by other than his or her name or title, it’s a hit piece. Liberace was horrified and sued Confidential. California Attorney General Pat Brown had already managed to win an indictment of the magazine two months earlier. Owner Robert Harrison was about to spend his entire summer in court. He took these legal threats to heart and publicly promised to stop publishing stories about the private lives of Hollywood stars.
 
Up until then Confidential had been as reckless as a magazine could be. This issue accuses Gary Crosby of punching a woman in the face, and Eartha Kitt of trapping her friend’s boyfriend in her penthouse. An extraordinary story about boxer Jake LaMotta suggests the he got a bumrap in his morals trial. LaMotta was serving time for bedding a 14-year-old. Prosecutors had convinced a jury that the incident with LaMotta was a primary cause of the girl later becoming a prostitute. Confidential rides to the rescue, claiming that the girl’s father had already deflowered her, therefore LaMotta could not have had any influence on the girl’s fate. How’s that for a principled stand?

These early issues of Confidential are a cesspool of journalistic ethics, no doubt, but they’re also a visual treat. Using black, red, blue, and yellow, plus the white of the pages themselves, the designers put together a bold and gaudy package that would influence every other tabloid on the market. The layouts on Kitt, Liberace, Alan Dale, and Lex Barker are among the most eye-catching we’ve seen from the period. Elsewhere you get Anthony Quinn, and a host of other stars. We have a bunch of scans below. Remember, you can always see more from Confidential and other tabs by visiting our tabloid index at this link.


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Vintage Pulp Apr 13 2015
PEEPING RUSS
Russ Meyer turns what he loves most into a career.

This rare Japanese poster promotes the American movie French Peep Show, which was boob aficionado Russ Meyer’s first sexploitation film in a long, infamous series of them. Shot at Oakland, California’s El Rey Burlesk Theater, it was ostensibly a documentary about dancer Tempest Storm’s quest to make it as a performer, but of course was really just an excuse to film a burlesque show and use the medium of cinema to export it to the masses. The film is presumed lost, which is too bad, because in addition to Storm, it featured Lily Lamont, Terry Lane, Shalimar, Marie Voe, and others. The poster is composed of three famous shots of Storm, one of which we shared a while back, the others of which you see below. You can read a bit more about French Peep Show here. It premiered in the U.S. in 1950, but reached Japan this month in 1954. 

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The Naked City Jan 20 2015
BAD GAMBLE
Even if it sounds like a bluff, don't call it unless you’re willing to lose everything.


This photo made today in 1959 shows a woman named Jessie Mae Noah, who Los Angeles police had arrested and were questioning in connection to a crime that had occurred seven weeks earlier. On that December night a Samuel Goldwyn Studios suit named Kenneth Savoy walked into the In Between Café on Melrose Avenue during the time two men—one holding a sawed-off shotgun—were in the process of robbing it. Having collected the money and valuables of eight patrons and the contents of the cash register, they demanded Savoy’s wallet, and perhaps having watched too many of his own movies, he replied that if they wanted it they’d have to shoot him. That hard-boiled response earned him a load of buckshot in the stomach. The robbers scampered to their getaway car—where Jessie Mae Noah was waiting in the rear seat—and fled the scene.

After police published composite sketches of the robbers in the newspapers, Noah contacted police, resulting in the photo op above. The robbers—George Scott and Curtis Lichtenwalter—were arrested later (for those who wonder whether composite sketches ever work, check the comparison between Scott and his likeness at bottom).

Scott had fled all the way to Texarkana, Arkansas, and gave up only after a shoot-out with police at a motel. Jessie Mae Noah claimed she’d had no idea her two acquaintances were planning a robbery, and that she had simply gone for a ride with them for kicks. She avoided a murder charge, but Scott and Lichenwalter were both found guilty of robbery and first degree homicide. Scott—the triggerman—was gassed to death by the state of California in September 1960. And as for the victim Kenneth Savoy, you have to wonder what he thought in that instant when the shotgun went off. We suspect he thought that maybe calling bluffs was something best left to the stars of action films.


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Hollywoodland Jan 13 2015
WINTER WEDDING
Mansfield and Mickey Hargitay ride into the gossip columns.

Jayne Mansfield rides off into the night with her new husband, Hungarian bodybuilder and former Mr. Universe Miklós Hargitay, better known as Mickey Hartigay, after their wedding in Portuguese Bend, California, today in 1958. In addition to riding off with Mansfield, Hargitay rode into the pages of the tabloids. As a noted figure in the fitness and bodybuilding world, he had been moderately famous before, but now, as a superstar’s husband, his every excursion, utterance, change in appearance, and career rumor was exhaustively documented and sold to the public. The marriage lasted six years, which is not bad by Hollywood standards, and the pair had three children, one of whom is actress Mariska Hargitay. See more on Mickey here.

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The Naked City Jan 12 2015
FINAL SHOT
Life and death in the cinema.


Police Lt. Hugh Crowley lies dead in the Fox Westwood Village Theater in Los Angeles after being shot today in 1932. Crowley had gone to the theater after closing time to retrieve box office receipts, but instead surprised two thieves. Crowley reached for his sidearm and fired, and one of the crooks gunned him down. Both men were captured and tried, and Joseph Francis Regan, who had fired the fatal shot and actually been hit in the abdomen by a bullet fired by Crowley, was sentenced to death. Jack Green, who had no prior criminal record, had not fired a shot, and had cooperated in the police investigation, nevertheless also was sentenced to death, probably because he had planned the crime. Regan was hanged at San Quentin State Prison in August 1933. Green came close to the gallows, but received numerous reprieves after public pleas for leniency from his parents, and rulings from higher courts. Eventually his sentence was commuted to life in prison.

Although Green was probably never aware of it, legal authorities often cited his case during the long battle over the constitutionality of the death penalty in California. The idea put forth by the pro-death penalty side around 1960 was that even though Green’s commuted sentence specified “without possibility of parole,” there was no actual reason in California jurisprudence or the state constitution that he could not be released. All that was required was for an appropriate state authority to decide to do it. They felt therefore that anti-death penalty campaigners’ assurances that criminals could be imprisoned for life if such punishment was deemed necessary meant nothing. No matter the language of the original life sentence, any criminal could later be released. Green doubtless would have found all this fascinating, but none of it ever came to affect him. As far as we can tell, he did in fact spend the rest of his life in San Quentin.

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Vintage Pulp Nov 28 2014
CORONA FEAR
Miles away from ordinary.


National Informer Weekly Reader once again dabbles in real journalism with a piece about Juan Corona, the Mexican-born killer who in 1971 committed what was at the time America’s largest serial murder. Corona was violent-tempered, savagely homophobic, schizophrenic, had been institutionalized earlier in his life and had endured electroshock treatments. When he finally snapped and went on his spree it was to rape and murder twenty-five male farm laborers during a six-week period and bury them in the orchards around Yuba City, California.

Among many strange aspects of the crimes, Corona typically chopped crosses in the backs of his victims’ heads with a machete, and buried them face up with their arms over their heads and their shirts pulled up to cover their faces. Reader doesn’t offer much new information six months after his arrest, opting instead for a few big photos and short captions. Even though Corona typically wore casual work clothes, Reader digs up a photo of him in a sombrero and charro suit, because nothing says, "I'll chop up you, your family, and your little dog too, motherfucker," like mariachi garb. Using an atypical photo is of course a transparent move to make certain subjects appear more alien to readers, and it remains a common and highly troublesome aspect of American murder coverage today.
 
But Reader is a tabloid, after all, and so elsewhere in the issue you get more standard tabloid fare—five women giving up secrets about Farnk Sinatra, Mandy Burnes explaining several ways to beat a hangover, a fearful story about the coming explosion in the number of hippie doctors, a guide to Soho for swingers, a millionairess who made her fortune selling German sex aids, and the usual assortment of bad cartoons. Also, we have a suspicion that’s an Aslan pin-up on the front cover, which would be the second Reader has stolen—er, borrowed. Nineteen scans below.

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Vintage Pulp Nov 8 2014
BROWN IS THE NEW BLONDE
Diana Dors dirties her golden locks for another turn as a woman behind bars.


The excellent promo above for Le femme et le rôdeur, aka The Unholy Wife was created by Roger Soubie, one of the best French poster artists of the mid-century period. His art drew us to the movie, which we watched only to discover Diana Dors in identical grime mode as in her prison drama Yield to the Night. Not only do both productions feature Dors locked down with her blonde tresses gone brown due to lack of available dye, but both involve her being on death row for murder. Since The Unholy Wife was the next film she did after Yield to the Night we can only assume her initial foray into crime and incarceration was such a success it needed to be repeated. Like almost exactly. Unfortunately, two visions of a bruise-eyed Dors about to receive state-sponsored revenge were too much for audiences, and her repeat excursion was roundly panned.

And sadly, we must agree. Dors is living in California and is married to a Napa winery baron, but since she’s also sharing her affections with a hot young lover, she soon ponders murdering her unsuspecting hubby for his estate. When we lived in Berkeley, just south of the California wine country, we rarely pondered anything more than sunlit grapes and a nice Schug Syrah. But okay, The Unholy Wife is a film noir, which means Dors is no more happy with her heaven-on-Earth existence than a Wall Street stockbroker is with his untaxable Cayman Islands shadow fortune. Both inexplicably want more. Dors starts the film in prison and tells her story via flashback, so we already know her schemes backfired. If only the same were true for stockbrokers. The Unholy Wife premiered in England in the summer of 1957 and premiered in France today the same year.

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Hollywoodland Aug 31 2014
EVERYTHING MUST GO
How Venice evolved into Not-Venice

The shot at top of Windward Avenue in Venice, California was made around 1905. Owned by the Venice Historical Society, the image caught our eye because we were just there in July (actually, we used to live in Venice). The second shot was made from basically the same angle in 1939. Note how most of the original Venetian gothic windows have disappeared, and the gothic cornices have likewise vanished. In addition to the buildings, Venice had sixteen miles of canals, but by the time of the 1939 photo all but 1.5 miles of those had been filled in. During the 1950s financial neglect began to turn Venice into a slum, and in the following years not only did the remaining gothic elements go, but also most of the structures. Today the famed colonnade of Windward Avenue fronts only five buildings. 

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The Naked City Jun 29 2014
ALL TIRED OUT
When the wheels come off.

The above photo shows twenty-two-year-old Eddie M. Gonzalez, who was discovered dead behind a service station located at 3822 E. Olympic Boulevard in Los Angeles. In the background is police detective A.W. Frank. Police decided the cause of death was an accidental overdose, a deduction made thanks to fifty capsules of an unnamed drug found on the deceased’s person. To us the whole scene looks strange—a well-dressed, well-groomed person in shiny shoes who can afford fifty capsules of drugs doesn’t seem like the type who would need to ingest them behind a gas station and end up tangled in a pile of tires. And if suicide was his aim, why fifty leftover capsules? But maybe we’re just conspiracy minded. The photo is part of the University of Southern California’s digital archive and was taken today in 1952. 

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History Rewind
The headlines that mattered yesteryear.
September 03
1941—Auschwitz Begins Gassing Prisoners
Auschwitz-Birkenau, the largest of Nazi Germany's concentration camps, becomes an extermination camp when it begins using poison gas to kill prisoners en masse. The camp commandant, Rudolf Höss, later testifies at the Nuremberg Trials that he believes perhaps 3 million people died at Auschwitz, but the Auschwitz-Birkenau State Museum revises the figure to about 1 million.
September 02
1967—Nation of Sealand Established
The Principality of Sealand, located on a platform in the North Sea, is established under the rule of Prince Paddy Roy Bates. Proving that paradise is a pipe dream as long as humans are involved, Sealand has already endured a coup, a war, and a hostage crisis since its formation.
1973—J.R.R. Tolkien Dies
British fantasy novelist J.R.R. Tolkien, author of The Hobbit and The Lord of the Rings trilogy, dies at the age of 82.
September 01
1902—French Go to Moon
Georges Méliès' Le voyage dans la lune, aka A Trip to the Moon, is released in France. It is the first science-fiction film ever made.
1939—Germany Starts World War II
Nazi Germany, along with the Soviet Union and Slovakia, attack Poland, beginning the chain reaction that leads to war across Europe.
1972—Fischer Beats Spassky
In Reykjavík, Iceland, American Bobby Fischer beats Russian Boris Spassky and becomes the world chess champion. The match had been portrayed as a Cold War battle, and thus was a major propaganda victory for the United States.

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