Sex Files Apr 5 2016
BAD MANOR
Motel owner Gerald Foos spied on his guests for decades. Now his story is set for publication.


The New Yorker magazine's newest online issue features author Gay Talese's biographical account of a man who may be the most dedicated and successful voyeur who ever lived—Gerald Foos, who bought the Manor House Motel in metropolitan Denver in 1966, installed ceiling vents in more than a dozen rooms, and until 1995 watched his guests most intimate moments from an attic observation space. The vents were louvered and angled in such a way that he was invisible from below, and the attic was modified with carpet and reinforcing wood to make him undetectably silent as he lurked above his guests. In this way he observed thousands of couples, singles, and groups having sex, masturbating, arguing, using drugs, showering, using the toilet, and—on one occasion—committing murder.
 
Foos considered himself a researcher of sorts, and his decades of watching people's sexual liaisons gave him many insights into personal relationships as well as American society at large. All the while he took detailed notes of his observations and thoughts, which he eventually offered to Talese after contacting the author in 1980. Talese has culled those extensive writings for the publication of an upcoming book. The New Yorker article outlining Talese's meetings with Foos, their long correspondence, and the author's visit to the motel to peer through the illicit vents for himself, is long but we recommend a visit to the website to read it. And in case you're wondering, the Manor House Motel was demolished in 2014, so travelers in the Denver area need not worry about being secretly observed. At least at that motel.

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Vintage Pulp Feb 21 2016
MARTINATI CHRONICLES
Italian master’s genius spanned decades.

Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.

To Have and Have Not

On the Waterfront

Phantom of the Rue Morgue

Humoresque

Flamingo Road

The Wrong Man

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The Naked City Feb 16 2016
NED SILENCE
Embarrassing family scandal ends in murder.

The above crime scene drawing shows murder victim Ned Doheny, Jr. in the bedroom of his Los Angeles mansion after being killed by a gunshot to the head, along with a superimposition of where police imagine he was just before he was shot. From the above angle the event looks clinical, but a reverse view reveals an unholy mess, with Doheny's face and robe drenched in blood, and a dark pool spread across the carpet. Out of sight in the hall leading to the bedroom is the body of Hugh Plunkett, Doheny's presumed murderer, dead from a self-inflicted gunshot wound. For a time this was the most famous crime in L.A. history. Doheny was the son of oil tycoon E.L Doheny, who was in trouble for passing bribes to U.S. Secretary of the Interior Albert Fall. The investigation and legal circus, known as the Teapot Dome scandal, had ensnared not just the senior Doheny but Doheny Jr. and Plunkett. They had both been indicted for conveying the dirty money from Doheny Sr. to Secretary Fall.

Realistically speaking, there was no serious threat of the Dohenys going to jail. But working class Hugh Plunkett was not a tycoon nor a tycoon's son, which meant for him the possibility of incarceration was real. When Jr. was offered immunity and Plunkett was not, their close friendship began to fray. Plunkett's growing instability spawned attempts to get him into a mental facility—whether to save his mind or save him from testifying remains a subject of debate—but it never happend. Today in 1929 hevisited the Doheny mansion to talk with his pal Ned and hours later the result is what you see in the crime scene photos. There's much more to the case—rumors of a sexual relationship between Doheny Jr. and Plunkett, rumors that Doheny Sr. pulled the trigger on both men, etc.—but we'll leave all that aside. The truly interested can find at least a dozen websites that dig into every aspect of the case. We just wanted to show you the photo-illustration, which is yet another police photo from the University of Southern California digital archive.

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Vintage Pulp Feb 15 2016
SPLITTING ADAMS
Getting down to the fine details.


Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood. The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.

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Vintage Pulp Feb 8 2016
SADA MASOCHISM
She always had a problem letting go.


This could be a Pulp Intl. first—a Japanese movie where a foreign poster is the nicest version out there. Usually the Japanese whip all competing asses in the poster design department, but just this once the Italian iteration is better, probably because it was painted by Enrico de Seta, one of the best illustrators of the period. The movie is Jitsuroku Abe Sada, which was called in Italian Abesada—L'abisso dei sensi. That means “Abesada—abyss of the senses,” but the English title decided upon was actually A Woman Called Sada Abe. The story tracks real-life murderer Sada Abe, who habitually practiced sexual asphyxiation with her lover Kichizo Ishida, and in 1936 strangled him to death with the sash of her obi. The sensational story grew into an epic folk legend, interpreted by painters, writers, and poets, and when Japan's roman porno film genre came along the incident was a perfect fit.

Jitsuroku Abe Sada was one of several films to tackle the subject. In real life, Sada followed up her killing of Ishida by castrating the corpse and fleeing with the severed organ. The movie covers this aspect of the incident too, and eventually ends with Sada's arrest. The real life Sada was convicted of murder and other crimes, but despite begging to be executed was sentenced to prison, released after a few years, and went on to live four more interesting decades. We won't go so far as to recommend Jitsuroku Abe Sada. It has its worthwhile points, among them the reliable Junko Miyahsita in the lead, but if you're going to watch a telling of the Sada Abe incident, maybe try the more famous and more explicit In the Realm of the Senses, which appeared in 1976. Jitsuroku Abe Sada premiered in Japan today in 1975.

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Vintage Pulp Jan 8 2016
JOAN ON LOAN
Horwitz showed a keen eye but were their covers legal?


We’ve already commented on the good taste Aussie publishers Horwitz showed when selecting images for its Carter Brown covers. We found this 1954 edition of Murder! She Says! in the University of Queensland’s online Carter Brown archive, and the lovely woman on the front is British actress Joan Collins. Joan’s short-haired period didn’t last long—she had this boycut for just a few years—but it’s a very good look that obviously caught the eye of Horwitz editors.
 
The previous Horwitz celeb covers we showed you used actresses—Elke Sommer and Senta Berger—who were barely known at the time, which led us to believe their images were simply appropriated. But by 1954 Collins was already a legit star. That suggests official licensing, but what would have been the benefit for either Collins or the actual owners of the copyright, The Rank Organisation, and why would Horwitz pay money for the image then fail to even identify Collins as their cover star? Where’s the gain there? Why not just use a local model? Or maybe trademark infringement didn’t exist in 1954 the way we understand it today and they simply came across the photo and liked it. Anyway, it’s an interesting side note to a very eye-catching piece of art. See the other Horwitz ingénue covers here and here

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Vintage Pulp Dec 15 2015
THAT THING YOU DO
He lives in a fetid swamp, has terrible grooming habits, and zero career prospects. But at least he listens to me.

David V. Reed’s, aka David Vern’s The Thing That Made Love was originally published in Mammoth Detective in 1943 as The Metal Monster Murders. The first paperback version appeared in 1946 as I Thought I’d Die, and the above version from New York City’s Universal Publishing and Distributing Corporation, which marketed digest sized paperbacks under the imprint Uni-Book, hit stores in 1951 with Robert Stanley cover art. What you get here is a man blamed for murder, but who claims the slayings were the work of a metal swamp monster. The women die battered, but with ecstatic facial expressions. Which raises the question—what exactly is happening to them? You can read a review of the book here 

Update: We learned that Stanley's cover art also appeared in 1952 on Florenz Branch's Whipping Room, for Intimate Novels. Often these cover reworks are clumsy, but we think this makeover is actually pretty good. Not as good as the original, but close.

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The Naked City Dec 12 2015
HARD LUCK FOR HARDWICK
But a good photo for Ferdie.


A police lieutenant named R.W. Lauritzen and a cop named Reggie Floyd eye L.L. Hardwick, found murdered in a littered vacant lot in Los Angeles. Hardwicke's car sits in the background, with its passenger door open. Note also the bystanders behind the cop. On the whole it's an unusually interesting candid shot, an instant of time from a day long past, but which remains vivid thanks to the skill of Los Angeles Examiner photographer Ferdie Olmo. That was today in 1960.
 

 
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The Naked City Dec 6 2015
MURDER, U.S.A.
Chaos and carnage from coast to coast.

Fotocrime is another offering from Digest Publications, Inc., the NYC outfit that gave the world Exclusive, He, and other newsstand treats. The above magazine appeared this month in 1954, was the premier issue, and is exactly what its title says—a compendium of crime photography and the stories behind them, spiced with a bit of celebrity content. Because it's digest sized the text scans at a readable size, so we don't have to explain much. You can have a look and see what it's all about yourself. Of special note are the crime movie reviews, the anti-handgun article, and the True Detective-style feature entitled “Fotoclue” that challenges readers to solve a hypothetical murder. Forty scans below.

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Vintage Pulp Nov 29 2015
LADY FROM SHANGHAI
Please let me go! I’m not even in this book!


Originally published in 1933, with this Century Publications paperback appearing in 1946, Van Wyck Mason’s The Shanghai Bund Murders was seventh in a series of twenty-six mostly similarly titled thrillers such as The Hongkong Airbase Murders, The Sulu Sea Murders, and—no one-trick-pony Mr. Mason—The Budapest Parade Murders, because murder happens even outside Asia. All of these starred his spy creation Hugh North, and here Hugh finds a coin—previously carried by an agent who suffered an early demise—that is engraved with a coded message about Chinese military secrets. You get pro forma anti-commie stuff, but the real villains here are western gunrunners. The excellent cover art, which is not related to the text, is by Malcolm Smith. 

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History Rewind
The headlines that mattered yesteryear.
May 02
1920—Negro National Baseball League Debuts
The first game of Negro National League baseball is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants.
1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman.
May 01
1945—Germany Announces Hitler's Death
German radio in Hamburg announces that Adolf Hitler was killed in Berlin, stating specifically that he had fallen at his command post in the Reich Chancery fighting to the last breath against Bolshevism and for Germany. But in truth Hitler had committed suicide along with his mistress Eva Braun, and both bodies were immediately thereafter burned.
1960—Powers Is Shot Down over U.S.S.R.
Francis Gary Powers, flying in a Lockheed U-2 spy plane, is shot down over the Soviet Union. The U.S. denies the plane's purpose and mission, but is later forced to admit its role as a covert surveillance aircraft when the Soviet government produces its remains and reveals Powers, who had survived the shoot down. The incident triggers a major diplomatic crisis between the U.S. and U.S.S.R.
April 30
1927—First Prints Are Left at Grauman's
Hollywood power couple Douglas Fairbanks and Mary Pickford, who co-founded the movie studio United Artists with Charlie Chaplin and D.W. Griffith, become the first celebrities to leave their impressions in concrete at Grauman's Chinese Theater in Hollywood, located along the stretch where the historic Hollywood Walk of Fame would later be established.

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