What happens in the sticks stays in the sticks.
More hicksploitation from Hallam Whitney, aka Harry Whittington—Backwoods Shack, for Carnival Books, digest format with great cover art by Rudy Nappi. A love triangle in the Florida outback is centered on hot-to-trot “backwoods trash” Lora and her two suitors, uptight Roger and proudly countrified Cliff. 1954 copyright.
In your culture girls kill after mating? Hmmph. How strange. What do you kill?
Whit Harrison’s Native Girl was first published in 1952 as Savage Love, received a name change later that year, then was reissued four years later in 1956 under the author’s real name Harry Whittington. The book is set on the island of Maui and opens, first sentence, with lead character Coles Cameron seeing his best friend’s Hawaiian wife Lani completely nude. From there it’s just matter of time before he gets himself a little jungle love—and of course only a matter of a little more time before he’s boiled in a pot and eaten. Well, not really, but things go almost that badly. Steamy stuff, if a bit overwrought.
If your life seems too good to be true it probably is.
Here’s something we came across that we love. It’s a rare 1959 Red Seal edition of Harry Whittington’s thriller You’ll Die Next!, which originally was published by Ace Books in 1954. It’s the story of a solid everyman who slowly descends into a nightmare of mistaken identity—he’s punched in the face by a thug, fired from work, accused of crimes about which he has no idea, and later framed. But this unremarkable everyman has a wife so beautiful and vivacious even he could never believe she married him, and therein may lay the key to the mystery. This is considered one of Whittington’s best. Cover art is by unknown.
Here’s a pop quiz for you, since you think you’re so damn clever. Is it better to be a live tramp or a dead loudmouth?
Harry Whittington’s The Lady Was a Tramp, aka Murder at Midnight, is the story of a man who hires a detective to solve the murder of his angelic daughter only to have the detective discover that the daughter was not such an angel after all. The book features Pat Raffigan, who is a character Whittington used often. 1951 on this, with uncredited art.
Vintage paperback violence gets up close and personal.
We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.
Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.
What do you call forty dead men? A good start.
Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy.
The way out of nowheresville is long and hard.
Above, a truly excellent Rudolph Belarski cover for Shack Road by Hallam Whitney, aka Harry Whittington, for NYC-based digest publisher Star Novels. What you get here is a hayseed sharecropper named Juba who is surrounded by highly sexual hayseed women, including a soon-to-be runaway daughter, a wife that draws men like flies, and a mother-in-law only fifteen years older than Juba’s wife and who was once the fastest girl around. Juba owned a car once, but sold it twenty-six years ago to pay maternity ward bills. He finds another one by the side of the road and decides to hitch his mule to it, pull it home, and get it running. If he can manage it life will be sweet again, but complications, of course, arise. Simple people and countrified prose, in a book that was part of a popular sub-genre of mid-century hick novels.
Sexiness is a warm gun (on a book cover anyway).
This cover of Peter O’Donnell’s Sabre Tooth, part of his popular Modesty Blaise series, shows Italian actress Monica Vitti as the title character, and it got us thinking about all the paperback covers that feature photos of women with guns. Of course, we realize that, as far as the gun-crazed U.S. is concerned, thinking of armed people as enticing or artistic may seem a little tone deaf, but we're talking about book covers, that's all. So we decided to put together a collection. We should mention that the Blaise series is worth reading if you’re looking for something along the lines of light thrills. It’s breezy and sexy as only 1960s spy literature can be, and Blaise herself is an interesting character, born in Greece, raised by a Hungarian scholar, trained in martial arts, and proficient in piracy, theft, and all around sneakiness. In Sabre Tooth she finds herself trying to thwart an invasion of Kuwait by an Afghan warlord. Below we have a dozen more photo covers featuring heat-packing women. As always with these collections, thanks to the original uploaders, most from Flickr, but particularly Muller-Fokker and Existential Ennui.
It’s not their fault—it’s a jean-etic disorder.
In pulp and sleaze fiction there are many types of bad women—vamps, golddiggers, black widows, you name it—but women who wear jeans, or even jean shorts, are destined for a special brand of trouble. Some of these women are already corrupt while others are merely at the gateway, but they all end up in the same place—Calamity City, daddy-o.
The headlines that mattered yesteryear.
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
1908—First Airplane Fatality Occurs
The plane built by Wilbur and Orville Wright, The Wright Flyer, crashes with Lieutenant Thomas Selfridge aboard as a passenger. The accident kills Selfridge, and he becomes the first airplane fatality in history.
1983—First Black Miss America Crowned
Vanessa Williams becomes the first African American Miss America. She later loses her crown when lesbian-themed nude photographs of her are published by Penthouse magazine.
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