Vintage Pulp Jan 5 2016
SHADOW AND FRIGHT
The shape of bad things to come.

Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have twenty-four twenty-eight—see what we mean?—more shadow covers below, and thanks to all original uploaders.

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Vintage Pulp Dec 21 2015
PAIN IN THE NECK
Yup, there's something here. Based on your personality I'm inclined to say it's a “666,” but no—they're just bruises.


A.A. Fair's Doublé de dupes, which is a translation of The Bigger They Come, was first published in hardback in 1939, appeared as a U.S. paperback from Pocket Books in 1952, and above in 1958. It's the first in a series starring sixty-something private investigator Bertha Cool and her pint-sized sidekick Donald Lam. Fair, aka Erle Stanley Gardner, had already made his Perry Mason series a success and the Cool/Lam shift got him out of the courtroom. In this one the protagonists attempt to serve divorce papers, but of course the seemingly simple task falls apart spectacularly, leaving a man dead and Lam under suspicion of having committed a serious crime. The British version's title—Lam to the Slaughter—gives that aspect of the story away immediately. The curious cover art you see here by Maurice Thomas was used on both the U.S. and French versions (a bit of a surprise considering the six year gap) and shows Lam checking out injuries on the femme fatale, who has been attacked by another character. General consensus online is that this series improved greatly after the first couple of entries.

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Vintage Pulp Jul 17 2015
ULTIMATE FIGHTING
Vintage paperback violence gets up close and personal.


We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.

Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.


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Vintage Pulp Jun 13 2015
WHEEL OF MISFORTUNE
They call it the Devil’s wheel for a reason.


It’s been a while since we’ve put together a pulp collection, so below you’ll find vintage cover art that uses the roulette wheel as a central element. They say only suckers play roulette, and that’s especially true in pulp, where even if you win, eventually you lose the money and more. Art is by Ernest Chiriaka, Robert Bonfils, Robert McGinnis, and many others.
 


 
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Vintage Pulp Apr 4 2015
BRING ME A DAIQUIRI
You’re going to have fun on this vacation or you’re in serious trouble, do you hear me buster?


We managed to sneak this one in, but like we said above, we’re on vacation now. The Pulp Intl. girlfriends insisted. And by insisted we mean that after years of reading the website they’ve learned to use violent means to get their way. 1959 on this cover, incidentally. 

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Vintage Pulp Jul 10 2014
ABBETTING AFTER THE FACT
A long overdue collection of Bob Abbett covers.


We’ve compiled a collection of Bob Abbett covers, something we should have done years ago. Throughout the 1950s, 1960s and 1970s, working in a couple of distinct styles, he produced some of the most striking book fronts to be found on newsstands. See eighteen pieces of evidence below. 

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Vintage Pulp Nov 6 2012
NIGHT WATCHMEN
There are none so blind as those who won’t see that their blinds are open.

If you lower your shades or blinds all the way it’s a deterrent. But if you leave them an inch or three open, it’s really kind of an invitation, don’t you think? Everything is sexier when viewed through a crack. The Mahatma said that. Anyway, call it peeping, voyeurism, committing a misdemeanor, or just being a complete dick—it’s a time-honored plot device in pulp and sleaze fiction. Above and below are eleven of the best covers depicting the art of enjoying a cheap thrill.


 
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History Rewind
The headlines that mattered yesteryear.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
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