Vintage Pulp Mar 26 2017
CENTER OF ATTENTION
Who's the hottest? I'm the hottest. Who's the coolest? I'm the coolest.


David Westheimer's Day into Night is a more serious novel than its cover would lead you to believe. It was originally published in 1950 as The Magic Fallacy, and the fallacy is the one harbored by youth that everything in life is beautiful. Westheimer promptly proves otherwise by telling the tale of a sixteen-year-old boy named Pershing who is stricken when his mother leaves his father, and later absorbs another blow when his father's remarries to a twenty-year-old femme fatale. You know where this leads—the new bride homes in on Pershing's missile. Westheimer went on to publish the hit thriller Von Ryan's Express, source for the movie of the same name. The top notch cover on this Popular Library paperback is by Rudolph Belarski, from 1952. 

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Vintage Pulp Sep 11 2016
POLE POSITION
These are people who definitely pay attention to the poles.


When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.

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Vintage Pulp Jun 3 2016
LEFT FOR DEAD
Whew. I think I finally lost him. What a moron he is. What a klutz. What a big stupid fat balding jerk.

Like they teach you in driving class, look left, then right, then left again. Or is it the other way around? Whichever direction, you want to look a lot to avoid a potential fatality. More Beautiful than Murder tells the story of a man on trial for murder whose alibi is the testimony of his girlfriend, who was with him the night of the killing. Only one problem—he doesn't have a girlfriend and has never seen the woman on the witness stand before. But it all starts to make sense after he's acquitted and sucked into even more danger, including a few more killings. The main character is a guy named Steve Blake but the book is part of a series featuring author Octavus Roy Cohen's creation Lieutenant Marty Walsh. Originally serialized in Collier's magazine and published in 1948, this Popular Library paperback appeared in ’52, and the cover art, with its amazingly garbed Jane Russellian femme fatale, was painted by Rudolph Belarski.

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Vintage Pulp Sep 26 2015
NATIVE UPRISING
In your culture girls kill after mating? Hmmph. How strange. What do you kill?

Whit Harrison’s Native Girl was first published in 1952 as Savage Love, received a name change later that year, then was reissued four years later in 1956 under the author’s real name Harry Whittington. The book is set on the island of Maui and opens, first sentence, with lead character Coles Cameron seeing his best friend’s Hawaiian wife Lani completely nude. From there it’s just matter of time before he gets himself a little jungle love—and of course only a matter of a little more time before he’s boiled in a pot and eaten. Well, not really, but things go almost that badly. Steamy stuff, if a bit overwrought.

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Vintage Pulp Sep 19 2015
THE ONLY WAY
The magazine that cried wolf.


For Men Only was launched in New York City by Canam Publishers Sales Corp., but changed ownership several times over the years, and was even acquired at one point by pulp kingpin Martin Goodman. This particular issue is from September 1956 and contains art from Rudolph Belarski, Frank Cozzarrelli, Elliot Means, Ben Thomas, Victor Olson, and Ken Crook. Actually, it’s a miracle all the art is credited. It doesn’t happen as often as it should in these magazines. The stories accompanying those art pieces range from espionage to wilderness adventure, including non-fiction from Jim Thompson about “America’s first murderer,” a man named John Billington who came to the New World on the Mayflower. After making trouble for years in Plymouth Colony, he was finally hanged for the slaying of John Newcomen. We checked, and Billington did in fact exist. His execution in September 1630 was the first of a colonist—but certainly not the last.

And another story caught our eye. It discusses an incident on the set of an Italian movie in which a wolf got loose and tried to attack actress Silvana Mangano. According to For Men Only, co-star Guido Celano rushed the wolf, grabbed it and threw it into the air, whereupon a rifle-toting crew member nailed it like he was skeet shooting. We’re calling bullshit on that one. A while back we wrote an article about guaranteed hunt farms and were able to see some rescued gray wolves up close. They’re big—about three feet high at the shoulder. European wolves are even bigger. No movie production would use one. Also, we don’t picture fifty-two-year-old, five foot three Guido Celano heaving a wolf into the air like a sack of laundry. No, it was just a dog—a German Shepherd, looks like. But it’s a good story, appropriate publicity for a movie—Uomini e lupi, aka Men and Wolves—that was still months from its premiere. We have about twenty scans below and an inexhaustible supply of magazines still to share.

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Vintage Pulp Aug 3 2015
DESIGNATED DRIVER
Hah hah, it always cracks me up when you ask me that, baby. No, you can’t drive my convertible.

Passion Is a Woman is a Hollywood melodrama by Kate Nickerson, née Lulla Adler, focusing on aspiring but untalented actress Linda March, who hooks up with a series of men, including a director, an optometrist, and others. She eventually steals the actor husband of a fading but still powerful starlet, and has to contend with the spurned woman’s wrath. The art is from Rudolph Belarski, and the flipside of the book, posed by two models, is rather interesting too. 

 
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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy. 

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Vintage Pulp Jun 20 2015
NUT SHACK
The way out of nowheresville is long and hard.

Above, a truly excellent Rudolph Belarski cover for Shack Road by Hallam Whitney, aka Harry Whittington, for NYC-based digest publisher Star Novels. What you get here is a hayseed sharecropper named Juba who is surrounded by highly sexual hayseed women, including a soon-to-be runaway daughter, a wife that draws men like flies, and a mother-in-law only fifteen years older than Juba’s wife and who was once the fastest girl around. Juba owned a car once, but sold it twenty-six years ago to pay maternity ward bills. He finds another one by the side of the road and decides to hitch his mule to it, pull it home, and get it running. If he can manage it life will be sweet again, but complications, of course, arise. Simple people and countrified prose, in a book that was part of a popular sub-genre of mid-century hick novels. 

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Vintage Pulp Nov 17 2014
LAND OF 1,000 DANCES
Notice how the guy goes from an early, enthusiastic attempt to glumly watching from the sideline—that’s how it works for us too.


We’ve seen these paperback covers in different places around the internet and thought they’d make an interesting collective post showing the progression of their dance-themed covers. The first is from 1950 with art by Rudolph Belarski, the next is from an unknown who nonetheless painted a nice rear cover as well, and the last is from Harry Shaare. Macamba concerns a group of characters in Curaçao, and how one in particular struggles to deal with his biracial background as he grows to manhood. He first tries to become a witch doctor, then excels at conventional learning in university, and eventually ships off to World War II and becomes a hero. Returning home, he has many romances and seeks to find his place in the world. You may wonder if there’s any actual dancing in the book, and indeed there is—the main character watches a performance of the tamboe or tambú, a native dance and music that the Dutch colonizers of Curaçao had made illegal.  

Lilla Van Saher captures certain aspects of indigenous culture in Curaçao, even sprinkling the dialogue with some Papiamento, but the book is not derived directly from her personal experiences. She was born Lilla Alexander in Budapest, lived an upper class life, modeled, acted in French fims, married a Dutch lawyer named August Edward Van Saher, and through him was introduced to Dutch culture and its island possessions. During her first trip to Curaçao she claims to have been imprisoned by natives in a church because they thought she was a local saint.

In private life, she was a close friend of Tennessee Williams, traveling with him aboard the S.S. Queen Federica in the early 1950s, entertaining him in New York City, and accompanying him during a press junket of Sweden, acting almost as an agent and introducing him to the upper crust of Stockholm, where she was well known. During this time she was Lilla van Saher-Riwkin, and often appears by that name in biographies of Williams as part of his retinue of admirers and associates, though not always in a flattering light. Later she did what many globetrotting dilletantes do—published a cookbook. Hers was called Exotic Cooking, which is as good a description of Macamba as we can imagine.

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Vintage Pulp Jun 26 2014
ONE GIANT LEAP
In case of emergency—jump.

Consider these a small subset of our collection of falling covers—call them desperate leaps. The interesting part is if the gunmen weren’t there, both women would look like they were having fun. The art is by Harry Barton, 1957, and Rudolph Belarski, 1948.
 
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Next Page
History Rewind
The headlines that mattered yesteryear.
July 21
1925—Jury Decides the Teaching of Evolution Is a Crime
In the famous Scopes Monkey Trial, American schoolteacher John Scopes is found guilty of violating the Butler Act, which forbids the teaching of evolution in schools. The sensational trial pits two great legal minds—William Jennings Bryan and Clarence Darrow—against each other. Ultimately, Scopes and Darrow are destined to lose because the case rests on whether Scopes had violated the Act, not whether evolution is fact.
1969—First Humans Reach the Moon
Neil Armstrong and Eugene 'Buzz' Aldrin, Jr. become the first humans to walk on the moon. The third member of the mission, command module Pilot Michael Collins, remains in orbit in Apollo 11.
1972—Chaos in the Big Apple
In New York City, within a span of twenty-four hours, fifty-seven murders are committed.
July 20
1944—Hitler Survives Third Assassination Attempt
Adolf Hitler escapes death after a bomb explodes at his headquarters in Rastenberg, East Prussia. A senior officer, Colonel Claus Schenk von Stauffenberg, is blamed for planting the device at a meeting between Hitler and other senior staff members. Hitler sustains minor burns and a concussion but manages to keep an appointment later in the day with Italian leader Benito Mussolini.
July 19
1966—Sinatra Marries Farrow
Superstar singer and actor Frank Sinatra marries 21-year-old actress Mia Farrow, who is 30 years younger than him. The marriage lasts two years.
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