Above is a beautiful promo image of French icon Catherine Deneuve, who's considered by film buffs to be one of the best actresses of her era. Or possibly any era. Some of her acclaimed films include Repulsion, Belle du jour, Indochine, Le dernier métro, aka The Last Metro, and Les parapluies de Cherbourg, aka The Umbrellas of Cherbourg. She also established her cult cred in films like The Hunger. Always looking for the offbeat, we've watched her in Zig Zig and Hustle, the latter of which paired her with Burt Reynolds. For her work, which is ongoing, she's won two César Awards and been nominated for many more. And if that isn't enough, she also has legendary hair and can run really fast. The photo is from 1964. 

Paramount execs probably wet themselves when they finally made a deal to get American star Burt Reynolds and French icon Catherine Deneuve together onscreen. The promo poster tells us they’re hot—true, and it especially applies to Deneuve, who probably can't vent heat efficiently while shrouded beneath her enormous helmet of immobile, golden hair. You know those war flicks where a soldier in a ditch has a photo in his pocket of his beautiful girlfriend, and during lulls in combat he gazes at her and mutters about how he can’t wait to get back home to her? In Hustle Catherine Deneuve is a living version of that photo. Instead of being overseas she’s just across town, but she’s no less a signifier of impending doom than if she were a snapshot in someone’s pocket. We think writer Steve Shagan dropped the ball here, and not just by making her purpose in the film so obvious, but by making her role so thin. She has a key piece of evidence (she witnesses the villain making a phone call that leads to a murder) in a case that is never made, which we found bizarre. Hustle is mildly involving thanks to stylish direction and Reynolds’ innate watchability, but ultimately unsuccessful. It premiered in the U.S. yesterday in 1975.

A couple of years ago we showed you a couple of vintage French one-sheets for the great poolroom drama The Hustler, and today we have the film’s excellent Japanese poster. This is one of those films that everyone has heard of, but surprisingly few people have actually seen. For those in the latter group, we can’t recommend it highly enough. The Hustler, with Paul Newman, Jackie Gleason, George C. Scott, and Piper Laurie, opened in Japan today in 1962. 

Above you see blaxploitation-influenced promo art for Craig Brewer’s indie blockbuster Hustle & Flow, starring Terrence Howard, Taryn Manning, D.J. Qualls, and Anthony Anderson. As a bonus, we’ve posted a bright orange one sheet below. The orange art isn’t blaxploitation-influenced, but it’s sweet nonetheless. Hustle & Flow premiered at the Sundance Film Festival this month in 2005, and went on to win the Grand Prize, and later, two Academy Awards.

The Hustler is doubtless the best movie about pool ever made. Director Robert Rossen’s dark vision of the underground billiard circuit earned the film nine Academy Award nominations. All four major cast members received nominations for their acting, although George C. Scott renounced his. The showdown between Jackie Gleason as Minnesota Fats, and Paul Newman as Fast Eddie Felson, ranks as one of the most nail-bitingly tense psychological encounters ever filmed. Fast Eddie has been beating Fats’ brains out for an entire night, and he’s feeling pretty good. Come morning it looks like Fats is whipped. He looks like five miles of bad road. He takes a break, washes his hands, gets his hair-do in order. When he puts his jacket on and adjusts his carnation, Fast Eddie starts grinning. It’s over. Fats is going home. But instead Fats looks at his grinning opponent and says, “Fast Eddie, let’s play some pool.” Like the contest hadn’t even started yet. And Fast Eddie’s smile melted away. The Hustler opened in Paris as L'arnaqueur today in 1962.