She’s a slippery little devil.
Oiling up like this under a hot sun is terrible for the skin but great for the camera. If you shield you eyes from the glare you’ll see model and actress Mayumi Horikawa seeming to show so much but really showing very little. Horikawa has released numerous albums and singles, one of which was called “Sunny Side.” Indeed. We’re thinking around 1980 on the photo.
Christina Hart offers a special type of in-flight service.
This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.
Patachou starts with a little patch of Paris and conquers the planet.
1954’s Montmartre nocturne was a twenty-five minute exposé of the Parisian cabaret Patachou, which Jean Billon and his wife Henriette Ragon opened on famed Montmartre hill in 1948. Ragon went on to release numerous records, and soon became so famous she evolved into a one-name star. The name? Patachou, the same as the name of her club. Montmartre nocturne somehow, despite its brevity, made it to Japan, resulting in the classic promo poster you see above. That isn’t Patachou on the art—she was already thirty-five in 1953 and rocking mom hair, which was considered hip back then (see below). In 2009 at the venerable age of 90 she was made Officier of France’s Légion d'honneur, and she just died a couple of months ago at age ninety-six.
Something Nikki this way comes.
USA gyaru pâto 5: Karei naru higi premiered in Japan this month in 1983, and it’s an example of an erotic movie made with an American star for the Japanese market, such as this excellent example we shared way back. The top billed actress on this one is Carol Frazer, who was better known in the U.S. as Nikki Randall, and is a veteran of more than 100 adult productions. She also maintained a presence on mainstream network television, and appeared twenty or so shows between 1973 and 1989. She's joined above by Japanese actress Mayumi Sanjo.
USA gyaru pâto 5: Karei naru higi is so little known that we were unable to find a synopsis anywhere, but here’s what we can tell you for sure—despite the appearance of the posters, it isn’t a porn movie, which we’re sure of due to Japanese censorship laws of the time. We can tell you that “gyaru” is a transliteration of the English word “gal,” and “pâto” is a category of part-time female workers. So the first part of the title is something like “American part-time gal.” We thought the 5 had to do with a series of similar films, but after finding no mention of previous installments on the entire world wide web, we’re now thinking 5 refers to either the number of gyaru in the movie or Randall/Frazer’s designation within the film as the fifth of that category. No idea, really.
The last three words mean, among other things, “beauty,” “become,” and “ceremony.” So there you go—as best we can tell the movie is about a beautiful American sex worker, and some sort of figurative or literal change she undergoes. Usually, when we do this sort of piecemeal translation, someone who actually speaks Japanese writes in to correct us, so let’s hope that happens this time. In the meantime, just for the hell of it, we have a completely not-safe-for-work full-frontal promo image of Randall/Frazer below—not the raciest image we’ve ever shared, but very provocative.
An Affair to beat all affairs.
These two posters for The Thomas Crown Affair are among the more visually pleasing Japanese promos for Western films we’ve come across, both versions managing to capture the style and mood of the movie quite nicely. Directed by Norman Jewison, The Thomas Crown Affair was his follow-up feature to the bravura Oscar winner In the Heat of the Night and showed him in masterful command of his already razor sharp craft. And Faye Dunaway and Steve McQueen aren’t too shabby either, as what begins as enmity between a career thief and a genius investigator quickly becomes one of cinema history's most enjoyable mating dances.
Even if you’ve seen 1999’s redundant though palatable remake with Pierce Brosnan and Rene Russo, Jewison’s radiant original is still a must see, and it’s different in enough details to keep viewers guessing. Direction, cinematography, editing, music, production design, wardrobe, and script all combine self-consciously and expertly as if in an irresistibly decadent multi-layer cake baked by a top pastry chef. Good through and through, The Thomas Crown Affair opened in Japan today in 1968.
For a pack of troublemakers they sure are hard to find.
This beautiful orange poster showing a brawl in front of the ocean is for the movie Zankoku onna rinchi, which was released in English as Mini-Skirt Lynchers and Cruel Women’s Lynch Law, and is credited as the movie that launched Japanese film's girl gang genre. It starred Annu Mari and Masako Ota, the latter of whom would become pinku icon Meiko Kaji. The film is elusive—nobody we know has seen it, and searching online for reviews just sends you to numerous empty landing pages designed toattract visits while offering zero information (gotta love the rampant false economy of the internet). Well, at least at Pulp Intl. we have this rare promo. It’s so rare, in fact, that we’ve never seen it on another website (though it will soon appear on all those lame landing pages we mentioned). We’ve also included a more commonly seen promo poster just below. We’ll keep searching for this film, and if we ever find it we’ll get back to you. Zankoku onna rinchi premiered in Japan today in 1969.
If you’re going to murder someone at least make sure they deserve it.
The above Japanese promo poster is for André Haguet’s French thriller Colère froide, which was made in 1960 and played for the first time in Japan today in 1961. Basically, the movie concerns a jealous journalist who kills his girlfriend’s previous lover. But it was really all a big misunderstanding—the journalist thought his girlfriend had been seeing her ex on the sly, but in reality she was only trying to tell him to stay out of her life forever. Oops. And then the girlfriend is accused of the murder. Double oops. The movie starred Estella Blain, Harold Kay, and Pierre-Jean Vaillard, and though it was directed by the very experienced Haguet, it’s mainly forgotten today. Nice poster, though.
She may look harmless but she hits below the belt.
Above, a rather nice poster with Salome Tsunoda for a film that had no Western release and thus no Western title, but would be something like “Agony Ball Break.” That just sounds bad, doesn’t it? Some sources give a longer title that would be something like “The Ball Break of Salome Tsunoda.” Hey, we only work here—anyone want to throw a better translation our way, feel free. The movie, which is a brisk 59 minutes long and was directed by Hiroshi Mukai, aka Kan Mukai, starred Tsunoda, Mami Sakura, and Lena Ogawa Lena. On the internet its premiere dates are all over the calendar, but what we consider a reliable source believes it opened today 1976.
Meiko Kaji and her sword return for another dance of death.
You know those days when you go out at noon and one thing leads to another and you don’t get home until about five in the morning? No? Well, that’s why we didn’t do this post yesterday on Shura-yuki-hime: Urami Renga, aka Lady Snowblood 2: Song of Vengeance, which features Meiko Kaji reprising the iconic role of Yuki the avenging swordswoman. We were going to write a whole deal on this movie, but there are numerous reviews and such online just a few mouseclicks away, so instead we’ll simply give you the rare promo poster above, along with two less rare pieces below. We also have a ton of promo art for the first Lady Snowblood at this link. This is mandatory viewing from the Japanese canon, so if you haven’t seen it, put it in your queue. Shura-yuki-hime: Urami Renga premiered in Japan yesterday in 1974.
Drinking over the recommended limit.
Random Japanese goodness today—a poster for Kôji Seki’s early pinku film Biyaku no wana, aka Trap of a Love Potion, with Nami Katsura and Kaoru Miya. This promo represents a nice upgrade from posters currently available online. 1966 release year.
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