Welch rocks and rolls on the derby circuit.
Above is a Japanese poster for the U.S. drama Kansas City Bomber, which starred Raquel Welch, and featured Cornelia Sharpe and a very young Jodie Foster. We won't mince words—this is a bad movie, inspired by the roller derby craze of the 1970s, which back then was simply cheeseball pro wrestling on wheels. As weak as the film is, this role actually fits Welch. After scoring big early with Fantastic Voyage and One Million B.C. it seems as if she spent the rest of her career looking for the right part. This one works. Like her, the skater character she plays is a mother of two trying to make good in a world determined to see her only as an ornament. Welch plays her as warm hearted, a bit emotionally exhausted, but resilient at the core. Yet in the end Kansas City Bomber is still a movie about roller derby, which was lowbrow fakery put over on a gullible public as real. If the script had admitted the sport was staged there might have been room for a good satire, but that didn't happen, and with a fake sport as its subject, generating genuine emotion is difficult. Hey, but it still has Raquel. After premiering in the U.S. in August 1972 Kansas City Bomber opened in Japan today the same year.
S*H*E* spies with her little eye a low rent plot to destroy the world.
We're doing the acronymic spy thing a third day in row because we have this amazing Japanese poster for the 1980 U.S. film S*H*E*. This shows that the idea of imitating James Bond's acronymic and numeric organizations continued for many years after the trend peaked during the 1960s. Cornelia Sharpe stars as a Security Hazards Expert who battles an international crime ring that threatens the global oil supply.
Interestingly, this was written by Roger Maibaum, who wrote more than a dozen Bond screenplays, including Dr. No, Goldfinger, and Licence To Kill. Which tells you that he may have been envisioning the same sort of high gloss action as in his Bond movies. But we're telling you that his vision was thwarted by a low budget, flat acting from Sharpe, less than compelling music, and the fact that this was a CBS television pilot. For now you can watch it on YouTube at this link—if you dare.
Those with sharp eyes, or Sharpe eyes, will have noticed that the poster was painted by Robert McGinnis. Since it was a made-for-television movie, the U.S. promo art obviously doesn't feature the cut away sections of costume that reveal breasts and midriff. Those subtractions make this piece rare and expensive. Our question immediately became whether the skin meant the international version of the movie had nudity. It actually does, briefly, but that's no help at all.
We're gambling that you'll like this poster.
Some of our proudest shares on this website have been the rare posters we've shown you for Hijirimen bakuto, aka, Hidirimen bakuto, aka Red Silk Gambler. All of those amazing promos have now proliferated online and you'll often see them used whenever someone writes about the movie. Well, we have one more to add to the mix, which is the tateken sized promo featuring all the main cast members—Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, Sanae Tsuchida, Reiichi Hatanaka, and Reiko Ike. This should pretty much cover it for this film. Click here and scroll to see the entire collection. Hijirimen bakuto premiered in Japan today in 1972.
Don't look now but you're soaking in it.
Above, an amazing Japanese poster for the French adult film Orgies en cuir noir, which was known in the U.S. as Water Blue. It starred Anna Lombardi, Annick Chatel, Elinia Martinelli, Eva Jaeger, and Minouche, and it's a ridiculously low budget effort about a bdsm sex cult ensconced in a Parisian basement. The group lures a woman into its circle and, after feeding her what appears to be ecstasy, introduces her to assorted carnal variations. The movie is notable for its pansexual content, including gay and transexual scenes. You can find it online if you care to, but we don't recommend it—the copy we saw looks like it spent months soaking in the enema water that features prominently in the plot. Just enjoy the poster art. The movie premiered in France today in 1984.
No person is truly nude who is lethally armed.
In this shot that appeared in the Japanese magazine Eiga no tomo Nana Asana eschews all but the most essential worldly possessions—a seat to rest her body when it wearies, a hat to protect her from UV rays and rain, and a pistol to make her arguments crystal clear. She acted in only three movies but this photo cements her legacy, at least as far as we're concerned. It's from 1977.
A scooter made for three.
Above, a goofy promo poster for Anaba arashi with Eiko Yanami, Akane Kawasaki, and Kaoru Sono. This is an obscure one. The Japanese title would translate to something about storms, but the movie was called in English Three Mischievous Girls, or possibly Naughty Three Woman Gang, and it premiered in Japan today in 1971. We'll dig around and see if we can find out more on this one. See several more nice Eiko Yanami posters by clicking her keywords below.
Rene Bond and friends make a Blanket statement about Southern California beach life.
It still sort of amazes us how many American porn movies made it all the way to Japan. Since pubic hair was illegal to show there back then, as was, needless to say, penetrative sex, the films would have been censored to local standards, making them a bit like cable softcore, but highly disjointed and very short. Yet the public must have craved these hacked up movies anyway because we have scores of Japanese posters for them. We hope to get around to sharing the entire group one day, but today we're focused on just this one—a promo for 1975's Beach Blanket Bango. While the title borrows from the classic teenybopper flick Beach Blanket Bingo, the movie is actually a sequel of sorts to a 1974 smut film called High School Fantasies, with most of the same cast members, though in different roles.
Rene Bond is the star attraction in this Southern California 1960s style sex romp but she doesn't star on the poster. She's there, though. That's her in the right background in an Annette Funicello style wig. For some reason the position of honor on the poster is given to Cindy Taylor, who plays a bit role. But the poster is attractive anyway. It's yet another example of how seriously Japanese film distributors took their erotica. Posters for porn were fully as interesting and well designed as those for mainstream movies. But nice as it is, since Bond doesn't get a proper showing, we've given her one below. Beach Blanket Bango opened in Japan today in 1975.
When the Belle rings it's time for everyone to get it up.
Above is a Japanese poster and a pamphlet front for the French sexploitation flick Laure, aka Forever Emmanuelle, which premiered in Japan today in 1976 after opening in Italy nine months earlier. We watched it, and first of all the movie looks great. It's crisp, bright, and colorful—three things you really want when Annie Belle is the star. We gather that the palpably high budget was due to an infusion of big studio money from Twentieth Century Fox via Cinecittà Studios, as they tried to cash in on the 1970s sexploitation phenomenon. None of this means the movie is good.
Emmanuelle flicks are chaste and atmospheric, more romance than raunch, and Laure is no exception. Belle plays a highly sexed minister's daughter running wild in the Philippines, from Manila to the jungly outer reaches. There's a plot having to do with searching for the isolated Mara tribe, but the movie is more a series of swinger lifestyle lectures and sexualized vignettes, such as when Belle drops her skirt so she can walk around in public wearing nothing but a shirt that flashes her muff, and when she gets laid in a bamboo hut that's being dragged through the woods by a dozen Filipino workers. She's wanted by everyone whose path she crosses, but it's Al Cliver who piques her interest, thanks to his unwillingness to attempt caging her or cooling her hot blood. At one point he announces, “Jealousy is an obscenity.” It takes quite a man to watch the woman he loves have explosive orgasms with every stranger who happens along.
Of special note is a co-starring turn from Thai/French personality Emmanuelle Arsan, who in 1959 anonymously published the book Emmanuelle, source of the film franchise. Or at least she was thought for years to have been responsible for the book. Her husband Louis-Jacques Rollet-Andriane is now considered the author. Arsan was also credited with directing Laure, or at least co-directing it, but that was Rollet-Andriane again, whose name isn't on the film for reasons too involved to go into here. Well, it's definitely Arsan playing the role of Myrte, adding to the film's visual allure by looking great naked at age forty-four. She can't act, but she's good at giving wise looks and secretive smiles. She's easy to buy as the source—or at least inspiration—for Emmanuelle, because she's a very sexy woman. Despite all the film's beauty, we aren't going so far as to recommend it generally, but for lovers of globetrotting softcore or fans of Annie Belle it's mandatory.
The headlines that mattered yesteryear.
1965—UFO Reported by Thousands of Witnesses
A large, brilliant fireball is seen by thousands in at least six U.S. states and Ontario, Canada as it streaks across the sky, reportedly dropping hot metal debris, starting grass fires, and causing sonic booms. It is generally assumed and reported by the press to be a meteor, however some witnesses claim to have approached the fallen object and seen an alien craft.
1980—John Lennon Killed
Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.
1941—Japanese Attack Pearl Harbor
The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.
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