|Modern Pulp||Aug 28 2015|
Based on a bdsm novel written by the acclaimed Oniroku Dan, Onna kyôshi nawa jigoku, aka Female Teacher: Rope Hell, is yet another Japanese exploration of the pleasures, pains, and limits of sexual obsession and bondage. Frankly, this one is a bit tedious. There’s a razor thin line between thoughtful and dangerous when dealing with this kind of material. When Japanese films, in particular, end up on the wrong side of that line, you really have a mess on your hands. We understand, yes, that bad men aren’t always punished in real life. But this isn’t real life. It's just a movie, and punishment is key. In fact, for us it’s the entire point. It’s the only thing that makes these films watchable. But in this case, the abusive male ties up the two objects of his obsession and is tormenting them when one of his candles sets an accidental fire. He and the bound women burn to death. His obsession destroyed them all. That’s the end. Roll credits. Hope we didn’t ruin it for you.
The fixation Japanese film has with sexual abuse is curious. It often occurs for pretty straightforward narrative reasons—rape, or perhaps the murder of husbands and children, or often all three, are the triggers that transform women into murderous revenants. The mostly thirty-something writers and directors who conceived these plots were taking swipes at Japan’s patriarchal social structure by first explicitly revealing a sexist status quo, then allowing feminine power to demolish it. Or so it seems to us. In that way pinku does not differ from blaxploitation. In those, it’s a racist status quo that is revealed and demolished. However revenge movies represent only a slice of the Japanese whole. Many films feature degradation without revenge, in which case we think it needs to be very carefully done to avoid endorsing such behavior. Major fail on that account here. All respect to Oniroku Dan, but excesses such as a forced enema and subsequent sloppy evacuation onto a man’s face are not things we can get behind, so to speak. Onna kyôshi nawa jigoku premiered in Japan today in 1981.
|Modern Pulp||Aug 26 2015|
Not all of our Japanese posters are of the vintage variety, and the eye-catching piece you see above is an example from our stash of newer promo art. It was made for Ranchijo: Bikyaku Feromon, which translates to—ready for this?—something like “turbulent slut legs pheromone.” Hey, we just work here. The movie never had a Western release, so there’s never been a Western title assigned to it, which means a ridiculous literal translation from the Japanese is all you get. Maybe one of our readers out in that part of the world will write in with a better interpretation.
The movie is about a university professor who becomes obsessed with a rhythmic gymnast played by Sayaka Kitagawa. Basically, what you have here is an erotic production built around the idea of flexibility, because flexibility is Kitagawa’s thing—she’s gotten bent in most of her flicks and she’s really good at it. In this one she does a bit with a hula hoop that’s rather interesting and, while wearing pink lingerie, performs some standing splits similar to what you see on the poster. 59 minutes of mind- and body-bending fun, Ranchijo: Bikyaku Feromon premiered in Japan today in 2004.
|Vintage Pulp||Aug 19 2015|
Bondage queen Naomi Tani became one of Nikkatsu's biggest stars, centerpiece of the company's roman porno line of movies during the 1970s. Above are five promo posters from her films during that period. They are, top to bottom, Zankoku: kurobara lynch, aka Cruelty: Black Rose Torture, Kashin no irezumi: nureta tsubo, aka Tattooed Flower Vase, Monzetsu! Donden Gaeshi, aka Painful Bliss! Final Twist, Kurobara fujin, aka Lady Black Rose, and lastly unknown. On that final poster, we checked IMDB, JMDB and every source of Japanese cinema we know but got no hits. The first word in the title is Tani’s name, and while we found a few movies that incorporated her name—along the lines of 1977’s Tie! Naomi Tani—we did not find anything on the poster above. Ain’t that always the way? It’s actually the most interesting of the lot. Anyone with insight feel free to drop us a line. In the meantime you can check out more Tani here, here, and here, and elsewhere in the site if you’re inclined to look.
|Vintage Pulp||Aug 12 2015|
Above you see an alternate version of the promo poster for Sukeban guerira, aka Girl Boss Guerilla, Miki Sugimoto and Reiko Ike’s classic biker-girl revenge pinku flick. The previous versions, including a rare bo-ekibari style, are here. We also have a couple of rare promo images of Sugimoto and Ike below for your enjoyment, so you can appreciate them when they aren't trying to kill people. We have other promos that are even more rare, and we’ll see about sharing those later. Sukeban gerira premiered in Japan today in 1972.
|Femmes Fatales||Jul 29 2015|
Oiling up like this under a hot sun is terrible for the skin but great for the camera. If you shield your eyes from the glare you’ll see model and actress Mayumi Horikawa seeming to show so much but really showing very little. Horikawa has released numerous albums and singles, one of which was called “Sunny Side.” Indeed. We’re thinking around 1980 on the photo.
|Vintage Pulp||Jul 25 2015|
This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.
|Vintage Pulp||Jul 12 2015|
|Sex Files||Jul 10 2015|
USA gyaru pâto 5: Karei naru higi premiered in Japan this month in 1983, and it’s an example of an erotic movie made with an American star for the Japanese market, such as this excellent example we shared way back. The top billed actress on this one is Carol Frazer, who was better known in the U.S. as Nikki Randall, and is a veteran of more than 100 adult productions. She also maintained a presence on mainstream network television, and appeared twenty or so shows between 1973 and 1989. She's joined above by Japanese actress Mayumi Sanjo.
The last three words mean, among other things, “beauty,” “become,” and “ceremony.” So there you go—as best we can tell the movie is about a beautiful American sex worker, and some sort of figurative or literal change she undergoes. Usually, when we do this sort of piecemeal translation, someone who actually speaks Japanese writes in to correct us, so let’s hope that happens this time. In the meantime, just for the hell of it, we have a completely not-safe-for-work full-frontal promo image of Randall/Frazer below—not the raciest image we’ve ever shared, but very provocative.
|Vintage Pulp||Jun 29 2015|
These two posters for The Thomas Crown Affair are among the more visually pleasing Japanese promos for Western films we’ve come across, both versions managing to capture the style and mood of the movie quite nicely. Directed by Norman Jewison, The Thomas Crown Affair was his follow-up feature to the bravura Oscar winner In the Heat of the Night and showed him in masterful command of his already razor sharp craft. And Faye Dunaway and Steve McQueen aren’t too shabby either, as what begins as enmity between a career thief and a genius investigator quickly becomes one of cinema history's most enjoyable mating dances.
Even if you’ve seen 1999’s redundant though palatable remake with Pierce Brosnan and Rene Russo, Jewison’s radiant original is still a must see, and it’s different in enough details to keep viewers guessing. Direction, cinematography, editing, music, production design, wardrobe, and script all combine self-consciously and expertly as if in an irresistibly decadent multi-layer cake baked by a top pastry chef. Good through and through, The Thomas Crown Affair opened in Japan today in 1968.
|Vintage Pulp||Jun 28 2015|
This beautiful orange poster showing a brawl in front of the ocean is for the movie Zankoku onna rinchi, which was released in English as Mini-Skirt Lynchers and Cruel Women’s Lynch Law, and is credited as the movie that launched Japanese film's girl gang genre. It starred Annu Mari and Masako Ota, the latter of whom would become pinku icon Meiko Kaji. The film is elusive—nobody we know has seen it, and searching online for reviews just sends you to numerous empty landing pages designed toattract visits while offering zero information (gotta love the rampant false economy of the internet). Well, at least at Pulp Intl. we have this rare promo. It’s so rare, in fact, that we’ve never seen it on another website (though it will soon appear on all those lame landing pages we mentioned). We’ve also included a more commonly seen promo poster just below. We’ll keep searching for this film, and if we ever find it we’ll get back to you. Zankoku onna rinchi premiered in Japan today in 1969.