|Hollywoodland||Jun 30 2015|
This gold colored June 1963 cover for Confidential magazine is entirely given over to actress Barbara Payton, whose self-penned hard-luck story appears inside and details her life troubles. The tale is well known and is one we’ve touched upon before—early marriage and early motherhood, followed by stardom, romances, and riches, followed by booze, drugs, divorces and crime. Confidential being Confidential, the editors neglect to mention that the story here is not an exclusive, but rather is excerpted from I Am Not Ashamed, Payton’s painfully revealing autobiography.
And the spiral continued—cheaper and cheaper forms of prostitution, physical confrontations that resulted in her getting some of her teeth knocked out, and more. In all of these tales there’s a recurrent theme of lowly types taking advantage of her, but we can’t help noting that she was paid a mere $1,000 for her autobiography, an absurdly deficient amount for a former top star with a crazy story to tell, which suggests to us that guys in office suites take as much advantage—or more—of a person’s hard luck as guys in alleys. We have some scans below, and Payton will undoubtedly appear here again.
|Vintage Pulp||Mar 19 2015|
Above is a collection of covers from Movie Pictorial, aka Movie Information, a Japanese cinema and celeb magazine that thrived from the 1950s until the 1980s. Typically one side was Japanese in nature, and the other was Western. These were filled with photos, but we haven’t managed to find one at a reasonable price yet. When we do we’ll show you what’s inside. You can see more covers here and here.
|Vintage Pulp||Dec 26 2014|
Paramount execs probably wet themselves when they finally made a deal to get American star Burt Reynolds and French icon Catherine Deneuve together onscreen. The promo poster tells us they’re hot—true, and it especially applies to Deneuve, who probably can't vent heat efficiently while shrouded beneath her enormous helmet of immobile, golden hair. You know those war flicks where a soldier in a ditch has a photo in his pocket of his beautiful girlfriend, and during lulls in combat he gazes at her and mutters about how he can’t wait to get back home to her? In Hustle Catherine Deneuve is a living version of that photo. Instead of being overseas she’s just across town, but she’s no less a signifier of impending doom than if she were a snapshot in someone’s pocket. We think writer Steve Shagan dropped the ball here, and not just by making her purpose in the film so obvious, but by making her role so thin. She has a key piece of evidence (she witnesses the villain making a phone call that leads to a murder) in a case that is never made, which we found bizarre. Hustle is mildly involving thanks to stylish direction and Reynolds’ innate watchability, but ultimately unsuccessful. It premiered in the U.S. yesterday in 1975.
|Femmes Fatales||Sep 15 2014|
|Hollywoodland | Vintage Pulp||Mar 28 2013|
Elizabeth Taylor nude! Those sneaks at Whisper raised the hopes of millions of readers who bought this March 1965 issue, but inside revealed that the whited-out silhouette on the cover with Richard Burton is in reality a wooden statue of Taylor made to promote her role in The Sandpiper. It was to be unveiled at a party aboard the Queen Mary, but producer Joseph E. Levine connived a way for the sculpture to be stowed below decks so his star Carroll Baker wouldn’t be upstaged. In the end, nobody at the party saw the Taylor statue and Carroll Baker—once again wearing that amazing dress, by the way—ruled the day.
|Femmes Fatales||Jan 26 2012|
Above, French actress François Dorléac, who was the older sister of Catherine Deneuve. Dorléac appeared in sixteen films in the 1960s, but died at age twenty-five when she lost control of a car she was driving and crashed near Nice, France. She was alive immediately after the accident, but trapped in the wreckage, burned to death. That was June 1967. This photo showing her on the famous stairs at Montmartre in Paris dates from 1965.
|Vintage Pulp||Oct 13 2011|
We’re posting scans from this issue of the British film magazine Continental Film Review for one reason—22-year-old Catherine Deneuve and her amazing, shampoo commercial hair. You can really understand why the world was so smitten with her. You also get images of Claudia Cardinale, Nadja Tiller and others, all below, October 1964.
|Vintage Pulp||Aug 18 2010|
Roman Polanski’s first English-language film was Repulsion, starring Catherine Deneuve as a disturbed woman whose neuroses slowly escalate into a full-scale psychotic break when the departure of her sister leaves her in isolation in an apartment they share. We won’t pretend to have any new insights into such a rapturously praised film save to say that it’s certainly one of Polanski’s most interesting, a visual masterwork in deeply shadowed black and white that manages to be beautiful even as it descends into paranoia and violence. Highly recommended. And as a side note, we wouldn’t mind terribly if Deneuve’s hairstyle came back into vogue. Batshit insane never looked so glamorous. Repulsion opened in Japan today in 1965.