 Red eyes at night, Merle take warning. 
Above, a great Spanish poster for the Andre de Toth thriller Aguas turbias, better known as Dark Waters, with Merle Oberon as a woman living in a bayou mansion inhabited by dodgy relatives who may want to kill her. The film premiered in the U.S. in 1944 and reached Spain this month in 1946. The poster is similar to the U.S. version, but the predominant color was changed to a bright red-orange, including—weirdly—Oberon's eyes. In our opinion the poster is actually creepier than the movie. You can read about it here.
 It's sink or swim on the blue bayou. 
Dark Waters, which premiered in the U.S. today in 1944, is an interesting movie that hinges on PTSD. They didn't call it that back when the film was made, but what would you call it when someone can't put a traumatic experience behind them, is nervous, prone to panic attacks, and is socially debilitated? The sufferer is Merle Oberon and her trauma is the terrifying experience of being on a boat that was torpedoed by a German submarine. She lost her mother and father in the attack, and barely survived a subsequent ordeal on the water. Take this understandably jittery person with an untreated disorder, stick her in a mansion on the creepy-ass Louisiana bayou, then have someone or someones try to drive her insane. Who's doing the scaring? Well, that's the entire plot, and you'll have to find out for yourself.
We don't think this is a top flick, but it has a pretty cool south Louisiana feel, which is worth something. There's even a fais do-do—a Cajun dance party. It also has Elisha Cook, Jr. as a hopeless suitor and Nina Mae McKinney as a maid, which is way too minimal a role for her, but that's the way it went for women of color in 1944. Dark Waters is fine for fans of gothic creepshows, but film noir fans should temper expectations. The movie is labeled a film noir on some crowdsourced websites like IMDB and Wikipedia, but it isn't really. It has a nice a nighttime swamp climax, but one set piece does not a film noir make. It's more of a gothic thriller on the order of Rebecca. Noir fans take note. Everyone else, enjoy.
 Andre de Toth’s Crime Wave is underrated but essential noir. 
Today we have a beautiful promo poster for Von der Polizei gehetzt, aka Crime Wave, starring Sterling Hayden, Gene Nelson and Phyllis Kirk. This is truly great ’50s noir for various reasons, not least of which is director Andre de Toth’s extensive usage of L.A. exteriors as backdrops to the action. For that reason, this isn’t just a great movie, but a document of mid-century Los Angeles in which we see places that are gone and a time that has faded into history. We mentioned back in January when we commemorated the U.S. release of this movie how Hayden got caught up in the American commie hunts of the 1950s and capitulated to HUAC investigators, but we didn’t talk about his acting. This is the film to view if you want to see him in full, type-A, supermacho mode. It’s hard to imagine Hayden—a real-life tough guy who parachuted behind enemy lines in WWII—meeting his match in a bunch of oily HUAC politicians, especially after seeing him burn up the screen in this role, but that’s exactly what happened. Just goes to show everyone has a tipping point. Von der Polizei gehetzt was released in West Germany and Austria today in 1954.
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The headlines that mattered yesteryear.
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings. 1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes. 1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
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