Vintage Pulp Jul 18 2021
THE WOMAN IN 809
Monroe finds herself in a room with no space to maneuver.


It says plenty about Don't Bother To Knock that we queued it up last night, popcorn and adult beverages in hand, having forgotten that we already watched it several years ago. That has less to do with the overall film than with Marilyn Monroe, but we'll get to that in a minute. The film was based on Charlotte Armstrong's Mischief, which was serialized in 1950 in Good Housekeeping magazine, and deals with a mentally disturbed babysitter watching over a child in a fancy New York City hotel suite. Along with Monroe it stars Richard Widmark and Anne Bancroft, with their three characters suffering respectively from derangement, detachment, and disillusionment—three ailments suggested to be caused or exacerbated by life in the big city. Widmark as a cynical single looking for easy action and Bancroft as a world weary torch singer working the hotel lounge don't have any problems a change in luck wouldn't solve, but the movie revolves around Monroe, who, thirteen credited roles into her career at this point, gets a chance to stretch her range as a nutty nanny in need of a lot more than just kind words to get back on the beam.

Monroe's performance in this heavy drama is tough to judge. To us it feels a bit flat, but contemporary reviewers generally liked it, and it's fair to say it helped her climb that last rung to the superstardom she'd reach a year later with Gentlemen Prefer Blondes. Watch that film and you'll see that, while Don't Bother To Knock asked her to stretch, it did so by requiring that she suppress her natural charisma. That's no easy trick for an actor, let alone someone as incandescent as her, and that, in short, is probably why we forgot we'd already watched the movie. Monroe was so big in her other performances that this flick went down the memory hole. Her iconic movies feel as if they could only have starred her. This one feels like it could have starred anyone. Monroe just isn't Monroe in it. But that probably means her performance is a success. Watching it afresh, we can tell you it's certainly a must for Marilyn fans, and will probably work for vintage film fans of all types. But those unschooled in the oldies might walk away from this effort thinking, Meh, I don't get all the Monroe fuss. But the fuss was appropriate and deserved. Don't Bother To Knock—not a film noir as labeled on many sites, by the way—premiered today in 1953.

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Vintage Pulp May 11 2019
JUMPIN' IN THE BONEYARD
There's a severe Price to pay for being a bad wife.


This French poster was painted by Roger Soubie for the cheeseball horror flick La nuit de tous les mystères, which was better known as House on Haunted Hill. Basically, Vincent Price offers $10,000 to anyone who can spend the night in a scary house, but in the meantime he hopes to get rid of his not-so-loving wife Carol Ohmart. That's not a spoiler—in the first few minutes of the film he tells her he wants her dead. And she him. The question is will he do it? Will she kill him? Or will they kiss and make up? You could watch and learn the answers, but in our opinion, considering how much more sophisticated horror became, this one is little more than an amusing cinematic curiosity, not worth watching, though it's notable for its exteriors of the iconic Ennis House in Los Angeles (see below). House on Haunted Hill opened in the U.S. in 1960 and reached France today in 1961.

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Vintage Pulp Jan 23 2017
ANATOMY OF A ROBBERY
Making a killing at the track is harder than they think.

Tonight the Noir City Film Festival is also screening Stanley Kubrick's 1956 crime procedural The Killing. The title refers not to murder but to making a killing—i.e. a highly profitable score. Sterling Hayden leads a cast that includes Coleen Gray, Elisha Cook, Jr., and Marie Windsor. Hayden and crew hope to rob a race track, and to do this they lay out a precise plan that includes causing a brawl at the track bar as one distraction, and shooting a horse mid-race as another. What could go wrong, right? But the crazy plan makes sense, and if you have trouble following it a stentorian narration breaks down the action for you. We didn't mind that so much—the entire premise of the movie is that it's a faux-documentary, so the voiceover is something you have to accept. But the trumpets and tympani on the soundtrack—wow—are way overcooked. Still, this is a nice piece of noir, occasionally running on parallel timelines, with plenty of directorial style from a twenty-eight-year-old Kubrick. Some might take issue with the film's heavyhanded irony, but it's all somewhat redeemed by the perfection with which Hayden delivers his final line. The Killing didn't do well at the box office, however as often happens with films from directors who later become icons, opinions have shifted over the decades. But even if modern day critics are in agreement that The Killing is a top effort, it still won't be everyone's cup of tea. You'll just have to judge for yourself.

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Vintage Pulp Oct 18 2016
HIGH FLYING FALCON
This bird is more impressive every time you see it.

The Maltese Falcon is considered by most scholars to be the first major film noir. It was also one of the best, with legendary talents John Huston, Humphrey Bogart, and Peter Lorre coming together to make magic. Mary Astor was excellent too. This must-see film premiered in the U.S. today in 1941, but the poster above—one you don't see often—was made for its run in Australia. Put this film in the queue if you haven't seen it. And if you have, well, watch it again.

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Vintage Pulp Nov 21 2010
FEAR OF THE WATER
It's sink or swim on the blue bayou.


Dark Waters, which premiered in the U.S. today in 1944, is an interesting movie that hinges on PTSD. They didn't call it that back when the film was made, but what would you call it when someone can't put a traumatic experience behind them, is nervous, prone to panic attacks, and is socially debilitated? The sufferer is Merle Oberon and her trauma is the terrifying experience of being on a boat that was torpedoed by a German submarine. She lost her mother and father in the attack, and barely survived a subsequent ordeal on the water. Take this understandably jittery person with an untreated disorder, stick her in a mansion on the creepy-ass Louisiana bayou, then have someone or someones try to drive her insane. Who's doing the scaring? Well, that's the entire plot, and you'll have to find out for yourself.

We don't think this is a top flick, but it has a pretty cool south Louisiana feel, which is worth something. There's even a fais do-do—a Cajun dance party. It also has Elisha Cook, Jr. as a hopeless suitor and Nina Mae McKinney as a maid, which is way too minimal a role for her, but that's the way it went for women of color in 1944. Dark Waters is fine for fans of gothic creepshows, but film noir fans should temper expectations. The movie is labeled a film noir on some crowdsourced websites like IMDB and Wikipedia, but it isn't really. It has a nice a nighttime swamp climax, but one set piece does not a film noir make. It's more of a gothic thriller on the order of Rebecca. Noir fans take note. Everyone else, enjoy.
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History Rewind
The headlines that mattered yesteryear.
July 29
1957—Paar Takes Over Tonight Show
Today in 1957 Jack Paar begins hosting The Tonight Show. During Paar's five year stint, his unpredictable antics and strong comedic style help turn the program into a ratings juggernaut and a national institution.
1981—Charles and Diana Marry
Prince Charles and Lady Diana Spencer marry at St Paul's Cathedral before 3,500 invited guests and an estimated global television audience of 750 million, making it the most popular program ever broadcast.
July 28
1945—Plane Hits Empire State Building
A B-25 bomber crashes into the north side of the Empire State Building, between the 79th and 80th floors. One engine plows entirely through the structure, lands on a nearby apartment building, and sparks a fire that destroys a penthouse. The other engine falls down an elevator shaft. Fourteen people are killed in the incident.
1965—Vietnam War Heats Up
U.S. president Lyndon Johnson commits a further 50,000 US troops to the conflict in Vietnam, increasing the military presence there to 125,000. Johnson says about the increase, "I do not find it easy to send the flower of our youth... into battle."
July 27
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
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