Vintage Pulp Feb 7 2023
QUITE A THING
The artist is actually the one who's out of this world.

Above is the Italian poster for the sci-fi/horror movie La cosa da un altro mondo, which opened in Italy today in 1952 but originally premiered in the U.S. in 1951 as The Thing from Another World. We talked about it several years ago while sharing its Belgian promo. Today's effort is the work of Italian illustrator Sandro Symeoni, a genius who painted in so many modes he can be unrecognizable from piece to piece. See some of his best work here, here, and here

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Modern Pulp Feb 4 2023
VIDEO GAMES
They're a sight to behold.


This is a cool little item that's been making the rounds on Twitter lately. It's the VHS box cover art for the horror flick Videodrome, directed by David Cronenberg and starring Debbie Harry and James Woods. As you know, we rarely post box art, but this one needed to be seen. The movie needs to be seen too—to be believed. It deals with a Toronto television producer who stumbles upon an illicit snuff channel, but finds that what's going on behind the broadcasts is even worse. It's Cronenberg at his weirdest. The movie premiered today in 1983. 

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Vintage Pulp Jan 18 2023
SEAFOOD STEW
There's something very fishy going on.


This promo poster just screams winner, don't you think? If it isn't a good movie, it's got to be deliciously terrible. It was made for L'isola degli uomini pesce, known in English as The Island of the Fishmen, a movie that starred Richard Johnson, Barbara Bach, and Claudio Cassinelli. No surprise what it's about, thanks to the title, but nothing is spoiled—the fishmen show up within the first few minutes of the film when a group of convicts in a lifeboat are attacked and the five survivors end up stranded on a swampy island. Since the fishmen hunt there, the attrition rate on this parcel of land is a bitch. Two cons are killed almost immediately upon arrival, and a third barely survives a pit trap. They soon learn humans live there too—paranoid misanthrope Richard Johnson, his companion Barbara Bach, their servant Beryl Cunninghman, and others, all residing in and around a baroque slave plantation house.

Johnson, who is a quack scientist, is trying to train the fishmen for what shall here remain undisclosed purposes. It involves going deep underwater where humans can't survive—but strangely, not so deep that Johnson can't simply drop down in his unpressurized wooden submersible and watch them at work. It's all a crock, even for bad sci-fi. But there are three points of note with the film: first, you can actually see that some budget went into creating the fishmen; second, Johnson speaking in a constipated Dick Dastardly voice is flat hilarious; and third, Barbara Bach is Barbara Bach. Or maybe we should have listed her first. The producers at Dania Film, perhaps realizing Fishmen was a total woofer, rode Bach hard, putting out a bunch of skinful promotional photos and getting her a Fishmen-themed nude shoot in Ciné-Revue. There's always a silver lining in 1970s exploitation cinema—and on Pulp Intl. L'isola degli uomini pesce premiered in Italy today in 1979.
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Vintage Pulp Dec 20 2022
ALL THROUGH THE HOUSE
Hello? Is anybody there? Santa? Is that you?


Our sprint through movies this December continues today with the Italian Christmas favorite—Estratto dagli archivi segreti della polizia di una capitale europea, for which you see a festive yule themed poster above. It was painted by Mario Piovano and just oozes holiday spirit. Right. Well, obviously not. This couldn't be a Christmas movie unless Christmas makes you want to kill everyone around you. But it qualifies as a gift from us to you, because we're going to save you the time you might have spent watching it.

The title translates as, “extract from the secret police archives of a European capital,” but was shortened to Tragic Ceremony for its English language release. The Italian title would seem to indicate that this is a giallo flick, but it's actually more in the realm of gothic horror. Basically, a quartet of carefree hippies stumble upon and must survive assorted evils, including a black mass, a phantom gas station, and spurts of megaviolence, all loosely related somehow to a string of possibly cursed pearls.

The movie stars Camille Keaton, who's not well known today, but headlined perhaps the most infamous grindhouse offering of the 1970s—Day of the Woman, better known in some quarters as I Spit on Your Grave. Keaton appears here six years earlier, and is stranded with her hippie-hedonist friends in a creepy old manse where she's seized upon by the loony, aristocratic occupants as a potential sacrifice. She escapes, but the aftereffects of her close call are numerous and gory.

Critics hindered by their own knowledge of niche cinema to the extent that they can't see the forest for the trees tend to describe this movie as underrated, but it really isn't, even if you accept it as a sly commentary on the generational clash between the counterculture and the gentry. At one point a distressed Máximo Valverde asks, “What's happening? What's going on?” Well, you've ended up in a below average horror movie, Max. It happens. Revisionist critics can't help you. Estratto dagli archivi segreti della polizia di una capitale europea premiered in Italy today in 1972.
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Vintage Pulp Dec 16 2022
SERIAL HUSBAND
Some love lasts forever. Other times it doesn't survive the wedding night.


Another of the movies we watched recently was Bluebeard, a castle and dungeon-style, quasi gothic horror flick about a folk tale character who murders a series of wives. Its Spanish poster was the best of those we saw, and we chose today to share it because the film premiered in Spain today in 1974, after opening in the U.S. two years earlier.

This piece was painted and collaged from photos by Fernandez Zarza-Pérez, also known as Jano, now a regular visitor to Pulp Intl. Just for the sake of it, we've also included the U.S. poster at right (or above if you're on a mobile device). You can see that it's built fully around a photo-illustration, and while it's interesting, we thought Jano's work had a little more merit.

Bluebeard stars Richard Burton, who's supposed to be a great actor, but we have to admit we'd seen exactly zero of his acclaimed movies up to this point. He was a Shakespearean stage guy who transitioned to Hollywood in similar type roles, and being decidedly non-pulp in style, we've highlighted none here. He later made a couple of war movies, though, as well as the overbudget epic Cleopatra, and we might get around to those. Going on the example presented by Bluebeard, however, you'd have to conclude that he's a hack. Those who know more than us say that by the 1970s heavy drinking had impaired both his judgment and skill.

You'd think that a famous folk tale would provide a trove of potential cinematic possibilities to sift through, but Bluebeard is uninspiringly written, and the direction—from film noir vet Edward Dmytryk—presents little evidence of engagement with or inspiration by the material. The women Bluebeard murders are played by Karin Schubert, Nathalie Delon, Virna Lisi, sexy nun Raquel Welch, Marilú Tolo, Agostina Belli, and Joey Heatherton—not neccsarily in that order—plus Sybil Danning makes an appearance. Heatherton has the key role as Anne, the wife who elicits a confession from a psychologically tortured Bluebeard as to why he kills.

And the reason? Dude can't get it up. Therefore, in the era before little blue pills, as a prominent member of Austria's post-World War I patriarchal society, Bluebeard murders to keep his limpness secret. You'd think dying wives would destroy his matrimonial suitability, but ata certain point we suppose money papers over all flaws. Rich or not, though, never marry a guy who sits around with a raptor on his shoulder. And speaking of hunting, we should warn the kind-hearted that there's an extended hunting sequence in Bluebeard, and the animals are killed for real, in detailed action. We're talking several rabbits, a number of birds in flight, a couple of foxes, a boar, and a deer.

Based on what we've written so far, you might think we're not recommending Bluebeard, but not so fast, friends. The female cast—to state the obvious—comprises some of the loveliest actresses of the era, and in diverse ways. Welch is sculpturally flawless, Lisi is ethereally beautiful, Toló is broodingly dark, and Heatherton, whose resting face is ingenuous and slightly open-mouthed as if she's always concentrating on a problem, can only be described as luscious. She also has one of cinema's all-time greatest hairdos. Is it pervy to say you should watch a movie solely for the beauty of its actresses? Probably—but it's the truth. The filmmakers must have agreed, because they published lots of nude production stills, when in fact the film has less skin. See below.

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Femmes Fatales Nov 5 2022
GOING ALL LYNN
I've kissed a helluva lot of frogs looking for my prince, but today I feel especially lucky.


This weird photo showing U.S. actress Lynn Borden cuddling a frog was made as a promo for her 1972 horror movie titled—wait for it—Frogs, which was one of those nature-turns-on-humans flicks popular during the period, a genre later dubbed eco-horror. It had the amusing tagline: Today the pond, tomorrow the world. Borden had about the same luck with her film career as she had looking for her prince—i.e. she kissed a lot of frogs. But some of those frogs are guilty faves of ours, like 1973's White Mama, Black Mama, and 1974's Dirty Mary Crazy Larry. Below, even though her frog didn't turn into a prince she married it anyway. You can tell because she has it on a short leash.

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Femmes Fatales Oct 31 2022
HOWLOWEEN NIGHT
Always make sure to brush after wolfing down your treats.


Above: Elisabeth Brooks in character as Marsha from the 1981 horror film The Howling, which remains one of the better werewolf movies ever made, thanks to its unique vision and practical effects. For werewolves, every day is sort of like Halloween, so we think they'd prefer maybe July 4th or Christmas as holidays or festivals go. Sort of makes sense, right? The same way Santa probably prefers spring break. Anyway, this shot is a slight variation on one we shared several years ago. You can see that, and read a bit about The Howling, at this link

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Vintage Pulp Oct 14 2022
LIFE WITHOUT PAROLE
Worse than Alcatraz. Tougher than Rikers. It's the prison island of scantily clad women.


This tateken style poster was made to promote the Edo era drama Onna-ro hizu, generally known in English as Island of Horrors. The story centers around Nembutsu Island, a rocky outcropping in the Shiranui Sea used as a prison. It's inhabited by about fifteen coincidentally beautiful female captives and six samurai guards. Nobody calls the island by its real name. It's usually referred to as either the Isle of Women, which sounds kind of fun, or Decapitation Island, which does not. The new warden has been assigned there as punishment for not being tough enough in his other stops—a charge he's eager to disprove, with the help of the slap-happy guards and their baroque tortures. Additionally, the women are terrorized by Omasu the Ripper, your typical sadistic prisoner who subjugates the others in order to curry favor with her captors. And worse still, bubonic plague arrives. So, it's not overstating the situation to say that things are pretty bad on Nembutsu Island.

So how do you get the hell off that godforsaken rock? It isn't easy. The women are aware that sometimes there are pardons or paroles, and that knowledge gives them hope. But what if those lucky recipients sent from the island are not freed, but instead secretly sold into sexual slavery? Not saying that's what going on. But, you know, what if? Of course, there's no way the prisoners could ever find that out unless someone who was supposedly freed returned to the island. Omasu has her own departure plans. She tells the warden she knows where a cache of stolen ryō—gold currency—is hidden, trying to leverage it for freedom. She tries to leverage her body for that purpose too. But in the end, release from Nembutsu Island may come down to simple teamwork, and watching the inmates come to that conclusion makes for a well above average women-in-prison drama, worth a watch for the darkly beautiful cinematography and island visuals, as well as good performances from stars Maya Kitajima, Reiko Kasahara, and Yuki Aresa. Onna-ro hizu premiered in Japan today in 1970.
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Vintage Pulp Jun 20 2022
THE HOUSE OF (NOT) WAX
Someone said lucha libre and Santo showed up looking for free food.


The Mexican action movie Santo en el museo de cera, known in English as Santo in the Wax Museum, is the eighth cinematic outing for everyone's favorite crime fighting wrestler Santo el Enmascarado de Plata. He's your favorite too. You just don't know it yet. In this Santo adventure the sinister and obviously mad scientist Dr. Kurt Karol, a horribly burned Auschwitz survivor, has a museum filled with (not) wax figures of historical personages such as Gary Cooper, Gandhi, and Stalin. All well and good, but in the creepy, cavern-like basement section he also has (not) wax representations of terrors such as the Phantom of the Opera, Frankenstein's monster, and other, unidentifiable creatures. And even deeper inside the complex? That's where his secret lab lies.

People begin disappearing from the vicinity of the museum, including an intrepid photojournalist played by Roxana Bellini. Her sister Norma Mora raises a fuss with the cops, which prompts Dr. Karol's oblivious colleague Professor Galván to suggest summoning the chunky Santo away from one of his thrice-daily all-you-can-eat buffets to get to the bottom of the mystery. Actually, this being an earlier Santo film, our hero is a bit more traditional luchador than middle-aged lunchador, but not by much. Santo soon realizes that Dr. Karol is assembling an army of half-animal abominations. But there's more. His crowning achievement will be the creation of a savage panther lady. Rowrrrr. How to foil the plan? Get captured as usual, fight a dozen henchmen, smash the lab to matchsticks.

This movie is one of those deals where nobody notices that the (not) wax figures are actually people standing very still. Obviously, it's a hell of a lot cheaper to have a dude in make-up than any sort of sculpture or mannequin, and the Santo movies take cheapness to new lows. But they have a fun spirit that made them huge hits with Mexican filmgoers, and we have to admit they're hard to resist. The bargain basement sets, clunky action, and shoddy direction normally would all be fatal minuses, but the classic boy-saves-world plots are entertaining, and who can resist a man in a gimp mask? We'll follow Santo and his semi-erect nipples wherever they lead. Santo en el museo de (no) cera premiered today in 1963.
Yes, I'd like to order three large deluxe pizzas for delivery. Extra saturated fat, please.

I'll combine your journalistic instincts and photographic eye with your sister's beauty and bouffant hairdo and have— Well, I'm not 100% sure. We'll just have to give it a whirl!
 
I also have some economic ideas. You see, we cut taxes on the rich, and instead of hoarding the extra billions, they let much of it trickle down to the rest of us.

I'm as sane as the next man! Hahahahahaha!

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Vintage Pulp Mar 18 2022
BAD MANNARAS
She's a wolf in psycho's clothing.


The two posters you see above were made for the Italian movie La lupa mannara, known in English variously as Legend of the Wolf Woman, Werewolf Woman, and She-Wolf. You get more or less what you expect here. Annik Borel has nightmares about being a werewolf, which would be pretty random, except it so happens that an ancestor from two centuries ago was burned by villagers who thought she was the real thing. As Borel's werewolf obsession advances she's inhabited or haunted—if perhaps only imaginarily—by the spirit of this allegedly lyncanthropic forebear. She then roams the local landscape killing unsuspecting men, until she meets one who makes her drool—with sexual desire. But is she really a werewolf, or is she just nuts?

Borel really gives this role her all, even channeling Linda Blair's bedbound possession scenes from The Exorcist, but since this is a sexploitation flick more than a horror movie, her body is considered by the filmmakers to be more important than her acting ability. Taking full advantage is director Rino Di Silvestro, who also helmed Women in Cell Block 7 and generally specialized in erotic fare. What he didn't specialize in was pacing, framing, blocking, and the like, and in the end the movie is murky and unterrifying. But it's of a particular era and style that's beloved by schlock aficionados the world over, and will certainly satiate the appetites of such viewers.

Because the version of the film we watched didn't look all that great, we decided not to bother with screenshots. Instead we have a few production stills of Borel below being costumed as the werewolf. Seems like the makeup department always has the most fun. We should also note that the film features German b-actress Dagmar Lassander, who we last saw in Le foto proibite di una signora per bene, aka The Forbidden Photos of a Lady Above Suspicion, and Maria Renata Franco, who was in Emanuelle in America. Perhaps they'll serve as additional enticements. And lastly, we were not able to identify the poster artist. We've said it before—sign your work, people. La lupa mannara premiered in Italy today in 1976.
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History Rewind
The headlines that mattered yesteryear.
February 08
1969—Allende Meteorite Falls in Mexico
The Allende Meteorite, the largest object of its type ever found, falls in the Mexican state of Chihuahua. The original stone, traveling at more than ten miles per second and leaving a brilliant streak across the sky, is believed to have been approximately the size of an automobile. But by the time it hit the Earth it had broken into hundreds of fragments.
February 07
1985—Matt Munro Dies
English singer Matt Munro, who was one of the most popular entertainers on the international music scene during the 1960s and sang numerous hits, including the James Bond theme "From Russia with Love," dies from liver cancer at Cromwell Hospital, Kensington, London.
February 06
1958—Plane Crash Kills 8 Man U Players
British European Airways Flight 609 crashes attempting to take off from a slush-covered runway at Munich-Riem Airport in Munich, West Germany. On board the plane is the Manchester United football team, along with a number of supporters and journalists. 20 of the 44 people on board die in the crash.
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