Spillane gets mad and gets even in Red Scare revenge thriller.
We're on a roll with these panel length posters. Here's another excellent example, this time for Mickey Spillane's The Girl Hunters. And when we say Spillane's, he didn't just write the screenplay (with an assist from Roy Rowland and Robert Fellows)—he starred. That Hollywood felt he could carry a movie gives you an idea just how big a celebrity he was. He also co-headlined 1954's Ring of Fear, but we'll get to that one later. In The Girl Hunters Spillane plays his own literary creation, hard-edged private dick Mike Hammer. The movie opens with Hammer as an alcoholic because his longtime secretary and unrequited love Velda has been missing and is presumed deceased. But when a dying hood hints that Velda is still alive, Hammer snaps out of his drunken stupor, shifts into revenant mode, and along the way uncovers a communist plot headed by “the greatest espionage organization ever known.”
Obviously, the salient question is whether Spillane can act. The answer is not really, and his one-note performance keeps the film from reaching its potential. A couple of times it even sounds like his lines are voiceovers by another actor. However, there are two high notes: a pretty good climactic fight in a barn equipped with a whirring rotary saw, and a co-starring turn from future Bond girl Shirley Eaton, who the filmmakers give three extended bikini sequences to heighten audience interest. Are those bonuses enough to make the film worth a watch? We would say no, but you can't get around the fact that it stars one of the best-selling crime writers ever. If you're a fan of pulp, we suspect you'll enjoy the movie despite Spillane flatlining through its 103 minutes. The Girl Hunters premiered today in 1963.
They say vengeance is a dish best served cold. But hot works fine too.
Vengeance Is Mine is Mickey Spillane's third Mike Hammer novel, and sees the violence addicted shamus lose his investigative license, then a close army buddy, then be haunted when a woman enters his life who resembles his fiancée Charlotte Manning, who he killed in his debut outing I, the Jury. This new woman is named Juno Reeves, and as Hammer attempts to avenge the murder of his friend, she provides an unnerving reminder of his past. She'll be even more unnerving in his future, but that's all we'll say about her.
On the subject of revenge best served cold, forget it. Hammer wants white hot vengeance right now. The stark difference between Spillane's approach and that of other crime authors is that he writes Hammer as so mean the character is actually odious, but that's his game, and as a reader you go in accepting it. Sometimes, as in I, the Jury and Kiss Me Deadly, it's pulp gold. Vengeance Is Mine is more like silver, however it does have an incredible punchline ending you won't forget. The cover art here is by Barye Phillips, part of a set he painted for the series. You can see the others here.
For a fulfilling killing nothing beats a blade.
Today we have for your pleasure a collection of vintage paperback covers featuring characters on both the giving and receiving ends of knives—or knifelike tools such as icepicks. Above you see Harry Bennett art of a poor fella getting a knife from nowhere. Maybe Damocles did it. It's a funny cover because we don't think we'd grab our throats if we got stabbed in the spine, but let's hope we never find out. Below, in addition to numerous U.S. and British offerings, you'll see covers from France, Italy, Spain, and the Netherlands. There are many, many paperback fronts featuring knives—we mean hundreds—but we decided to stop ourselves at thirty-two today. These do not represent the best (as if we could decide something like that), or our favorites, but merely some interesting ones we've come across of late. If you're super interested in this particular motif we have plenty more examples in the archives. They'd be hard to find, because we don't keyword for knives, so here are some links to get you there: 1, 2, 3, 4, 5, 6, 7, 8.
Spillane's Mike Hammer finds beautiful trouble on a Deadly stretch of road.
Christmas is a holiday for most of you, and for us too, so in the spirit of giving, we're putting up several posts today. But don't worry about us being hunched over our desks—like you, we're with friends and loved ones, probably tipping back a tall glass of cava at this very moment. We pre-wrote everything last week. We'll cover the gamut of what we do here—fiction, movies, femmes fatales, crime, and whatnot. This hardback sleeve for Mickey Spillane's Kiss Me, Deadly was produced by British publisher Arthur Baker, Ltd. in 1952. We don't often feature hardback art but this one struck us, not only because of its semi-abstract style, but because the unknown artist chose to illustrate the first instant of the book. This is the first sentence: All I saw was the dame standing there in the glare of the headlights, waving her arms like a huge puppet and the curse I spit out filled the car and my own ears. After the narrator Mike Hammer avoids running her over, she ends up in his car—naked under that trench coat—and that's where the problems start. It's a top notch crime novel, as we discussed in detail almost a decade ago. Give yourself a gift and read it.
One motivated American outsmarts an entire cabal of communists in Spillane crime drama.
Mickey Spillane's 1951 red scare caper One Lonely Night is, on one hand, classic Spillane starring his franchise sociopath Mike Hammer, but on the other, silly, polemical, and painfully dated. Mike Hammer the insane killer is kind of likeable, but Mike Hammer the insane killer with a political agenda is a bit tedious. Hammer's anti-commie pronouncements usually come across like set-ups for punchlines, as if he might go, “Just kidding! If we're comparing body counts we capitalists are running neck and neck with you! Gen-o-cide! Sla-vuh-ree!” But nope—Hammer remains both privileged and aggrieved throughout. In that way he's a very modern character. Since Spillane clearly thought Soviet influence in America was a serious threat he at least should have populated this violent slog through NYC's leftist underground with canny commies. But when they're this sloppy, why worry? Oh well. We'll always have Kiss, Me Deadly.
Spillane's classic thriller brings death sealed with a kiss.
This is a beautiful paperback edition of Mickey Spillane's Kiss Me, Deadly. We talked about the book way back in 2013. Shorter version: You really think we can tell you something that hasn't already been written about this classic? Kiss Me, Deadly originally appeared in 1952. This version came in 1958 from London based Arthur Barker Limited, no. 42 in its Dragon series, with uncredited cover art. Barker is a pretty obscure publisher that launched in 1938 and was gone by 1969, so this paperback is rare, though less expensive than you'd suspect. Barker also produced a hardback of Kiss Me, Deadly in 1953 that likewise has interesting cover art and a surprisingly low price tag. We'll show you that later.
Look! Smooth as two baby peaches. Anywhere else you want me to shave?
Here's a nice cover for a Dutch paperback titled Nachtkatje, which translates as “night kitten,” written by Mike Splane, and published by Antwerp based Uitgeverij A.B.C. for its Collection Vamp in 1957. This publisher is not the same as Uitgeversmij, based in Rotterdam, Netherlands, and whose output we've shown you here and here. The cover on this is uncredited, but A.B.C.'s Vamp series often had Alain Gourdon art that had been modified from a previous form, and this piece has that look. Everything we just wrote, we learned with minimal research. Now comes the part where our research falls short. You might guess that this is a translated Mickey Spillane novel, but we can't confirm that. If it's a translated Spillane it's mighty short—just sixty-plus pages. Which presents a problem. Spillane's short stories weren't published in book form until after 1957, at least not in the U.S. So finding out if this is a Spillane short—which we actually doubt—will have to wait for more knowledgable people than us. See more covers in the same vein here.
And the verdict is—indispensable, as charged.
Above is a second Lu Kimmell cover for Mickey Spillane's hard-boiled Mike Hammer thriller I, the Jury, notable because you don't usually see the same artist paint different covers for the same paperback. But we're actually sharing this not just for the art, but because holiday travel season is here again, and it seems like a good time to reiterate the fact that if you're flying inside of or to the U.S. pulp novels can be a travel necessity. We're giving you pearls of wisdom. Check here. |
The headlines that mattered yesteryear.
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
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