One motivated American outsmarts an entire cabal of communists in Spillane crime drama.
Mickey Spillane's 1951 red scare caper One Lonely Night is, on one hand, classic Spillane starring his franchise sociopath Mike Hammer, but on the other, silly, polemical, and painfully dated. Mike Hammer the insane killer is kind of likeable, but Mike Hammer the insane killer with a political agenda is a bit tedious. Hammer's anti-commie pronouncements usually come across like set-ups for punchlines, as if he might go, “Just kidding! If we're comparing body counts we capitalists are running neck and neck! Gen-o-cide! Sla-vuh-ree!” But nope—Hammer remains both privileged and aggrieved throughout. In that way he's a very modern character. Since Spillane clearly thought Soviet influence in America was a serious threat he at least should have populated this violent slog through NYC's leftist underground with canny commies. But when they're this sloppy, why worry? Oh well. We'll always have Kiss, Me Deadly.
Spillane's classic thriller brings death sealed with a kiss.
This is a beautiful paperback edition of Mickey Spillane's Kiss Me, Deadly. We talked about the book way back in 2013. Shorter version: You really think we can tell you something that hasn't already been written about this classic? Kiss Me, Deadly originally appeared in 1952. This version came in 1958 from London based Arthur Barker Limited, no. 42 in its Dragon series, with uncredited cover art. Barker is a pretty obscure publisher that launched in 1938 and was gone by 1969, so this paperback is rare, though less expensive than you'd suspect. Barker also produced a hardback of Kiss Me, Deadly in 1953 that likewise has interesting cover art and a surprisingly low price tag. We'll show you that later.
Look! Smooth as two baby peaches. Anywhere else you want me to shave?
Here's a nice cover for a Dutch paperback titled Nachtkatje, which translates as “night kitten,” written by Mike Splane, and published by Antwerp based Uitgeverij A.B.C. for its Collection Vamp in 1957. This publisher is not the same as Uitgeversmij, based in Rotterdam, Netherlands, and whose output we've shown you here and here. The cover on this is uncredited, but A.B.C.'s Vamp series often had Alain Gourdon art that had been modified from a previous form, and this piece has that look. Everything we just wrote, we learned with minimal research. Now comes the part where our research falls short. You might guess that this is a translated Mickey Spillane novel, but we can't confirm that. If it's a translated Spillane it's mighty short—just sixty-plus pages. Which presents a problem. Spillane's short stories weren't published in book form until after 1957, at least not in the U.S. So finding out if this is a Spillane short—which we actually doubt—will have to wait for more knowledgable people than us. See more covers in the same vein here.
And the verdict is—indispensable, as charged.
Above is a second Lu Kimmell cover for Mickey Spillane's hard-boiled Mike Hammer thriller I, the Jury, notable because you don't usually see the same artist paint different covers for the same paperback. But we're actually sharing this not just for the art, but because holiday travel season is here again, and it seems like a good time to reiterate the fact that if you're flying inside of or to the U.S. pulp novels can be a travel necessity. We're giving you pearls of wisdom. Check here.
You'd Hammer in the stomach, you'd Hammer in the jaw, you'd Hammer all over the body.
Does anyone not know what's in the suitcase in Kiss Me Deadly? We imagine almost everyone does, but we won't tell. We'll give you two hints, though: it isn't the same thing that's in the case in the novel; and the change the filmmakers made places the film on a progression along the line of such what's-in-the-case thrillers as Pulp Fiction (where you never see) and Ronin (where you never find out). Ralph Meeker stars as Mickey Spillane's harder than hard-boiled detective Mike Hammer, and Maxine Cooper plays his his assistant/friend-with-benefits (she was only his assistant in the novel) Velda Wickman.
Plotwise the first couple of reels follow the novel pretty closely, with Hammer almost running over a woman on the Pacific Coast Highway, letting her into his car, and quickly finding she's being pursued by villains of the worst kind. She and Hammer are captured, the woman is tortured, then the two are placed unconscious back in Hammer's prized Jaguar and pushed over a cliff. But the murder attempt only snuffs one of them—Hammer is left alive to seek answers and vengeance. With the help of his slinky sidekick he sets about turning the town upside down.
We wanted to watch Kiss Me Deadly again after reading the novel for the first time several years ago, but didn't get back to it until spurred to do so by Noir City, which is showing the film tonight on a double bill with Killer's Kiss. It's a pretty streamlined adaptation in parts, courtesy of A. I. Bezzerides. Spillane hated the movie, and we imagine he was particularly critical of some of the choices Bezzerides made. But the production is helmed by Robert Aldrich, who shows general flair along with impressive creativity in getting shots that were fresh for the time.
Best exchange of dialogue in this one:
“According to our information he calls himself a private investigator.”
“His specialty is divorce cases.”
“He's a bedroom dick.”
Yeah, we're juvenile. Kiss Me Deadly is aimless in the beginning, and is marred by a silly Greek stereotype used for discordant comic relief, but picks up greatly in the second half and hurtles toward an explosive conclusion. The final product would have been merely decent had the movie stayed on the same course as the book, but Bezzerides wrenched the second half into a hard left turn, and his final commentary—an inspired change—saves the movie, in our opinion. It's preposterous, what Bezzerides does, but it works. So in the end Kiss Me Deadly earns its place on the list of twenty or so best entries in the film noir genre.
Spillane solves a tough case in more ways than one.
If you're on this site you almost certainly know already about Mickey Spillane's I, the Jury, so instead of talking about how it's a trailblazing hard boiled detective novel with a sledgehammer ending that's one of the most famous in pulp history, we'll share a true story with you. You know one of us went to the U.S. recently. Well, the one of us who went—PSGP—has had lots of problems getting into the country. We're talking baggage searches, being conducted to the special room for questioning, the whole deal.
Customs agents always say these stops are random but when it happens three times in five trips that's an obvious lie. Probably—and this is a guess, because we have no idea what customs agents see when they scan a passport—these stops have to do with PSGP's travel history, which includes visits to such dubious countries as Russia, Honduras, and various nations and islands in the vicinity of Cuba. One time an agent even asked him casually, “So how did that trip to Cuba work out for you?” even though there was no visa—obviously—to that effect in PSGP's passport. Columbo these agents are not.
Anyway, during one of these searches the agent in charge saw a giant pulp anthology in PSGP's luggage and immediately got all friendly, like, “Oh, you dig this kind of stuff, do you?” PSGP: “Of course.” Agent: “What do you like about it?” PSGP: “Cops, crooks, corruption, violence, you know.” Agent: “Well, you can close your bag up. I think we're done here.” Ever since then whenever PSGP goes Stateside he carries a pulp novel prominently placed on his person. And there have been no problems in customs since. Coincidence? Maybe.
But it's best to be equipped anyway, so this time he carried the above edition of I, the Jury sticking out of the breast pocket of his jacket, and customs was even smoother than usual. Also a beautiful Lufthansa flight attendant on one of the planes was even like, “Oh, passion, crime, and suspense, eh? Sounds like fun.” Yes, customs agents are soothed and even the most jaded of stews gets flirtatious when those words are sticking out of your breast pocket. So consider this a piece of advice: if you're concerned with customs carry a pulp novel, and if you carry a pulp novel, carry Spillane.
He's judge, jury, and executioner.
Mickey Spillane's first novel I, The Jury has been reprinted innumerable times since its 1947 debut. Of all the art that fronted the book, the painting on this White Circle Pocket paperback published in Canada by HarperCollins in 1948 is our favorite. It's scarce, and the art is uncredited, unfortunately. As for the story, we won't bother to tell you much about it, since it's been well covered by numerous outlets. We'll just say it introduced Mike Hammer to the world, and though the novel isn't perfect it's more than worth your time.
Spillane thriller gives new meaning to getting in too deep.
This cover for Mickey Spillane's The Deep comes from the UK imprint Corgi Books, which gave Spillane's entire catalog similar minimalist—and uncredited—treatment. Spillane had a couple of gaps in his publishing career, and this book came in 1961 after a nine year break following his indoctrination into the Jehovah's Witnesses in 1952. It has a main character named Deep and he's on a revenge spree, so there's the title for you. Though the cover isn't attributed we suspect it was painted by Renato Fratini. It looks like his work, and he did a Spillane series for Corgi during the early 1960s.
The headlines that mattered yesteryear.
1964—China Detonates Nuke
At the Lop Nur test site located between the Taklamakan and Kuruktag deserts, the People's Republic of China detonates its first nuclear weapon, codenamed 596 after the month of June 1959, which is when the program was initiated.
1996—Handgun Ban in the UK
In response to a mass shooting in Dunblane, Scotland that kills 16 children, the British Conservative government announces a law to ban all handguns, with the exception .22 caliber target pistols. When Labor takes power several months later, they extend the ban to all handguns.
Pierre Laval, who was the premier of Vichy, France, which had collaborated with the Nazis during World War II, is shot by a firing squad for treason. In subsequent years it emerges that Laval may have considered himself a patriot whose goal was to publicly submit to the Germans while doing everything possible behind the scenes to thwart them. In at least one respect he may have succeeded: fifty percent of French Jews survived the war, whereas in other territories about ninety percent perished.
1966—Black Panthers Form
In the U.S., in Oakland, California, Huey P. Newton and Bobby Seale form the Black Panther political party. The Panthers are active in American politics throughout the 1960s and 1970s, but eventually legal troubles combined with a schism over the direction of the party lead to its dissolution.
1962—Cuban Missile Crisis Begins
A U-2 spy plane flight over the island of Cuba produces photographs of Soviet nuclear missiles being installed. Though American missiles have been installed near Russia, the U.S. decides that no such weapons will be tolerated in Cuba. The resultant standoff brings the U.S. and the Soviet Union to the brink of war. The crisis finally ends with a secret deal in which the U.S. removes its missiles from Turkey in exchange for the Soviets removing the Cuban weapons.
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