Vintage Pulp May 24 2020
TWO COUNTS OF MURDER
Sun, sand, and an unusually high homicide rate.


Of all the covers we've posted on Pulp Intl., these two—the first from U.S. publisher Dell, and the second from British publisher Consul—are among the most interesting. Both illustrate books called Murder in Majorca, both feature a female figure partly obscured by foreground blinds, and both have in the background the lower legs of a man walking into the room. But Michael Bryan and Paul Tabori are different authors, and these are different tales. Is that not weird as hell? We've always wanted to read these books because Majorca, aka Mallorca, is one of the great garden spots on Earth. We've been several times and it always recalibrates us perfectly. Also, there isn't much murder there, despite the titles of these books, which is a nice add-on to the sun, sand, food, bars, architecture and beautiful people.

Michael Bryan was in reality Brian Moore, and also wrote as Bernard Mara. His Murder in Majorca appeared in 1957. Paul Tabori was in reality Hungarian author Pál Tábori, and his Murder in Majorca came in 1961. How did these two uncredited covers get to be virtually identical? No idea. Sometimes when a book was reprinted overseas a second artist was commissioned to do a riff on the original cover, such as here. So maybe the second piece was for a re-issue, but it fell through, and the art was lying around when Tabori wrote his book. That's a wild-ass guess that has very little chance of being correct, but we just know these two fronts can't be similar by coincidence, so that's all we've got by way of explanation. Maybe you have a better deduction, or even the facts. If so, we'd love to know.

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Vintage Pulp Aug 12 2016
BAGGAGE CHECK
A suitcase and a sense of adventure will take you anyplace you want to go (and some places you don't).

As noted in the above post, we've gotten a trip together for this summer, so we thought we'd inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we're hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we're thinking we want something more like the below cover to happen. And actually, that's a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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