| Vintage Pulp | Aug 1 2023 |
You know, you spend a lot of time looking in the mirror considering I'm dating you for your money.
Above: an uncredited cover of a femme fatale and her preening man painted for Norman Bligh's 1950 novel Waterfront Hotel, about a woman named Brenda Seton who lives in a Maine cannery town and whose only ambition is to marry rich and move from the Flats to the Hill. Or perhaps not even marry. The owner of the cannery wants her for a mistress and is willing to pay in cash, house, and stock. Brenda might just accept the offer if she can't have her true love, local banker Bob Blaine, but because she's grasping, manipulative, and fake you know her plan will go pear-shaped. Just as crime doesn't usually pay in 1950s novels, neither does sex. It often—as in this case—leads to retribution from male characters via predictable means.
But there's one aspect of the book that isn't predictable—it has a couple of bizarre fights. Brenda's main rival Rhoda, who can throw knives with deadly effect, attacks Brenda, strips her naked, and makes her walk home through a driving rainstorm. Brenda gets her revenge during a fight in the cannery in which she disarms Rhoda, pins her prone, and slices her from neck to ass with her own knife. Cannery women—they'll cut a bitch. Is the book good? No. We think only a man would write a woman character who's forgiving about being raped, which happens to poor Brenda. Also, we never understood why her preferred epithet, uttered at least twenty times, was: Let him die! But we'll say this—Bligh conceived something a bit unusual here.
| Femmes Fatales | May 24 2021 |
When you little scamps get together you're worse than a sewing circle.
Sex was her weapon! The line isn't about Uma Thurman. It comes from the cover of Harlot in Her Heart, the Norman Bligh novel she's holding in this promo shot made for her 1994 blockbuster hit Pulp Fiction. An interesting factoid about the movie is that it lost the Academy Award for best picture to a slice of saccharine nothingness called Forrest Gump thanks to a pathologically risk averse voter pool. It's an embarrasing miss for the Academy, because Pulp Fiction ranks as one of the most influential American movies ever. It took the disordered narrative structure that had been established in earlier films and elevated it to a new level. It borrowed the box-of-mystery gimmick that had already been turned on its head in movies like Kiss Me, Deadly and Belle du jour, and turned it on its head again. It incorporated a hip, ethnically mixed cast. It was funny as hell. And it placed Thurman at the center of its hyper-masculine narrative as the femme fatale Mia Wallace—who dug criminals, was tough-minded, graceful, impulsive, and smart. Her line about men being gossipy scamps was one of the best in the film. We can't imagine anyone else playing the role. As for Harlot in Her Heart, we may just buy it despite its exorbitant price. If so we reserve the right to use the cover again in a later post.
Ecstasy Novel MagazinePulp FictionUma ThurmanQuentin TarantinoNorman BlighWilliam Arthur NeubauerFred Rodewaldcover art
| Vintage Pulp | Sep 29 2017 |
Admit it—when I walked over and said I was going to sue your pants off you were really worried.
Above, a cover for Norman Bligh's novel Bad Sue, 1950, from Quarter Books. We've always thought this was an unusually pretty cover, but the artist is unknown.
| Vintage Pulp | Aug 27 2017 |
My pa shouldn't be back for hours. But just in case he does show up, do you prefer burial or cremation?
A double shot of rural sleaze today, Norman Bligh's Once There Was a Virgin, 1950 from Exotic Novels, and Gail Jordan's The Affairs of a Country Girl, 1952 from Cameo Books. George Gross provided the art for these covers, which are cropped differently, but between the two you see pretty much the entirety of the original piece. We think this is one of his better efforts. We're putting together a small collection of paperback covers set in barns and haylofts, so consider this a preview, along with the covers here, here, and here.
| Vintage Pulp | Dec 30 2016 |
Can I interest you in a quick hay ride?
Above, another installment of art from the great George Gross, with cover work for Norman Bligh's Play-Girl, 1950, from Venus Books. See more here and here.
| Vintage Pulp | Aug 12 2016 |
A suitcase and a sense of adventure will take you anyplace you want to go (and some places you don't).
As noted in the above post, we've gotten a trip together for this summer, so we thought we'd inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we're hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we're thinking we want something more like the below cover to happen. And actually, that's a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.
Paul ConnollyClyde AllisonPeter ShelleyBrian MooreLuther GordonWilliam O'FarrellEugenie GaffneyJack SheridanGerald FosterDay KeeneJim ThompsonMichael AvalloneJames ClayfordKermit WellesAnn BannonMarty HollandScott LaurenceDon BellmoreDante ArfelliNorman BlighAl HineRalph DeanJoe WeissAnna SaundersMaurice DekobraWhit HarrisonJohn O'HaraJoe McDowRobert McGinnisMitchell HooksGeorge GrossVictor OlsonJames AvatiGuiseppe Bertecover collectioncover artliterature
| Vintage Pulp | Jun 27 2016 |
Forget my wife—I think I need help regaining sensation in my lower half.
Nursing isn’t easy—especially in mid-century fiction, where in addition to dealing with medical issues you have to dodge the roaming hands of doctors and patients alike. Visiting Nurse, written by Norman Bligh, aka William Neubauer, deals with an angel of mercy sent into the slums who finds herself giving the fellas some unconventional treatments. Why? Because “she has all the weaknesses and yearnings of women, the need to be loved, the aching desires, the mad impulses” and because “she tries and tries again, yet cannot help making mistakes, cannot help the fact that she is a woman.” At this point, we'd note that the weaknesses and yearnings of men have reduced entire countries to parking lots, but that would be a digression. 1953 copyright, with cover art by Ray Pease.
| Vintage Pulp | Nov 19 2015 |
Baby, you are something special. And to imagine I once thought a quality spread only referred to the stock market.
They say money can’t buy love, but it can certainly buy a reasonable facsimile. That’s not our opinion—that’s empirical reality. It works even if you’re even as old as this guy. Gordon Semple, aka William Neubauer, Norman Bligh, et al., explores the theme of love-for-money in Love-Crazy Millionaire, as a rich man gets tangled up with a woman who’s decided it’s time to get ahead in life. It comes from Croydon Publishing Company, and the excellent cover art is by Bernard Safran, who we need to feature more often. 1954 copyright on this.
And now, the top 20 financial terms that sound sexual but aren’t:
20: Backup withholding
19: Tender offer
18: Liquidity put
17: Horizontal acquisition
16: Gypsy swap
15: Usufruct
14: 30-day wash rule
13: In-service withdrawal
12: Leptokurtosis
11: Open position
10: Jointly and severally
9: Receipt of deposit
8: Underperformance
7: Pump and dump
6: Naked straddle
5: Escheat period
4: Fallout risk
3: W-type bottom
2: Front-end load
1: Endowment
Croydon Publishing CompanyLove-Crazy MillionaireGordon SempleWilliam NeubauerNorman BlighBernard Safrancover artliterature
| Vintage Pulp | Aug 1 2015 |
So I thought I’d wear something really sexy for you this evening and we could— Wait, what’s burning?
Nothing kills romance like having to throw water over your flaming girlfriend. On the one hand you’d have saved her life. On the other, you'd spend the next decade hearing, “I honestly think you enjoyed drenching me.” Luckily that scenario doesn’t actually happen in The Lady Is Taboo. Instead it deals with a woman who believes she’s gotten sexually involved with a killer. Norman Bligh wrote it for Quarter Books in 1951, and the cover art is by the always wonderful George Gross.
| Vintage Pulp | May 22 2015 |
I’ll go through it one more time for you. Mine are b’s, but there are also a’s, c’s, d’s, double-d’s...
Above, an excellent George Gross cover, plus the original art, for Bed-Time Angel written by Norman Bligh, aka William Arthur Neubauer, for Ecstasy Novel Magazine, March 1951.
