Il dolce corpo di Deborah is pretty but inside it has issues.
Renato Casaro does solid work as always on this poster he painted to promote the Italian giallo flick Il dolce corpo di Deborah. We've featured him often, and you can see some of his best work here, here, and here. If you were translating the title Il dolce corpo di Deborah into English normally, it would be the linguistically economical “Deborah's Sweet Body,” but instead the distributors went literal with The Sweet Body of Deborah. Going with something clunkier than needed is a good metaphor for the film.
The story involves a newly married American woman played by Carroll Baker who honeymoons with her Italian husband in Geneva, where he runs into a former friend who accuses him of murder. The death in question was of the husband's ex-girlfriend. It was ruled suicide, but the acquaintance claims it was murder. He spends a lot of time and effort trying to convince Baker her husband is a killer, but is he telling the truth, or is there something even more sinister going on? That's a rhetorical question. This is giallo.
Normally we'd suggest watching the film to find out what happens, but we won't do that because this is a limp and disjointed thriller made watchable only thanks to good cinematography, interesting Geneva exteriors, and Baker pushing the envelope of allowable skin. Bad scripting and bad acting really hurt here, and the double twist ending feels perfunctory. We won't go so far as to say Body blows, but it could be plenty better. Il dolce corpo di Deborah premiered in Italy today in 1969.
Rumors of her demise were greatly exaggerated.
We've featured the Canadian tabloid Midnight numerous times. This one appeared on newsstands today in 1968. On the cover readers get a headline referring to Robert F. Kennedy, who had been assassinated the previous month. His name is accompanied by a prediction that his killer, Jordanian nationalist Sirhan Sirhan, would in turn be assassinated. It wasn't an outrageous prediction—during the late 1960s newsworthy figures were being dropped like three foot putts. Sirhan was never murdered, though, and he's still around today, languishing at Richard J. Donovan Correctional Facility in San Diego County, California.
Sirhan is an interesting character, but it's the story on Susan Denberg we're interested in today. Denberg, née Dietlinde Zechner, is a German born beauty who became a Playboy Playmate of the Year and screen actress, was a desired Hollywood party girl who, acording to sources, had relationships with Hugh Hefner and Jim Brown. She was generally regarded as one of the major sex symbols of her time, but she also became a drug addict. After making the 1968 film Frankenstein Created Woman Denberg returned to Europe and shunned the movie business. In fact, she kept such a low profile that for years sources incorrectly reported that she had died.
Midnight journo John Wilson claims to have visited Denberg in a Vienna mental hospital near the beginning of her self-imposed exile, and his article is basically a recounting of his chat with her. He describes her depressing surroundings and portrays her as a sort of broken bird, quoting her as saying, “I was a real party girl, going out every night, dating one man after another, running around doing wild things like getting drunk and dancing nude at parties. And then someone got me started on LSD and it made everything seem so clear. It was wonderful. Only I couldn't keep away from it, and after a while that was all I was doing, staying in my room and dropping LSD.”
In 1971 Denberg had a child, and by 1972 was making her living on the nudie bar circuit, working as a topless server at the adult cinema Rondell in Vienna, and later dancing fully nude at another Vienna nightspot called Renz. She also worked elsewhere in Europe, including Geneva, where in 1974 she tried to commit suicide by swallowing a reported 200 sleeping pills, an amount that surely would have been fatal had she not been quickly found and sped to a hospital. In 1976 she became a mother again and retired from nude dancing. Today she lives quietly in Vienna.
Denberg's story is filled with twists and turns, and yet it isn't unique in a place like Hollywood. As she makes clear, once enough power brokers, modeling agents, and studio types tell a woman she's special she's probably going to believe them, but once she believes them it's hard for her to keep her head on straight. She sums up her journey to Midnight, “They told me I was beautiful enough to go all the way to the top. They told me about all the fun up there, the kicks. They never told me about the booze and the drugs, the long slide down.”
Getting it is hard. Keeping it is even harder.
This rare Japanese poster for the Italian caper flick 7 uomini d’oro, aka Seven Golden Men, tells you at a glance everything you need to know—men with guns, a pile of gold bars, and Rossana Podesta in a lace catsuit. The movie is about a group determined to rob a gold depository in Switzerland, and stars Podesta along with Philippe Leroy, Gabriele Tinti, and an Ocean’s 11-style cast of others. All the elements here are ones you've seen before—the impenetrable underground vault, the international hotshot thieves, the hi-tech gizmos and gadgets, and the haute couture costume changes from the leading lady. Breezy direction from Marco Vicario and a winning performance from Podesta make everything, familar though it all may be, work like a charm. We also liked the music, the cool exteriors in Geneva and Rome, and the fact that the heist has already begun as the movie opens. The thieves’ plan is clear pretty quickly; how they’re going to pull it off as obstacles proliferate is what becomes the crux of the fun. 7 uomini d’oro is well worth the time. After opening in Italy in 1965, it had its Japanese premiere today in 1966.
Midnight lowers the bar even more than usual.
Around here we often debate whether to post something, but generally believe that as a sort of history site, it’s always a bad idea to hold back. Today we have an issue of Midnight, published October 24, 1966, that goes over the top with gore. It isn’t the woman whose face has been eaten off by rats that particularly worries us, nor the cop that supposedly had his eyeballs ripped out. We’ve posted those. No, it’s the autopsied infant that gave us pause. We sometimes prattle on about refusing to self-censor, but when we say that, what we’re referring to is sex and nudity, not vivisected one year-old babies. We want you to enjoy the site, not scroll down the page cringing at what gore will leap from the jack-in-the-box. So long story short: eaten face—okay; ripped out eyeballs—hunky dory; autopsied infant? Hellz no. We have our standards, though Midnight didn’t.
Anyway, you do get some interesting articles in this issue. Of special note is William Holden answering questions about a guy he ran over and killed on a highway in Geneva, where he was living to avoid paying U.S. taxes. The Swiss sweated Holden for a while, but in the end he escaped with an eight month suspended sentence for manslaughter. What’s especially intriguing about this story is that an online search uncovered no links to this Swiss snafu. Instead, we learned that Holden had been convicted of vehicular manslaughter not in Switzerland, but in Italy, where he had rammed another car while drunk and killed the driver. But in the Midnight story, Holden is said to have run over a hiker. Asked whether he was under the influence, his response is: “No, I wasn’t drunk—not this time.”
So did William Holden kill two people with his car in two separate incidents? We tend to doubt it, but on the other hand, how could Midnight get everything so wrong, with the accompanying quote: “not this time”? Sure, Midnight made things up, but as blatantly as this? We think it very likely that the editors simply tried to write about the Italian accident, but were working on the fly and mangled everything. They probably assumed the accident was in Switzerland because Holden lived there, took his “not this time” quote out of context, and—somehow—saw the phrase “second automobile” in all the other accounts and wrote it as “hiker.” Anyone could make those mistakes, right? Yeah, anyone could. But Midnight does.
Everybody’s gonna know, you can’t catch a motorcycle when it wants to go.
Here’s something we’ve never seen before. It’s Steve’s McQueen’s international motorcycle driver’s license, issued out of Geneva, Switzerland in 1964. We think it probably first appeared online here. Is it pulp? Perhaps not, but it is significant because McQueen made every guy in America want a motorcycle thanks to his bravura turn as the rough and tumble Captain Virgil Hilts, aka The Cooler King, in 1963’s The Great Escape. Haven’t seen it? Click the little linky here.
The headlines that mattered yesteryear.
1915—Claude Patents Neon Tube
French inventor Georges Claude patents the neon discharge tube, in which an inert gas is made to glow various colors through the introduction of an electrical current. His invention is immediately seized upon as a way to create eye catching advertising, and the neon sign
comes into existence to forever change the visual landscape of cities.
1937—Hughes Sets Air Record
Millionaire industrialist, film producer and aviator Howard Hughes sets a new air record by flying from Los Angeles, California to New York City in 7 hours, 28 minutes, 25 seconds. During his life he set multiple world air-speed records, for which he won many awards, including America's Congressional Gold Medal.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
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