A change has come and it won't be denied.
Is there anything more glorious than a low budget, Philippine made, revolution themed, female centered action movie? Not much. There were many of the type produced, thanks to the clever folks at American International Pictures. The poster above was made for the Italian run of the studio's 1974 epic Savage Sisters, with Cheri Chaffaro, Gloria Hendry, and Rosanna Ortiz. We talked about it and you can see the U.S. posters and read what we wrote here.
Larger than life and twice as revolutionary.
The schlock factory known as American International Pictures and director Eddie Romero team up for another low budget romp with Savage Sisters, one of numerous shot-in-the-Philippines action epics they put together for the grindhouse circuit. AIP regulars Sid Haig, John Ashley, and Vic Diaz make appearances, but the stars of this one are Cheri Caffaro, Gloria Hendry, and Rosanna Ortiz, playing women caught up in a third world revolution. Violence and dumb comedy combine into an entertaining mix, but entertaining isn't the same as good. Savage Sisters is strictly for movie parties with pals, something you glance at between beers and bong hits to catch the intermittent gun battles and soft titillation. Gil Scott-Heron said the revolution would not be televised. It won't be organized either, if these plotters are any indication. It's ironic that all these AIP movies about overthrowing repressive governments were shot during Ferdinand Marcos's exploitative Philippine regime, but we guess he was just happy to have film production in the country and didn't actually care about the finished product. As long as you don't care too much about the finished product either you can put Savage Sisters in the awful-but-fun bin and enjoy. It opened this month in 1974.
The way you say that word makes me so hot. Say it again. Say... “epaulettes.”
Sorry, dude, I can't reach that knife in your pocket. But I can hold your hand. It'll comfort us both as we die of exposure.
Damn, girl. I never noticed before, but when the light hits your face just right you look a lot like Peter Frampton.
I think we all knew that Iota Kappa Ass has the most difficult initiations of all the sororities but this is just crazy.
It's a revealing outfit for a military assault, I know, but after we shoot up this munitions depot we're headed to the disco.
I think I just realized something. I don't give a fuck about the revolution. I just want to ventilate some honkies.
I'm uniquely qualified to lead this revolution because of my grand vision and infallible foresight. Take my outfit, for instance. This will never go out of style.
She makes it look so Uzi.
This great photo stars U.S. actress Gloria Hendry and was made when she was filming the 1973 James Bond movie Live and Let Die. Of all the so-called Bond girls who appeared opposite the world's most famous spy through the decades, Hendry, with her toned arms and six-pack stomach, was one of the few who actually looked fit enough to survive the chaos. She didn't, though. Only one Bond girl generally got to survive each film and in this case it was Jane Seymour.
There are several variations of this photo floating around online, but the one above is our favorite. Hendry gives it her all, rocking her fantastic afro and looking every bit the lean, dangerous, counterculture CIA double agent she played in the film. But we also like the alternate version below, where she cracks a little smile, because machine gunning people can be fun too, at least in the movies. See another Hendry promo here.
Going nowhere fast in Harlem.
Hell Up in Harlem premiered in the U.S. today in 1973. It was the sequel to Black Caesar, which had been a surprise hit in cinemas a mere ten months earlier. The rush to make a follow-up shows. Hell Up in Harlem is eleven different kinds of inept, a tableau of repellent characters, bad scripting, and poorly staged action. It's not as if ambitions were low here. The movie tells the story of a Harlem crime kingpin who becomes pitted against his devious and ambitious father, imparting the lesson that family relationships come apart like tissue paper if the profit motive is strong enough. Yes, there was a good movie in here somewhere, but it never quite gelled. However Hell Up in Harlem does feature some of the best promo photos we've seen from the blaxploitation genre, and we've posted a few just below. The time it will take you to look at these four photos ismore than the amount of time the fight scene lasts—another flaw of Hell Up in Harlem. The shots show star Fred Williamson in mortal combat with Mindi Miller, who appeared in many films, including Westworld, Body Double, and Amazons. You can find these images around the internet, and she's misidentified on every single one of those websites—even Getty Images—as Gloria Hendry, who she clearly isn't. We also have, below, a great nude promo of Williamson. About time we featured a naked guy, right? Well, don't blame us for the lack. They just didn't make much in the way of nude male promos back then—especially ones like this. And speaking of unexpected, what's that dark shape between Williamson's thighs? We bet he didn't plan on showing that. But don't let it entice into you watching the movie. Unless you're a true blaxploitation fan you'll probably regret it.
The good news is we have the technology to make travel quick, cheap and easy. The bad news is we’ll never use it.
This National Police Gazette from September 1974 treats us to several great stories, including an article claiming that Richard Nixon’s only crime was not knowing what the “boobs” around him were doing. Ah yes, the old rogue subordinates excuse. Works great for presidents and corporate heads, but for you, well, not so much. Elsewhere in the issue you get an article on how to score an exotic bride, and sharp-eyed readers may notice that the “Haitian” bride is actually American actress Gloria Hendry, who we featured a couple of weeks ago.
But what really caught our attention in this Gazette is the article by U.S. Senator Vance Hartke about cheap, superfast rail travel. It’s filled with promises and optimism, steeped in for-the-good-of-the-people rhetoric, and even includes a sample 1986 cross-country timetable. Imagine it. Within twelve years Americans would blaze overland at 300 mph, and this rail system, envy of the world, would be clean, pleasant, and cheap—a mere $75 coast-to-coast.
A funny thing happened on the way to this future—politics that used to frame tomorow in terms of the things that were possible changed so that it now frames tomorrow in terms of what it isn't possible. Although limited high-speed rail service has finally been built in the U.S., Americans who want to experience train travel at the velocities cited in Hartke's dreamy article have to visit other countries. As to whether a true super fast system will ever be built in the U.S., we wouldn’t venture a guess either way, but it certainly is thought provoking to read what some people thought the near future would bring.
A Gloria’s embodiment of summer.
Here’s a great shot of American actress Gloria Hendry, who appeared in the James Bond movie Live and Let Die, as well as the blaxploitation films Across 110th Street, Black Caesar, Hell Up in Harlem, and Black Belt Jones, seen here rocking one of history’s greatest afros, 1973. See another shot from the same session in this post.
The headlines that mattered yesteryear.
1916—Rockefeller Breaks the Billion Barrier
American industrialist John D. Rockefeller becomes America's first billionaire. His Standard Oil Company had gained near total control of the U.S. petroleum market until being broken up by anti-trust legislators in 1911. Afterward, Rockefeller used his fortune mainly for philanthropy, and had a major effect on medicine, education, and scientific research.
1941—Williams Bats .406
Ted Williams of the Boston Red Sox finishes the Major League Baseball season with a batting average of .406. He is the last player to bat .400 or better in a season.
1964—Warren Commission Issues Report
The Warren Commission, which had been convened to examine the circumstances of John F. Kennedy's assassination, releases its final report, which concludes that Lee Harvey Oswald, acting alone, killed Kennedy. Today, up to 81% of Americans are troubled
by the official account of the assassination.
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