French illustrator Boris Grinsson outdid himself with this promo for James Bond 007 contre Dr. No, aka Dr. No. This is a framable classic, appropriate for a film that reshaped the spy genre. Its only flaw is that while the Sean Connery figure is a good likeness, the representation of Ursula Andress is not very close. We get it though—her perfect, unlined face doesn't give you much to work with. To get Connery close, you just need to make sure you include his bushy eyebrows and the deep facial lines bracketing his mouth. But Andress is a true test of skill. It's still a great poster. Perhaps even our favorite from the Bond franchise. The movie premiered in France today in 1963. 

We've seen many photos over the years of Sean Connery and Ursula Andress messing around on the Jamaican beach set of Dr. No in 1962. The shots are all fun, so we compiled some of them above, and collectively they paint a portrait of two actors really enjoying their work. We should all be so lucky.

The French weekly Cinémonde debuted in October 1928, with the above issue hitting newsstands today in 1965 starring French goddess Mylène Demongeot on the cover. Inside, her feature is headed with the text “Il faut oser tenter le diable,” which means, “We must dare tempt fate,” and she goes on to say, “Il existe peut-être dix photographes au monde (seulement) à qui, pour nue... ou presque, une actrice puisse faire confiance,” or basically, “There are perhaps ten photographers in the world (only) who… (almost) naked, an actress can trust.” The literal translation reads a bit backward, but you get the drift—she of course means only a few photographers can be trusted to shoot an actress (almost) nude.

One of those is apparently British director Terence Young, who helmed Dr. No and two other Bond movies, as well as Zarak and Wait Until Dark, and whose photography you see here. However Demongeot, after all this philosophizing about the (almost) nude form, does not appear (almost) naked in any of the photos. Still, she looks amazing, as always. She says at the end, “Je voudrais qu'il ait envie de les decouper et de les regarder longuement, avant de se coucher. Pour qu’il fasse de beaux rêves.” Something along the lines of wanting men to cut out her photos and look at them before going to bed… to inspire beautiful dreams. Well, we would have to use a laptop instead of cut out photos, and we’d do it, except we have a feeling our girlfriends would not let us get away with it. Of that we’re (almost) sure. 

We’ve always been impressed by the variety and quirkiness of Japanese novelties, but the item above—a resin Ursula Andress Dr. No figure—reaches new heights. It’s all the more interesting because it isn’t contemporaneous with the film. Rather, it hit the market in 1983, twenty years after the film’s Japanese debut. Still, the existence of this doll isn’t a complete surprise—western blondes are fetishized in Japan, and Andress’s bikini-clad, knife-wielding Honeychile Ryder is probably one of the most famous blondes to ever appear onscreen. The figure comes complete with the most superfluous assembly instructions in history, just in case you try to attach her legs to her armholes or vice versa, and the final result is… well, actually, we don’t know. Just like a car, this little lovely loses value the moment you drive it out of the showroom, which means the cellophane is going to stay sealed. If you absolutely must see an assembled version, we might entertain a purchase offer. Check your bank account and get back to us. In the meantime, we’ve posted the shot the box art is based on below. And if that isn't enough Andress for you, check here.

Italian promo poster for the James Bond classic Agente 007: Licenza di uccidere, aka Dr. No, starring Sean Connery. It premiered in Italy today in 1963. 

James Bond soundtrack albums and singles, with production art covers, plus paintings by Frank McCarthy, Robert McGinnis and others.     

Our recent post of Dr. No promo art got us thinking about the popularity of the Ian Fleming novel, so today we’ve compiled a collection of Dr. No covers detailing their evolution through the years. At top is an original 1958 hardback with art by Pat Marriot, worth about $150 in mint condition, and at bottom is a 2007 hardback reprint from Penguin featuring art from Michael Gillette and Jon Gray. In between are thirteen more covers spanning the intervening forty-nine years. Some items in the collection are more evocative than others, but they are all worthy. We'll post more of these as we locate them.

Three action-packed Japanese posters for Dr. No, with Sean Connery and Swiss beauty Ursula Andress. You can see Connery and Andress getting close in a rare promo photo here. Dr. No premiered in Japan today in 1963.