We read Jason Hytes' 1962 sleaze novel Come One-Come All in electronic form, and thanks to a glitch in the page count we had no idea how long it was. Which led to the moment when we thought to ourselves, “This is getting interesting,” swiped to the next page and were confronted with the words—The End. By that page the book's lead character Barbara Martin had succumbed to her own sexual voracity, progressed to random seductions with both sexes, reached the point of being lured into prostitution, and dealt with the decision working out not well at all. And by not well at all we mean really not well. So while unknowingly swiping to The End, we were anticipating the commencement of bloody retribution by Barbara against the tale's villain. Nope. Barbara has learned her lesson and moves on. And so have we. But we'll say this much—for the genre, Hytes is not a bad writer. 

Above, a Paul Rader cover for Twice with Julie by Jason Hytes, aka John Plunkett. The lesson here? Every man has his limitations. Copyright 1962. 

Above, The Teaser, by Jason Hytes, aka John Plunkett, for Midwood Books, with top notch brushwork by the wizard of sexually suggestive paperback art Paul Rader. The story: a virginal girl is taught about sex by her eager lover, but shows such an aptitude for it that her desires grow to the point where they become perverse and freaky. Sounds like the perfect woman to us. Copyright 1963. 

From reliably sleazy Midwood-Tower comes Wait Your Turn, published in 1962 and written by John Plunkett inhabiting the Jason Hytes pseudonym. A soldier returns home from two years away and finds that his virginal bride has not only caved in to another man's advances, but has also been set upon by a trio of local lowlifes who aren't remotely finished with her. Besides the elements of voyeurism and sexual aggression, one thing you could always expect from Midwood sleaze was well-executed cover art, and this one is very nice, but sadly it's uncredited. Should we guess who painted it? Well, we could, but we won't bother, because another thing Midwood was good at was hiring artists who could execute its signature style, which means this cover could really be any of several regular illustrators. Luckily, cover credits tend to come out in the fullness of time thanks to the tireless work of numerous aficionados more dedicated and better connected than us. We'll just have to hope something turns up on this eventually.