Vintage Pulp Jan 8 2023
FEMINIST FATALE
She can Rigg a solution to any problem.

British actress Diana Rigg stars on this Flickr sourced cover of 1968's Lijken in Actie, which was a Dutch translation of John Garforth's The Laugh was on Lazarus, a novel derived from Rigg's hit television show The Avengers. She played the indomitable Emma Peel, who kicked ass with great counterculture style while partnered with the older and more conservative Patrick Macnee. The lettering that says De Wrekers, is not the title. That translates literally as “the avengers,” so it's just letting book buyers know they're looking at an adaptation of the show. The title is at the bottom.

This was the second of four Avengers novels by Garforth. As befits a show that had grown more fantastical each year, the story here deals with people being raised from the dead for nefarious purposes. You'll notice that the cover is signed. Dick Bruna is attributed with its creation, because by 1968 we've entered the age where graphic design is occasionally being considered creditable art. The most artful part of this is actually his signature, but okay, nice work. It's hard to go wrong when you start with an unbeatable photo of one of the most popular television spies of the era.
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Modern Pulp May 23 2017
BIG BAD WOLVES
It isn't the wind making that howling noise.

Above you see two colorful Japanese posters for The Howling, Joe Dante's 1981 werewolf thriller starring Dee Stone, Patrick Macnee, and Invasion of the Body Snatchers hero Kevin McCarthy. As werewolf movies go, The Howling was a bit of a gamechanger simply because the principle werewolf was more terrifying than any that had been put on screen to that point. It looks more than anything like a ten-foot tall Wile E. Coyote, with a long crooked snout, and devilish ears that stick out from its head like horns. Covered with wiry hair and perched upon long canine legs like a walking dog, the brute physicality of this beast is cringe inducing. On the other hand, the ancillary werewolves might make you laugh. The filmmakers obviously wanted to genderize the creatures, which led to the idea of making the female wolves somehow cute. Instead they end up looking like Ewoks. The giallo-styled soundtrack might also be jarring for modern audiences. We love it, even though it's right in your face like doggie breath.

But the film is definitely worth watching these thirty-six years later. The plot involves a television reporter whose investigation into serial killings in New York City result in her—seemingly in random fashion—spending time in a rural retreat to recover from emotional trauma. There she realizes a coven of werewolves rules the woods. Dante went for a slow build-up to the big reveal, and when that first encounter came it forever recalibrated the werewolf genre. Today some of the balloon effects may look quaint, but objectively they're more visceral than anything computer graphics have managed thus far. Other effects, including a brief animation, aren't as convincing, but no movie is perfect. The Howling is a landmark, and our only regret is we were never able to see it in a cinema (though that may change if ever our local horror festival screens it). The film premiered in the U.S. in March 1981, and first howled across Japan today the same year.
In retrospect, maybe this solo hiking trip wasn't the best idea. Oh well, I'll be fine. But next year: Burning Man.
 
Hmm. So she disappeared down there in that bizarre nimbus of light? I think it's about time for my donut break.
 
Okay, okay! Let me just find the leash and we'll go. Geez—sometimes I can't tell who's the owner and who's the pet.
 

Arooooooo! Bacon! Bacon! Bacon! Baaaaacooooon!
 

So, you loaded this with the silver bullets, right? Right? Baby, did you hear me?

Well, the thing is, werewolfing helps me relax. Fronting my speedmetal band is really stressful.

I think the night went bad after the third Jäger shot. Could be worse, though. Garth got a tribal tattoo on his calf.

Man, these beasts are seriously horr— Whoa. Single white werewolf at twelve o'clock. Bitch got some fucked up teeth but I can work with that. 

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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