Vintage Pulp Mar 10 2021
DRIVEN TO EXTREMES
I stole a fortune, shot a guy, pushed an old lady, and jaywalked—all to impress you. Now will you go out with me?


This poster was made to promote the thriller Drive a Crooked Road, which premiered today in 1954, and starred Mickey Rooney as a shy runt who finally meets the woman of his dreams in the form of Dianne Foster. Though this is classified as a film noir on some sites, that's off the mark. We call it a straight drama, and the experts at the American Film Institute agree. Rooney works in an auto garage and wants to be a racer. He's known around town to be a very good driver and an excellent mechanic. Through his new crush he meets Kevin McCarthy, who offers a deal—one-time use of Rooney's driving skills in exchange for $15,000 that will allow him to get into the racing game. What could McCarthy need Rooney behind the wheel for? Take a guess. But the scheme is trickier than it at first seems. For that matter, so is Dianne Foster, but no shock there—it's a given that the only way she could be interested in a lonely twerp like Rooney is if she were a honeytrap.

Of course, the funny part is that in real life Rooney was a legendary carouser. As a credited actor from age six, and a huge star during his teens, desirability was never an issue for him, which means he certainly must have thought he was playing against type here. We can picture him, all five-two of him, standing on a footstool and staring into his bathroom mirror asking himself, “How in the hell am I going to convincingly play this unattractive little geek when I am, in reality, such a strapping stud and masculine deity? I mean, geez—I've already been married to Ava Gardner and Martha Vickers. I mean, Liz Taylor blew me when she was fourteen for God's sake! I imagine in the future that will be a serious stain on my legacy, but I'll worry about that later. The question now is how will I manage to play this timid little wallflower?”

Well, that's why they call it acting. Rooney adopts a tentative voice and an unsteady gaze, and you really feel for the guy. His character is definitely in over his head. With a little nudge from femme fatale Foster he finally agrees to lend his skills to McCarthy as—you probably guessed—getaway driver for a bank robbery. $15,000 back then would be about $145,000 in today's money. Many people would kill for far less, so in a way you can't blame Rooney for taking the risk. But movie robberies rarely go off without a hitch, if not during the actual commission, then certainly afterward, and movie honeytraps are often all trap and no honey. Watching Rooney work his way through this maze is the attraction here, and he carries off his role flawlessly. Nice work, from starting gun to finish line.

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Modern Pulp May 23 2017
BIG BAD WOLVES
It isn't the wind making that howling noise.

Above you see two colorful Japanese posters for The Howling, Joe Dante's 1981 werewolf thriller starring Dee Stone, Patrick Macnee, and Invasion of the Body Snatchers hero Kevin McCarthy. As werewolf movies go, The Howling was a bit of a gamechanger simply because the principle werewolf was more terrifying than any that had been put on screen to that point. It looks more than anything like a ten-foot tall Wile E. Coyote, with a long crooked snout, and devilish ears that stick out from its head like horns. Covered with wiry hair and perched upon long canine legs like a walking dog, the brute physicality of this beast is cringe inducing. On the other hand, the ancillary werewolves might make you laugh. The filmmakers obviously wanted to genderize the creatures, which led to the idea of making the female wolves somehow cute. Instead they end up looking like Ewoks. The giallo-styled soundtrack might also be jarring for modern audiences. We love it, even though it's right in your face like doggie breath.

But the film is definitely worth watching these thirty-six years later. The plot involves a television reporter whose investigation into serial killings in New York City result in her—seemingly in random fashion—spending time in a rural retreat to recover from emotional trauma. There she realizes a coven of werewolves rules the woods. Dante went for a slow build-up to the big reveal, and when that first encounter came it forever recalibrated the werewolf genre. Today some of the balloon effects may look quaint, but objectively they're more visceral than anything computer graphics have managed thus far. Other effects, including a brief animation, aren't as convincing, but no movie is perfect. The Howling is a landmark, and our only regret is we were never able to see it in a cinema (though that may change if ever our local horror festival screens it). The film premiered in the U.S. in March 1981, and first howled across Japan today the same year.
In retrospect, maybe this solo hiking trip wasn't the best idea. Oh well, I'll be fine. But next year: Burning Man.
 
Hmm. So she disappeared down there in that bizarre nimbus of light? I think it's about time for my donut break.
 
Okay, okay! Let me just find the leash and we'll go. Geez—sometimes I can't tell who's the owner and who's the pet.
 

Arooooooo! Bacon! Bacon! Bacon! Baaaaacooooon!
 

So, you loaded this with the silver bullets, right? Right? Baby, did you hear me?

Well, the thing is, werewolfing helps me relax. Fronting my speedmetal band is really stressful.

I think the night went bad after the third Jäger shot. Could be worse, though. Garth got a tribal tattoo on his calf.

Man, these beasts are seriously horr— Whoa. Single white werewolf at twelve o'clock. Bitch got some fucked up teeth but I can work with that. 

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Hollywoodland May 12 2011
FULL MONTY
In one instant Montgomery Clift’s life changed forever.

Above is a photo of American actor Montgomery Clift’s automobile after it skidded off a dark road and smashed into a telephone pole. Clift, along with actor Kevin McCarthy, had been attending a party at Elizabeth Taylor’s house in Beverly Hills. When they left, they got into their respective cars and began driving down the steep, curving road. We’ll let McCarthy describe what happened next: Behind me I saw Monty’s carlights weave from one side of the road to the other and then I heard a terrible crash. A cloud of dust appeared in my rearview mirror. I stopped and ran back. Monty’s car was crumpled like an accordion against a telephone pole. The motor was running like hell. I could smell gas. I managed to reach in the window and turn off the ignition, but it was so dark I couldn’t see inside the car. I didn’t know where Monty was. He seemed to have disappeared. I ran and drove my car back and shone my headlights into Monty’s car. Then I saw him curled under the dashboard. His face was torn away—a bloody pulp. I thought he was dead. I drove back to Elizabeth’s shaking like a leaf and pounded on the door. “There’s been a terrible accident!” I yelled. “I don’t know whether Monty’s alive or dead—get an ambulance quick!” Mike Wilding and I both tried to keep Elizabeth from coming down to the car with us, but she fought us off like a tiger. “No! No! I’m going to Monty!” she screamed, and she raced down the hill. She was like Mother Courage. Monty’s car was so crushed you couldn’t open the front door, so Liz got through the back door and crawled over the seat. Then she crouched down and cradled Monty’s head in her lap. Then he started to choke. Some of his teeth had been knocked out and his two front teeth were lodged in his throat. I’ll never forget what Liz did. She stuck her fingers down his throat and pulled those teeth. Otherwise he would have choked to death. That was today in 1956. 

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History Rewind
The headlines that mattered yesteryear.
January 27
1967—Apollo Fire Kills Three Astronauts
Astronauts Gus Grissom, Edward White and Roger Chaffee are killed in a fire during a test of the Apollo 1 spacecraft at the Kennedy Space Center in Florida. Although the ignition source of the fire is never conclusively identified, the astronauts' deaths are attributed to a wide range of design hazards in the early Apollo command module, including the use of a high-pressure 100 percent-oxygen atmosphere for the test, wiring and plumbing flaws, flammable materials in the cockpit, an inward-opening hatch, and the flight suits worn by the astronauts.
January 26
1924—St. Petersburg is renamed Leningrad
St. Peterburg, the Russian city founded by Peter the Great in 1703, and which was capital of the Russian Empire for more than 200 years, is renamed Leningrad three days after the death of Vladimir Lenin. The city had already been renamed Petrograd in 1914. It was finally given back its original name St. Petersburg in 1991.
1966—Beaumont Children Disappear
In Australia, siblings Jane Nartare Beaumont, Arnna Kathleen Beaumont, and Grant Ellis Beaumont, aged 9, 7, and 4, disappear from Glenelg Beach near Adelaide, and are never seen again. Witnesses claim to have spotted them in the company of a tall, blonde man, but over the years, after interviewing many potential suspects, police are unable generate enough solid leads to result in an arrest. The disappearances remain Australia's most infamous cold case.
January 25
1949—First Emmy Awards Are Presented
At the Hollywood Athletic Club in Los Angeles, California, the Academy of Television Arts & Sciences presents the first Emmy Awards. The name Emmy was chosen as a feminization of "immy", a nickname used for the image orthicon tubes that were common in early television cameras.
1971—Manson Family Found Guilty
Charles Manson and three female members of his "family" are found guilty of the 1969 Tate-LaBianca murders, which Manson orchestrated in hopes of bringing about Helter Skelter, an apocalyptic war he believed would arise between blacks and whites.
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