|Intl. Notebook||Jul 2 2016|
Seems everyone's talking about Cuba these days. Barack Obama became the first U.S. president to visit the island in ages, and every megacorporation from Home Depot to Major League Baseball wants to do business there. By any measure, Cuba's is a remarkable story, particularly its educational and medical accomplishments in the face of an economic blockade that keeps out everything from computer chips to breakfast cereal.
Despite that embargo, Cubans can convincingly claim to be better off than residents in nearby capitalist nations like Honduras (highest per capita murder rate in the world), El Salvador (thousands killed each year by rampaging drug gangs), Haiti (59% poverty rate), and even Puerto Rico ($70 billion in debt—an astonishing $20,000 per resident). But one thing Cubans don't have is the opportunity to accumulate wealth. That may be about to change.
|Modern Pulp||Nov 26 2014|
Since we mentioned in our Kennedy post that Mercocomic had serials about other historical figures, we decided we’d go ahead and share these Spanish Che covers from 1978. The complete run was three issues in the order seen, and the art is once again from the excellent Prieto Muriana, who even worked in a Pietà on cover three. “Hasta siempre, Comandante,” by the way, is a very famous Carlos Puebla song recorded by everyone from Joan Baez to Nathalie Cardone.
|Modern Pulp||Nov 22 2014|
A long while back we shared a Spanish cover of the Mercocomic publication Kennedy and mentioned that a series of six appeared in 1977. The same comics were also published in French, so today, inappropriately, we’re sharing those six covers from France with their excellent if unsettling art by Prieto Muriana. Mercocomic published serials of other well known figures, among them Che, Hitler, Mussolini, Don Juan Tenorio Garcia, and Quijote 78. None are strictly factual accounts, but rather re-imaginings of the circumstances and motivations that drove important historical episodes.
|Musiquarium||Mar 31 2009|
Assorted album sleeves from Argentine soundtrack maestro Lalo Schifrin, circa 1970s.