Above is a poster for Isao Hayashi’s 1978 roman porno Inzetsu ama: Uzuku, which if you run across in English will be called… well, we don’t really know. Most websites that use English call it “Lewdness Woman Diver,” which doesn’t exactly roll off the tongue. It isn’t a direct translation either, because we know that the big red characters staring you in the face say “tingling.” We also know that an ama is a female diver who traditionally foraged in the water for delicacies like sea urchins and lobsters, but these days is more famous for pearl diving.

Above is a poster for the Japanese sexploitation movie Tôkyô neon chitai: Josei jishin de go shidô itashimasu, aka Tokyo Neon Zone: Lesson to You, which is pretty much in the same vein as this movie for which we showed you a poster a few weeks ago. Tôkyô neon chitai starred Rina Nagisa, Mami Sakura and Ami Takashima, and was directed by Shoichi Ikeda. Nagisa made several other pinku/roman porno flicks, all of which seem to be fairly obscure today. That is to say, we haven't been able to track down a copy of any of them. However we do have another Nigisa poster we’ll show you later. Tôkyô neon chitai: Josei jishin de go shidô itashimasu premiered in Japan today in 1977.

Above, a poster for Tatsumi Kumashiro’s 1968 sexploitation flick Kaburitsuki jinsei, aka Front Row Life, aka Life of a Striptease Love, et. al. This was Kumashiro’s first directorial effort, and it didn’t do well. Afterward, he was banished back to screenwriting and assistant directing, which is where he’d been toiling for years, but in 1972, when he was forty-five, Nikkatsu gave him a second chance and he helmed the hit roman porno Nureta kuchibiru, aka Wet Lips. Kumashiro went on to direct many successful Nikkatsu productions. Interestingly, he married his Front Row Life leading lady, Hatsue Tonooka, but they divorced after a few months. 

 

We love this. It’s a poster for Nikkatsu’s 1971 sexploitation flick Yoru no saizensen: Tôkyô onna chizu, which starred Satoko Sato and her interesting leather outfit, and was released internationally as Secret Zone of Tokyo. But that isn’t a literal translation of the Japanese title. If you glance at the bottom of the poster, the first two figures, if you’re looking left to right, say “Tokyo.” The red shape with the heart in the middle is a nifty mash-up of the two figures that make up the word “women.” And the last two figures say “map” or possibly “atlas.” Of course, in Japan reading is done right to left, but whichever direction you go, it says “Tokyo Women Map.” Which is something that we really could have used at times in the past. 

This colorful poster for Masaru Konuma’s sexual drama Nureta tsubo, aka Wet Vase, aka Wet Tattooed Vagina, depicts star Naomi Tani in a tableau taken directly from the movie. In the scene, Tani becomes sexually aroused by watching a man perform oral sex on a mannequin. Tani is ashamed and embarrassed at first, but the guy just keeps at it until she basically collapses in an overstimulated heap. It’s really a beautifully shot scene that by itself is worth the price of renting the flick, in our opinion. Nureta tsubo is part of Nikkatsu’s roman porno stable, but it’s an atypical example—at least, it seems so to us. There are fewer of the extravagances one might expect from a film starring Japan’s Queen of S&M. But that doesn’t mean it’s conservative—on the contrary, it’s plenty kinky. We mentioned that mannequin licking thing, right? See for yourself. We’ve posted some screen grabs from that amazing scene below. Nureta tsubo opened in Japan this month in 1976. 

We couldn’t resist posting this. It’s part of a calendar originally published by the Japanese men’s magazine Heibon Punch. We’ve seen the image in several places, but we suspect it originated at the website bullesdejapon. Riding without any protective gear whatsoever is Ayako Uzimetai, aka Megi Ayako, et.al., who appeared in the Nikkatsu flicks Red Assault, and Tokyo Eros: Thousand and One Nights. This shot is from 1980. 

A while back we shared a pair of wonderfully summery promo images featuring Japanese actress Terumi Azuma, and today we have a poster for one of her films. As usual, no western release means no official English title, but very roughly it’s Get Wet and Stand. That’s not particularly illuminating, we know, but until we see the movie ourselves, that’s all the info we can offer. That and the fact that it was made in 1976 by Nikkatsu Studios as part of its softcore roman porno collection, it’s based on the writings of a novelist who calls himself I. Hong, and it’s a comedy. Speaking of moisture, see below. 

(Maruhi) shikijô mesu, aka Secret Chronicle: She Beast Market is the third installment of Nikkatsu Studios’ prostitution-centered trilogy that began with Maruhi: joro ichiba (Prostitution Market) and continued with (Maruhi) jorô seme jigoku (ProstituteTorture Hell). This one was directed by Noboru Tanaka and stars Meika Seri as an Osaka prostie trying to survive her difficult profession and dysfunctional relatives. Some highlights (or lowlights) include one character killing another using a love doll inflated with explosive gas, Seri sexually indulging her mentally impaired younger brother, and the brother later doing what can best be described as choking the chicken (literally). In other words, it’s trademark Nikkatsu craziness, often disturbing but beautifully shot in both color and b&w. (Maruhi) shikijô mesu premiered in Japan today in 1974.  

Above, two brilliant shots of Japanese actress Terumi Azuma, who debuted in Nikkatsu Studios’ 1974 roman porno flick Ikenie fujin, aka Wife To be Sacrificed, and went on to build a career in cinema and television that continues today. These images are circa 1975.