Vintage Pulp May 23 2018
TRAIN WRECKS
Sometimes the end of the line can be a new beginning.


Check out this beautiful Mexican promo poster for the melodrama El tren expreso. It can be difficult sometimes to determine provenance for Spanish language items, but we know this piece is Mexican because it says Filmex, S.A. at upper left, telling us it was printed for Mexico's Cinematográfica Filmex. But the movie was originally shot in Europe with mainly Spanish participation, including from director León Klimovsky, who was Argentinian but after 1950 emigrated to and worked mostly in Spain.

We watched the movie and it deals with a burned out concert pianist who takes a sabbatical and while on a train journey stops an unhappy widow from leaping to her death. These two broken souls travel together and fall in love, but matters of the heart are never simple in cinema. If you want to see the movie you can watch it at this link, but keep in mind we described it as a melodrama advisedly. Also you'll need to understand Spanish.

Anyway we're mainly interested in the poster, which is amazing, but uncredited. We hit the internet for info and drew blanks for days. We eventually learned it's part of a collection at the Boston Museum of Fine Arts, but it was listed as by an unknown artist there too. So that settles it, pretty much, if professional art curators have no information. The world may never know who painted this masterpiece. El tren expreso premiered in Spain today in 1955. 

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Femmes Fatales May 13 2018
ALL BY HERSELF
Loneliness isn't always as bad as it sounds.


Soledad Miranda has one of the more interesting cinematic names you'll run across. Her first name is Spanish for “loneliness,” and her last is Latin for “worthy of admiration.” Because she was so worthy of admiration we doubt she was ever lonely for long. Her real name was Soledad Bueno, and that's rather nice too, if even more unlikely sounding. As Miranda, and sometimes as Susan Korda or Susan Korday, she appeared in more than thirty movies but became one of filmdom's tragic young figures when she was killed in an auto accident in 1970 at the age of twenty-seven. The above image is from that year.

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Vintage Pulp Apr 21 2018
DUEL INTENTIONS
On this next verse I'll dip you, then we'll finish with a spin. This is a lot better than shooting at each other, right?

Circo en el oeste by Fel Marty is another book from the stash we uncovered while traveling a couple a weeks ago. To recap, we found a pile of adventure fiction in a house that had been empty for years and was being shown to us by a real estate agent. The first example we shared was from the Spanish publishing company Crucero. Today's is from the South American imprint Andina, but it was also sold in Spain. The uncredited cover art shows two cowboys trying to solve their problems non-violently. If more of us did this the world would be a better place.

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Vintage Pulp Apr 10 2018
ENOUGH CLOWNING
Fatal confrontation leaves world a sadder place.


Here's a colorful little something from our house hunting raid last week, a pocket paperback entitled Diablo Rubio, or “blonde devil,” written by Jim Bravo for Madrid based Publicaciones Crucero. The narrative is set in Arizona and concerns a famed gunman and the rivals that dog his heels. We haven't actually read it yet. We can read Spanish but we're too lazy to do it right now, even though we're dying to know why the clown got shot. Ever been to a rodeo? Cowboys and clowns are natural allies, so there must be a complex story behind this tragedy. The art is uncredited, of course, but seems to be signed “M Leal” or “N Leal.” We get no hits on either name. Nor do we get hits on writer Jim Bravo, an obvious pseudonym. But we'll dig, and if we find anything we'll report back. 

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Vintage Pulp Feb 10 2018
YOU CAN'T HANDLE THE TROUPE
We're here for the West Side Story audition. And you better understand this right now—we intend to nail it.


We've talked before about the amazing Harlan Ellison. We came to know him as an unparalleled sci-fi writer, but later discovered he was also a juvenile delinquency author. These gang stories were obscure curiosities for us, but through running Pulp Intl. we've since learned that Ellison's juvie fiction is a much discussed and much collected part of his output. Above you see the rare 1958 Pyramid Books edition of his first novel Rumble, later published as Web of the City, with an amazing cover by Spanish artist Rudy De Reyna. Consider this an Ellison trial run that made it into the light of day. Anyone familiar with him knows this will be a strange and violent tale, but the craftsman who gave the world stories like “All the Birds Come Home To Roost” is not yet in evidence. Plotwise, the protagonist Rusty is leader of a street gang and wants out while he's still young enough to make something of his life. Quitting is a savage and harrowing ordeal. Staying out is impossible thanks to his little sister, whose involvement with the gang pulls Rusty back into the life. Ellison is a guy who once claimed he never revised his work. That isn't true because Rumble was cut down and cleaned up by him, and became Web of the City. Everyone says the revised version is much better. Without having read it, we suspect they're right. 

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Femmes Fatales Sep 6 2017
PERFECT AMES
Don't it make her brown eyes blue (or her blue eyes brown).


Ramsay Ames is not well known today, but she had a nice career, appearing in movies such as The Black Widow, Below the Deadline, and The Mummy's Ghost. She also worked as a model, dancer, pin-up, and television host—the latter in both the U.S. and Spain. During her years in Spain, she became close with Ava Gardner, who was also living there, and we imagine they got up to all sorts of mischief. This is an amazing photo of Ames. The photographer obviously wanted to comment on the luminescence of her eyes by setting them against several pieces of gleaming jewelry. We were curious what color they were. A quick check on the internet—and this is the thing about the internet—turned up definitive assertions that they were brown, but others that they were blue. We'd prefer brown, but maybe they were both, like one of each. In any case, it's a very successful photo. We don't have a date on it, but we can safely assume it's from around 1945.

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Hollywoodland Aug 21 2017
BODY AND SOL
Elizabeth Taylor has a stroll under the Spanish sun.


We just saw Liz Taylor a couple of weeks ago, but we're bringing her back because we liked this shot of her heading for the beach somewhere on the Costa Brava, Spain, during the production of her drama Suddenly Last Summer. We know Spain quite well, so we challenged ourselves to identify this exact location. Many sites say the photo was shot in S'Agaro, but we don't think so. There are no arches quite like this in that town, not even along the Cami de Ronda that runs along the coast. Part of the movie was also filmed in Mallorca, but we definitely can't think of anyplace on Mallorca that has old architecture of this size near a beach, so call us stumped for now. The shot was made today in 1959.

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Intl. Notebook Aug 17 2017
SUN KISSED SWEDE
May Britt is spotted in Triunfo magazine.


The Spanish magazine Triunfo wasn't the most graphically beautiful of magazines, but it did publish rare celeb photos, such as the colorful cover at top of an amazingly freckled May Britt, and the centerspread of Italian star Anna Karina. Elsewhere in the issue are shots from Marilyn Monroe's funeral, Paola de Bélgica's shopping spree, Ava Gardner's bullfight, and Catherine Deneuve's wedding, plus Betsy Drake, Cary Grant, James Dean, and current fashions. We've shared several of those rare Triunfo centerfolds in the past, and they're all worth a look. You can see them here, here, here, and here.

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Modern Pulp Aug 1 2017
CITY OF ANGLES
In a place like Atlantic City there's always one more chance.


The poster you see above was painted by the Spanish artist Francisco Fernandez Zarza-Pérez, who signed his work as Jano. As you can see, it was to promote Louis Malle's drama Atlantic City, U.S.A. Most sites call the film just Atlantic City, but we're going with what the opening credits called it. Though the movie starred U.S. performers and tends to be thought of as an American effort, it was French produced and premiered all over Europe in 1980 before reaching the States in 1981. It opened in Spain today in 1980 and tells the story of a sixty-something minor crook who finds himself involved with twenty-something hustlers and their sale of stolen drugs. Circumstances place both the party favors and the profits in his hands, and he suddenly has a chance to be the big time mobster he never was.

Not only did Atlantic City, U.S.A. win the Golden Lion at the Venice Film Festival, it's one of the few movies to be nominated for all five major Academy Awards—Best Actor (Burt Lancaster), Best Actress (Susan Sarandon), Best Director, Best Picture, and Best Screenplay. With a résumé like that we don't have to tell you the movie is good. Watch it. You'll like it. The woman on the poster, by the way, looks nothing like Susan Sarandon, but it was early in Sarandon's career, and we suspect Jano wasn't too invested in getting her likeness correct. It was within his capability, certainly—his Lancaster looks great. We don't know why he got Sarandon wrong. Considering how famous she eventually became, we have a feeling he wished he'd done better.

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Vintage Pulp Jul 13 2017
TROUPE DE 'VILLE
There's no business like Monroe business.


Spanish illustrator Francisco Fernandez Zarza-Pérez painted this beautiful poster for the comedy Luces de candilejas, aka There's No Business Like Show Business, and signed the piece as his alter ego Jano. As you can see by comparing the poster to the set photo below, he covered Monroe's leg, which maybe isn't surprising, since he was working in Franco's fascist Spain. Even so this is by far the best poster we've seen from him. The movie's Spanish title Luces de candilejas translates as “candle lights,” which is appropriate, as Marilyn Monroe gets into the type of moth-to-flame difficulties in which she specialized, with her arrival as a new talent on the Vaudeville scene bringing strife to a show business family. No pulp material here—it's a pure musical, with a lot of performance numbers from Monroe, Mitzi Gaynor, Johnnie Ray, Dan Dailey, and headliners Ethel Merman and Donald O'Connor. The Jano artwork makes the poster a must share, but the film is a pass—not because it's a Vaudeville musical, but because it's bland, due in part to Monroe's minimal screen time. Luces de candilejas premiered in Spain today in 1959, and you can see more Jano here.

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Next Page
History Rewind
The headlines that mattered yesteryear.
June 24
1938—Chicora Meteor Lands
In the U.S., above Chicora, Pennsylvania, a meteor estimated to have weighed 450 metric tons explodes in the upper atmosphere and scatters fragments across the sky. Only four small pieces are ever discovered, but scientists estimate that the meteor, with an explosive power of about three kilotons of TNT, would have killed everyone for miles around if it had detonated in the city.
June 23
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
June 22
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
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