Musically talented but not particularly handsome? No worries. Put your hot wife on your album covers.
Spanish bandleader Xavier Cugat and his wife, singer Abbe Lane, were one of the most famous musical couples in the world during the 1950s and early 1960s, performing live together and releasing albums. These four Cugat album sleeves featuring Lane as the cover model evoke pulp fiction and film noir rather nicely, we think. Also, they kinda make us want to dance.
Reaching the top isn’t easy. Staying on top is even harder.
Above is a Spanish poster by Josep Soligó Tena for La casa de la colina, which was originally released in the U.S. as The House on Telegraph Hill. The movie tells the story of a Polish concentration camp survivor—played by Valentina Cortese—who upon release takes the identity of her dead friend, and later insinuates herself into the lives of the dead woman’s San Francisco relatives. This identity swap is the classic Hitchcockian MacGuffin, which is to say it initially seems to be the plot driver, but later isn’t important at all. While Cortese’s labyrinthine lie is always a worrisome background element, the movie is really about how she finds herself embroiled in an inheritance mess and a love triangle. We thought this movie was quite good, but you do have to ignore bits like the improbable placement of a child’s playhouse above a sheer drop (in a sense, another MacGuffin, as the threat of falling has no bearing at all on later developments). Highly recommended movie, and it has nice San Fran exteriors as a bonus. The House on Telegraph Hill premiered in the U.S. in 1951, and as La casa de la colina in Spain today in 1952. See more work from Tena here.
, San Francisco
, Twentieth Century Fox
, La casa de la colina
, The House on Telegraph Hill
, Richard Basehart
, Valentina Cortese
, William Lundigan
, Josep Soligó Tena
, poster art
, film noir
, movie review
Josep Renau Berenguer cooks up a classic poster for a classic film.
Arroz Amargo, with Silvana Mangano, Vittorio Gassman, and Doris Dowling, was originally made in Italy and called Riso Amaro, or Bitter Rice. We already delved into this particular rice paddy, but we wanted to show you this beautiful alternate Spanish poster painted by Catalan artist Josep Renau Berenguer. The movie premiered in Spain four years after it opened at the 1949 Cannes Film Festival and had a long run in Italy. That was today in 1953. If you’re interested you can read our original write-up and see the Italian poster here.
, Cannes Film Festival
, Riso Amaro
, Arroz Amargo
, Bitter Rice
, Josep Renau Berenguer
, Silvana Mangano
, Vittorio Gassman
, Doris Dowling
, poster art
Classic style for classic movies.
Catalan painter Josep Soligó Tena spent thirty years under contract to Hispano Foxfilms, the Spanish subsidiary of Twentieth Century Fox, and during that time created many beautiful promo posters. Today for your enjoyment we have a collection of some of his best. Yes, we are aware he uglified Grace Kelly (panel four), but he’s had that difficulty before with beautiful women. He’s still excellent, though. Eleven scans below.
Red hot action from the middle of the Cold War.
Antonio Vera Ramirez’s aka Lou Carrigan’s Brigitte en Accion was first published by Rio de Janeiro based Editora Monterrey in 1965, but here you’re seeing covers from Barcelona based Editorial Bruguera. The artist was the same for both, though—Brazilian illustrator José Luiz Benicio, and his work is beautiful. The series features the adventures of Brigitte Montfort, nicknamed Baby, a CIA agent posing as a journalist and getting into all kinds of sticky situations during the Cold War. You can see a large collection of Brigitte en Accion covers at the website Bolsi Libros Bruguera.
, Rio de Janeiro
, Editorial Bruguera
, Editora Monterrey
, Brigitte en Accion
, Lou Carrigan
, José Luiz Benicio
, Antonio Vera Ramirez
, cover art
Macario Gomez shows an ability to see the bigger wicker.
A couple of years ago we shared some posters by the Spanish artist Macario Gomez, including one rather creative effort for La mansion de la niebla, aka Murder Mansion. But commercial art isn’t always about creativity. This Gomez effort for Emmanuelle, which premiered yesterday in 1974 (and we meant to post it yesterday, except we got deeply involved in a deadly combo of beachy weather and white wine), is an almost exact reproduction of the photographed French promo poster, at right.
We say almost, because you can see that Gomez, whose distinctive signature appears at middle left on the poster, put actress Sylvia Kristel in a bigger wicker chair than in the photo. Or maybe it’s rattan. Whatever, they’re known as peacock chairs, and when they appear in promo art they’re reliable signifiers that what you’re going to get is softcore or sexploitation. They especially pop up during the 1970s and early 1980s. It might even be the same chair each time. In any case, we really like this poster from Gomez. It’s nothing more than a portrait made from a photo, true, but the final product is very nice, we think. As for the movie, we talked about it a bit way back in 2008. If you’re into romantic softcore, it’s pretty much mandatory.
Spanish magazine Monografico fuses art, criticism, politics—and sometimes pulp.
One of our friends from Spain sent in a few scans from an issue of the freezine Monografico, an art magazine founded in Burgos in 1987 by Luan Mart and which today is a forum not just for art, but criticism and political commentary. What caught our friend’s eye was the usage inside of the adventure magazine Man’s True Danger from August 1963. The art on that is by Charles Frace, and the boxed text has been changed (see original at right) to describe the action on the cover, but ironically. It says, “While the city sleeps, rat-haired chavalotes, gallant and generous, teach fragile butterflies to defend against evil men using simple house keys.” Chavalotes means something like “lads” or “big boys,” and it also has a sexual connotation we won’t bother with here. The idea of the image is simply to point out the prevalence of using doublespeak to mask misdeeds—i.e., how the state proclaims it wishes to protect you from external threats, but uses that as an excuse to increase its own power by destroying your rights. This is obviously a big issue in Spain, but it’s a problem everywhere. Our friend sent us a few other scans, and though they aren't pulp we decided to share them anyway because they're very interesting. We’ve uploaded those below. And thanks for sending this in—we love it when we check our inbox and find that the day's pulp work has been done for us.
A prescription for murder.
As long as we’re doing Spanish language pulp today, we might as well share this cover for El siniestro Doctor Crippen, or The Sinister Doctor Crippen, written by Enrique Cuenca for Barcelona based Ediciones G.P., and published in 1960 as part of its low cost Enciclopedia Pulga collection. Eventually, about five-hundred books appeared as part of the collection, including translations of Jules Verne, Robert Lewis Stevenson, and other classic authors. This particular novel is of course based on the strange story of Hawley Harvey Crippen, aka H.H. Crippen, the American physician and fugitive who murdered his wife Cora in 1910 and was eventually hanged in London’s HM Pentonville Prison. Many of the covers we’ve seen from Enciclopedia Pulga are nice, so we’ll try to revisit the collection a little bit later.
, HM Pentonville Prison
, Ediciones G.P.
, El siniestro Doctor Crippen
, Enrique Cuenca
, Hawley Harvey Crippen
, H.H. Crippen
, cover art
The headlines that mattered yesteryear.
1938—BBC Airs First Sci-Fi Program
BBC Television produces the first ever science fiction television program, an adaptation of a section of Czech writer Karel Capek's dark play R.U.R., aka, Rossum's Universal Robots. The robots in the play are not robots in the modern sense of machines, but rather are biological entities that can be mistaken for humans. Nevertheless, R.U.R. featured the first known usage of the term "robot".
1962—Powers Is Traded for Abel
Captured American spy pilot Gary Powers, who had been shot down over the Soviet Union in May 1960 while flying a U-2 high-altitude jet, is exchanged for captured Soviet spy Rudolf Abel, who had been arrested in New York City in 1957.
1960—Woodward Gets First Star on Walk of Fame
Actress Joanne Woodward receives the first star on the Hollywood Walk of Fame, the Los Angeles sidewalk at Hollywood Boulevard and Vine Street that serves as an outdoor entertainment museum. Woodward was one of 1,558 honorees chosen by the Hollywood Chamber of Commerce in 1958, when the proposal to build the sidewalk was approved. Today the sidewalk contains more than 2,300 stars.
1971—Paige Enters Baseball Hall of Fame
Satchel Paige becomes the first player from America's Negro Baseball League to be voted into the Major League Baseball Hall of Fame in Cooperstown, New York. Paige, who was a pitcher, played for numerous Negro League teams, had brief stints in Cuba, Mexico, Puerto Rico, and the Major Leagues, before finally retiring in his mid-fifties.
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