Vintage Pulp Oct 18 2014
SPACE INVADERS
Spain conquers the cosmos.

Above, assorted covers of the Spanish science fiction series Luchadores del Espacio, or Space Fighters, from Editorial Valenciana, created and written by Pascual Enguídanos Usach under the pseudonym George. H. White, with other authors like Alfonso Arizmendi Regaldie, José Luis Sanchis Benet (writing as Joe Bennett), and Pedro Domingo Mutiñó (as P. Danger) also involved. Art is mostly by José Luis Macias, with a few contributions from Vicente Ibáñez Sanchís and José Lanzón Piera. A couple of these images came from audiolibrosdebolsillo (where you can download audio copies), so thanks to them. 

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Vintage Pulp Sep 8 2014
FINEST HOUR
It's one of the best uses of sixty minutes we can imagine (that doesn't involve taking off our clothes).

We have quite a bit of Spanish pulp we’ve been lazy about sharing, but today we’re remedying that at least a little. We snagged this little item entitled El Piño y la Palmera (The Pine and the Palm) in Spain several years ago. It’s one of Madrid-based Editores Reunidos’ novelas de una hora, or one-hour novels, so-named because it’s about 60 pages long (more like 50, after masthead credits, illustrations, and rear advertising). This one appeared all the way back in 1936 and has fiction from Francisco Camba and art credited to Bocquet y Longoria. The way Spanish surnames function, this could be one person, but in this case it’s two—cover artist José Longoria and interior artist José P. Bocquet. We got this for two euros, which we think is a pretty nice price for an hour’s entertainment.
 

 
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Femmes Fatales Jun 12 2014
CRAYNE SHOTS
Spain is germane only if you look closely at Miss Crayne.

American actress Dani Crayne stands in front of a piece by the Valencian bullfight painter Juan Reus Parra, who signed his work J. Reus (not J. Revs, as many websites say) and was a top artist during the 1940s and 1950s. The poster advertises the Sunday bullfights at Barcelona’s impressive Moorish-Byzantine style La Monumental bullring. You would therefore think, this being a promo photo, that Crayne was shooting a movie having to do with bullfights or Spain, but she was actually filming Shoot-Out at Medicine Bend in the U.S., and it had zilch to do with bulls, Spain, or anything remotely Spanish. She is, though, wearing a somewhat Spanish outfit, and she looks great in it, so that must be the connection. The photo dates from 1957.

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Intl. Notebook Sep 29 2013
CARAVAN'S END
The learning is in the journey.

Last night’s finale of Cinema Caravan was probably the best evening of the weeklong festival. Organizers screened several short films, then the excellent band Cro-Magnon turned the event into an outdoor dance party, playing in a corner of the plaza as bottles of sake offered up gratis by festival organizers were passed from hand to eager hand. Over the course of the week we learned that Cinema Caravan is well established in Japan, migrating from city to city like a moveable feast for the senses, but that this is the first time it has been held in another country. The Basque Country doesn’t have a very large Japanese community, which made the week a real novelty for many here—the food, the drink, and the excellent music were revelations, but it was watching the films that imparted at least a token understanding of Japanese cultural values. By watching movies people learned what a culture from the opposite side of the planet finds humorous, or erotic, or frightening, or thrilling. If Cinema Caravan were to visit the amazing city of San Sebastian again it would certainly be welcomed with open arms. Meanwhile, there’s another film festival going on right now—the San Sebastian Film Festival, or Zinemaldia, which ends tonight and will bring another crescendo of activity to this city by the sea. We didn’t attend any of that festival’s events, but who knows—maybe next year. Below are a few shots from the week.

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Modern Pulp | Vintage Pulp Sep 26 2013
BETTER THAN FICTION
Hiroyuki Nakano’s sword opera Samurai Fiction challenges festival audience but ultimately leaves it satisfied.


San Sebastian in general and Cinema Caravan in particular are keeping us busy, but we have time for a quick post, so here we go. Last night we attended a screening of Hiroyuki Nakano’s 1998 adventure/comedy SF: Episode One, also known as Samurai Fiction. It’s a quirky movie, imaginatively shot mostly in black and white, and involves a young samurai on a mission to both avenge a friend’s death and retrieve a priceless sword. He encounters an ex-samurai who tries to teach him the wisdom of non-violence, with limited success. The movie is set in 1689 and looks a bit like Kurosawa’s great period pieces, but subverts that similarity with its humor and modern rock 'n’ roll soundtrack. Since it was in Japanese with English subtitles, the mostly Basque audience was perhaps a bit baffled, but even those with language difficulties could enjoy the film’s visual creativity, and ultimately everyone seemed to enjoy it.

Watching Samurai Fiction got us thinking about our many Japanese posters, and because we actually have access to that stuff wherever we go, we decided to share five of the nicer pieces in our collection. In terms of  information on these, time is a little tight to research them carefully, but here’s what we know: poster one—nothing; poster two—Nawa Hada Jigoku: Rope Skin Hell, with Naomi Tani, 1979; poster three—we’re unsure on that one, but that’s definitely Kayoko Honoo in the art; poster four—Kapone no shatei, yamato damashi, aka A Boss with a Samurai Spirit, with Tomisaburô Wakayama, 1971; poster five—nothing. But check back in a week or so and we’ll have added everything we can find out to this post. See ya later.


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Intl. Notebook Sep 25 2013
KONKURITO JUNGLE
Black and White in color.

Cinema Caravan continued last night with a screening of the 2006 anime hit Tekkonkinkreet, which is based on a best-selling seinen manga series by Taiyö Matsumoto about two orphans named Black and White living in a dystopian place called Treasure City. In the main plot, Black and White battle against Yakuza that want to come in and take over the city. From the poster you can get a sense of how dizzingly dense Treasure City’s urban landscape is, which serves as a nice backdrop for various chases, battles with robot assassins, and a confrontation with the dark side of the self in the form of a minotaur. Don’t ask—just see it. The name of the movie (and manga) is a play on the Japanese words for steel reinforced concrete, which is "tekkin konkurito," or something like that. The film may be animated, but seinen manga are aimed more or less at an adult audience, so have no fears about this being like a Disney movie. Anyway, there’s plenty about Tekkonkinkreet online so we’ll stop at this juncture. Tonight, Cinema Caravan screens something called Samurai Fiction, which sounds promising. We’ll let you know how that is. Below is a really shitty photo from the festival. Note to selves: invest in a real camera.

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Intl. Notebook Sep 24 2013
PLANET CARAVAN
Japan invades the Basque Country.

This week the ever-growing San Sebastian Film Festival in the Basque Country of Spain kicked off with the usual round of premieres at the city’s Kursaal and celeb walks along the seafront on Zurriola Beach. But in the city’s old quarter in a plaza tucked between an old church, some residential buildings, and a wooded hill, a group of Japanese deejays, musicians, foodies and cinephiles launched a weeklong festival-within-a-festival they’re calling Cinema Caravan. Last night the bill included a classic Nikkatsu roman porno, the 1973 Tatsumi Kumashiro comedy Yojôhan fusuma no urabari, aka The World of Geisha, starring Junko Miyashita. The film was projected outdoors while a Bedouin-style tent served as a bar/club, and two Japanese bodegas dished up soba noodles and fish. Before and after the movie the Japanese singer Naoito played beautifully, and the rest of the time world-class deejays spun tunes. All this in a plaza redecorated to resemble to a Japanese garden.
 
The San Sebastian Film Festival is a worthy event, and this year’s version has stars like Hugh Jackman and Jake Gyllenhall, but it’s also expensive and chic and probably off-putting to some. Cinema Caravan, by contrast, is intimate and inclusive and everyone can feel a bit important. The event’s website says it best: Unfurling a screen for outdoor viewing in the different landscapes of our journey, we set the stage of non-routine experience in an everyday place. And in the process, we learn from those we meet on the road, their wisdom on how to live, and experience their varied cultures. Pulp Intl. is here all week, and if you’re in this part of the world (interestingly, our analytics tell us Spain is Pulp Intl.’s fifth most popular country) then consider stopping by. The festival runs through Saturday night with more movies, food, deejays, live music, dance, and fun. 

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Vintage Pulp Sep 18 2013
MANSION OF MADNESS
Aiiieee! I can’t stand the clutter!

You can find plenty of amateur reviews of La mansion de la niebla, aka Murder Mansion, aka Maniac Mansion around the internet, so we won’t add another. We watched it, though, and basically, it’s about a bunch of people stranded in a fogbound manor house, and a plot to frighten one of them to death. Hope that didn’t give away too much. What really struck us was the poster, which was painted by an artist who signed his work Mac. Mac was short for Macario Gomez, and for four decades beginning in 1955 this Spanish painter created posters for such films as Dr. Zhivago, For a Few Dollars More, El Cid and others. Gomez’s effort for La mansion de la niebla is a bit cheeseball, but we rather enjoy the numerous elements he managed to fit in, including a disembodied face, some skulls, a ribcage, a full moon, assorted gravestones, some random ironwork, a spider web, a bare tree, a couple of bats, and, of course, copious fog. Faced with all that, it’s no wonder the central figure is fleeing for her life. But just to show that Gomez really does have top tier talent, we’ve shared a few of his more successful posters below. La mansion de la niebla, an Italian/Spanish co-production, premiered as Quando Marta urlò dalla tomba in Italy, and in Spain six weeks later, today 1972.

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Hollywoodland Jul 15 2013
MEXICO GETS JINXED
Tourist board taps gringa to lure gringos across the border.

The above photos of American actress Jinx Falkenberg show her posing in costume for her film Tahiti Nights, and she’s holding a Mexican tourist poster for which she had modeled around the same time. This isn’t as a much of a mismatch as you might think. Falkenberg was actually born Eugenia Lincoln Falkenberg in Barcelona, Spain. Being Spanish-born (her parents were American) is of course not remotely the same as being Mexican, but it’s worth mentioning. The truth is she was probably chosen for the poster simply because she was the most famous young Hollywood star associated with Mexico in the consciousness of the American public. She spoke Spanish, of course, and had gotten her start in Spanish films like El carnaval del Diablo, but we doubt average Americans had a clue about that at the time. But once she reached Hollywood she continued to act in films with ethnic themes. For instance, in 1943 she starred in Two Señoritas from Chicago, in 1944 she played an islander in the aforementioned Tahiti Nights, and the next year she played a Mexican girl in The Gay Señorita. So when you add together her birthplace, language skills, and movie roles, she isn’t just some random gabacha the tourist board dug up. While it’s possible it might have been more authentic to use Delores del Rio or Lupe Velez, both of them were much older than Falkenberg, and in any case, maybe they were asked and said no. Below you’ll notice that we managed to find that travel poster, and whatever the reasoning behind its creation, it sure came out looking good. The photos date from 1944, and the poster was used for the years 1944 and 1945.  


 
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Vintage Pulp Jun 14 2013
FEDERAL HEAT
The FBI’s ten most wanted.

Above, a mix of ten covers of F.B.I. and F.B.I. Selecciones, published by two Spanish companies, Bruguera and Ediciones Rollán, during the 1960s and early 1970s. Art is by Prieto Muriana and others. Also, you may notice that cover three is modeled after a famous portrait of James Dean, and, though we aren't 100% sure, cover ten, just above, looks like it was based on Monica Vitti. 

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History Rewind
The headlines that mattered yesteryear.
November 01
1938—Seabiscuit Defeats War Admiral
At Pimlico Racecourse in Baltimore, Maryland, the thoroughbred stallion Seabiscuit defeats the Triple Crown champion War Admiral in a match race that had been promoted as "The match of the Century" in horse racing. The victory made Seabiscuit a symbol of triumph against the odds during the dark days of the Depression, and his story became the subject of a 1949 film, a 2001 book, and a 2003 film, Seabiscuit, which was nominated for the Academy Award for Best Picture.
October 31
1984—Indira Gandhi Assassinated
In India, Prime Minister Indira Gandhi is assassinated by two of her own Sikh security guards in the garden of the Prime Minister's Residence at No. 1, Safdarjung Road in New Delhi. Gandhi had been walking to meet British actor Peter Ustinov for an interview. Riots soon break out in New Delhi and nearly 2,000 Sikhs are killed.
October 30
1945—Robinson Signs with Dodgers
Jackie Robinson, who had been playing with the Negro League team the Kansas City Monarchs, signs a contract with the Brooklyn Dodgers to become the first African-American major leaguer of the modern baseball era.
1961—Soviets Detonate Super Nuke
The Soviet Union detonates an experimental nuclear weapon called Tsar Bomba over the Arctic Circle, which, with a yield of 100 megatons of TNT, was then and remains today the most powerful weapon ever used by humanity.

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