Howell Dodd shows his political side.
Here's something unusual. This is a piece by legendary men's magazine and paperback illustrator Howell Dodd, obviously political in nature, titled “Danse Macabre” and commenting on Francoista fascism in post civil war Spain. Francisco Franco, like other former European dictators, continues to loom large over the country he ruled. Laws were only recently passed that might allow for his body to be exhumed from the massive mausoleum he had built for himself, for finally making a census of the estimated 500,000 victims of the Spanish Civil War, for investigations into the fates of tens of thousands who disappeared under fascist rule, and to find out what happened to 300,000 children who between 1939 and 1975 were stolen from their parents and adopted by—i.e. sold to—well-connected families. Some of those children even ended up with childless couples in the U.S. and Latin America. So it was quite a danse indeed. We aren't sure how much Dodd was aware of when he painted this item, but the visual is encompassing regardless. You see a couple of close-ups of the piece below, and you can see Dodd in completely different mode here and here.
The fundamental things apply as time goes by.
Yes, we're back to Casablanca. Above you see a Spanish poster for this award winning war drama, which premiered in Madrid yesterday in 1946. The movie was a smash hit everywhere because, simply put, it dealt with every important theme in the realm of human experience, which is why it's still fundamental viewing. And that would be true even if most of the characters weren't migrants—a type of person that's very prominent in the news these days.
The poster art is signed MCP, the designation applied to work produced by the Barcelona based design company owned by artists Ramón Martí, Josep Clavé, and Hernán Pico. We'll get back to this trio's output a bitlater. Casablanca generated some very nice promos, and MCP's effort is one of the best, in our opinion. We also recommend checking out the Japanese ones here.
More hapless northerners go to the tropics and end up as cannibaled goods.
Spanish schlockmeister general Jesús Franco made movies cheaply, and Jungfrau unter Kannibalen, aka Devil Hunter, is bargain basement all the way. Even the poster looks like some stoned high school goth painted it during art class. We especially love the obvious theft of Raquel Welch from One Million Years B.C. for the female figure. If this hypothetical goth ever unveiled his painting to his art teacher, she'd have gone, “That's, uh, very... interesting,” while secretly wondering what sort of psychological damage was behind such a creation. That's the way we feel about Jungfrau unter Kannibalen. It's, uh, interesting...
It premiered in West Germany today in 1980, stars beautiful Ursula Buchfellner, billed as Uschi Fellner, and was directed by Franco under the pseudonym Clifford Brown. We figured if he didn't take credit for this it must be really bad and we were right. Buchfellner, who we last saw in Linda, this time around plays a model kidnapped by Amazon maneaters that plan to sacrifice her to their devil god. The German title translated would be “virgin among cannibals,” and that pretty much covers it, plotwise. She gets stripped early and stays mostly naked, along with cannibal chief and swinging dick Claude Boisson. Other cast members disrobe as needed.
Naturally there's a rescue attempt, we guess because virginal blonde models are as valuable as Amazon gold, and apparently just as worth killing over. The expedition is led by Al Cliver, who found himself in an amazingly high number of very bad movies during the 1970s. But you have to respect a guy who had love scenes with Sabrina Siani, Silvia Dionisio, and Annie Belle. Toting future Playboy centerfold Buchfellner around the jungle while she was stark naked may have been his crowning achievement. He probably plays those scenes to his grandkids. Let him be an example to us that we should find pleasure wherever we can in this flick. And for that matter, in life, because you never know when you'll be eaten.
I love being worshipped! There's literally no downside to it!
I hate being worshipped. There's a serious downside to it.
Don't tell anyone, but our so-called ceremonial ointment is really just Shunga strawberry flavored massage oil.
Grr! Argh! Gr— Oh, it's useless, Jesús. How am I supposed to ravage Ursula when I can't even see her?
I have an idea. Follow my voice, Claude. Here's a classic German yodel I learned. Yodel-lay-de-li-di-lo! Yodel-lay-de-yodel-ooo!
Stop that before I really kill you. And what smells like strawberries?
*lick* Wow, Ursula, do all Germans taste this fruity? *slurp*
Need help up? Pull on this.
No, seriously. Just reach up here and take hold.
Screw you then, you ungrateful..!
They're barely legal but fully dangerous.
The promo poster for Teenage Doll is iconic, at least in our opinion. Has ever a lightbulb looked so sizzlingly ominous? The film, which has an amazing opening credit sequence, deals with a girl gang called the Black Widows who lose a member to a killer and vow to exact revenge on the perpetrator, a square named Barbara who had the misfortune to leave identifying evidence behind. The killing was actually an accident but the Widows don't know that and doubtless wouldn't care. They're going to hunt down Barbara—who's played by June Kenney—wherever she runs. She doesn't run far—just to her parents' house to steal a gun, even as the Widows lay their hands on a firearm of their own. There's gonna be a showdown.
IMDB.com calls Teenage Doll a film noir but it isn't. That website really needs to clean up its act—the internet was supposed to increase knowledge, not mangle it. This movie is a juvenile delinquent flick, directed by b-movie legend Roger Corman, and it's one of a truckload of girl gang pictures that came out during the late 1950s. All the action takes place at night, but to paraphrase what we wrote just a couple of weeks ago, night falls in all kinds of movies, including comedies and pornos, but that doesn't make them film noir. The best place online to find proper film categories is at the American Film Institute website, and there Teenage Doll is classified correctly—as a drama.
In fact, it even verges on melodrama, the way it drips with tragedy. But its primary characteristic is that it's amazingly earnest and in so being transforms via cinematic alchemy from cheap celluloid into pure comedy gold. This one has it all—longsuffering parents, hypergrim cops, obnoxious gang boys, psychopathic lackeys, and most importantly Fay Spain, who as the top gang girl Helen chews the scenery with thirty-six teeth and even claws it with ten fingernails. We know adults normally have thirty-two teeth, but Spain has extras to help her get through plywood and nails. Ultimately, we learn that the entire murder snafu is, at its root, a man's fault, which is the only part of the movie that's realistic. We recommend this one highly—or lowly. It premiered today in 1957.
Voltage schmoltage. I failed English. And science.
You know, Vandalettes has a sort of girl-group ring to it. Can anybody sing?
Huh? What do you mean you tipped him enough earlier to cover our whole stay?
David Dodge was a very deft writer. When he died in 1974 The Last Match hadn't been published, but Hard Case Crime put it out in 2006, and it falls into the same category as his To Catch a Thief, as well as jet-set grifter novels by other authors. For us this was tremendously entertaining. Dodge takes his protagonist to Spain, southern France, Tangier, Central America, Brazil, and other exotic locales, weaving in foreign vocabulary and mixing it all up to reflect his character's life as an international rolling stone. Like when he explains offhand that the Brazilian soft drink guaraná is fizzy like a Portuguese vinho verde, but sweet, and perfect for mixing with cachaça. Little things like that give the tale great flavor. And the story of an inveterate con man knocking about from country to country while stalked by a smitten aristocratic beauty (who he refers to as Nemesis) has plenty of amusements. Some say it's not Dodge at his best because it has no plot, but stories only need to entertain. Dodge, like his main character, is remembering the highlights of his life and mixing in a portion of male-oriented fantasy. We'll admit to having a weakness for the tale because we've been to most of the places mentioned, had high times drinking guaraná mixed with cachaça, and met more than one charming hustler or beauty who arrived from parts unknown to send the town reeling. But as objectively as we can manage to assess, we think The Last Match is good, lighthearted fun. Highly recommended.
Sometimes the end of the line can be a new beginning.
Check out this beautiful Mexican promo poster for the melodrama El tren expreso. It can be difficult sometimes to determine provenance for Spanish language items, but we know this piece is Mexican because it says Filmex, S.A. at upper left, telling us it was printed for Mexico's Cinematográfica Filmex. But the movie was originally shot in Europe with mainly Spanish participation, including from director León Klimovsky, who was Argentinian but after 1950 emigrated to and worked mostly in Spain.
We watched the movie and it deals with a burned out concert pianist who takes a sabbatical and while on a train journey stops an unhappy widow from leaping to her death. These two broken souls travel together and fall in love, but matters of the heart are never simple in cinema. If you want to see the movie you can watch it at this link, but keep in mind we described it as a melodrama advisedly. Also you'll need to understand Spanish.
Anyway we're mainly interested in the poster, which is amazing, but uncredited. We hit the internet for info and drew blanks for days. We eventually learned it's part of a collection at the Boston Museum of Fine Arts, but it was listed as by an unknown artist there too. So that settles it, pretty much, if professional art curators have no information. The world may never know who painted this masterpiece. El tren expreso premiered in Spain today in 1955.
Loneliness isn't always as bad as it sounds.
Soledad Miranda has one of the more interesting cinematic names you'll run across. Her first name is Spanish for “loneliness,” and her last is Latin for “worthy of admiration.” Because she was so worthy of admiration we doubt she was ever lonely for long. Her real name was Soledad Bueno, and that's rather nice too, if even more unlikely sounding. As Miranda, and sometimes as Susan Korda or Susan Korday, she appeared in more than thirty movies but became one of filmdom's tragic young figures when she was killed in an auto accident in 1970 at the age of twenty-seven. The above image is from that year.
On this next verse I'll dip you, then we'll finish with a spin. This is a lot better than shooting at each other, right?
Circo en el oeste by Fel Marty is another book from the stash we uncovered while traveling a couple a weeks ago. To recap, we found a pile of adventure fiction in a house that had been empty for years and was being shown to us by a real estate agent. The first example we shared was from the Spanish publishing company Crucero. Today's is from the South American imprint Andina, but it was also sold in Spain. The uncredited cover art shows two cowboys trying to solve their problems non-violently. If more of us did this the world would be a better place.
Fatal confrontation leaves world a sadder place.
Here's a colorful little something from our house hunting raid last week, a pocket paperback entitled Diablo Rubio, or “blonde devil,” written by Jim Bravo for Madrid based Publicaciones Crucero. The narrative is set in Arizona and concerns a famed gunman and the rivals that dog his heels. We haven't actually read it yet. We can read Spanish but we're too lazy to do it right now, even though we're dying to know why the clown got shot. Ever been to a rodeo? Cowboys and clowns are natural allies, so there must be a complex story behind this tragedy. The art is uncredited, of course, but seems to be signed “M Leal” or “N Leal.” We get no hits on either name. Nor do we get hits on writer Jim Bravo, an obvious pseudonym. But we'll dig, and if we find anything we'll report back.
We're here for the West Side Story audition. And you better understand this right now—we intend to nail it.
We've talked before about the amazing Harlan Ellison. We came to know him as an unparalleled sci-fi writer, but later discovered he was also a juvenile delinquency author. These gang stories were obscure curiosities for us, but through running Pulp Intl. we've since learned that Ellison's juvie fiction is a much discussed and much collected part of his output. Above you see the rare 1958 Pyramid Books edition of his first novel Rumble, later published as Web of the City, with an amazing cover by Spanish artist Rudy De Reyna. Consider this an Ellison trial run that made it into the light of day. Anyone familiar with him knows this will be a strange and violent tale, but the craftsman who gave the world stories like “All the Birds Come Home To Roost” is not yet in evidence. Plotwise, the protagonist Rusty is leader of a street gang and wants out while he's still young enough to make something of his life. Quitting is a savage and harrowing ordeal. Staying out is impossible thanks to his little sister, whose involvement with the gang pulls Rusty back into the life. Ellison is a guy who once claimed he never revised his work. That isn't true because Rumble was cut down and cleaned up by him, and became Web of the City. Everyone says the revised version is much better. Without having read it, we suspect they're right.
The headlines that mattered yesteryear.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
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