A step by step guide to being a total badass.
This incredibly cool collectible poster was made to promote Wakai kizoku-tachi: 13-kaidan no Maki, aka 13 Steps of Maki: The Young Aristocrats, which is more girl gang goodness from the schlockmeisters at Toei Company. Etsuko Shihomi (sometimes spelled Shiomi) plays Maki of the 13 Steps, leader of the Stray Cats, a group of very tough, martial arts trained femi-delinquents. Maki and the gang bury an arrogant one percenter up to her neck on a beach in retaliation for a traffic related insult, which is all good fun, but the victim is Takako, daughter of the powerful, yakuza connected owner of Ebihara Tourism. Once she digs herself out of the sand she retaliates. This in turn brings re-retaliation from the Cats, which brings re-re-retaliation from Takako, and pretty soon things are well out of control.
The movie is based on an Ikki Kajiwara/Masaaki Satô comic, and director Makoto Naitô uses some amazing comic book style, multi-character framing, as seen in our screen grabs below. This is top notch work from Toei's pinky violence line, about as fun as a Japanese actioner gets. And in supporting roles you'll encounter Sonny Chiba, Meika Seri, and Yûko Kanô. Watching movies like this almost makes up for all the Nikkatsu roman porno misfires we slog through. Almost. Etsuko Shihomi is considered a bit of a film icon in Asia because her martial arts skills were real, and she appeared in so many movies. We have numerous posters of hers to share later and they're even more amazing than this one. Wakai kizoku-tachi: 13-kaidan no Maki premiered in Japan today in 1975.
Step one is here, on the bottom of my platform boot. Have a close look.
Step two is don't put your face where people tell you. We'll get to step three after you heal.
Time lapse at the local bar: 11pm to closing time.
You could try this attention getting move next time you go out to your favorite watering hole, but we don't recommend it for amateurs. Japanese actress Chiba Kobayashi was a pro. In fact, she was a porn actress, one of Japan's early AV stars. It's difficult to unearth more online about her beyond what we just shared, because though her pseudonym is unusual, its two components are among the most common names in Japan. The mystery just adds to her allure. These photos are from 1972.
The outer part is nice and sweet but underneath is an unappetizing surprise.
Above, a promo image of Japanese actress Keiko Tatibana, aka Keiko Tachibana, who appeared in such films as Bôryoku Gonin Musume, aka Five Violent Girls, and Kyôretsu na jôji, aka Dazzling Affairs. In this photo we like to imagine a westerner asking her what she wears under her obi, and her pulling the gun and answering, “Anything I want, gaijin.” This is from 1967.
There's a thin line between love and hate.
Above is a poster we're reasonably sure you won't see anywhere else. It was made to promote a movie called 愛憎のからみ. The film never had a western release, but if it had it would have been called something like A Love Hate Relationship. It was from Aoi Film, another company that delved into softcore pink cinema during the 1960s and 1970s, and this one was directed by Taskashi Chiba and starred Yuri Izumi, who during a career encompassing dozens of screen credits would go on to become one of Japan's bondage queens. This is obviously a pretty obscure movie, since we can't come up with its rōmaji or romanized title. We also can't pinpoint its exact premiere date. But we know it appeared sometime this month in 1972. Below we've included some detail from the poster, and just for the fun of it we also have one of Izumi's many provocative bondage shots.
The situation is becoming Seri-ous.
Continuing with our recent theme, we've done a deep search on our site and found every instance where we said we'd get back to a subject later. We can't fulfill all those promises, but we're shortening the list again today. After sharing a couple of promos of an underwear clad Meika Seri from a 1974 photo session, we said we'd reveal whether the Secret Chronicle actress shed any more clothing. Above is your answer. She shed all her clothing.
Etsuko Shihomi in hot pursuit.
Above, an alternate promo for the Japanese actioner Karei-naru tsuiseki, aka The Great Chase, released today in 1975. This was surprisingly good. See the other poster and read about the movie here.
You're right. They do look like ladybugs. I guess that means you're gonna get lucky.
Above you see the cover of Illicit Desires from Quarter Books, 1949, by H.M. Appel, aka Archibald Bittner, with art by the famed George Gross. Some sources say this book was originally published as The Farmer's Daughter, but others say that was the original title of Appel's Brutal Kisses. Were both novels alternatively titled The Farmer's Daughter? Could be. There were plenty of precocious farmer's daughters in mid-century fiction.
If anybody can recover the ancestral farm it's Mari.
Zoku Imokinchaku*, for which you see the poster above and which premiered in Japan today in 1970, was the sequel to the previous year's Imokinchaku, but shot in color. Atsumi plays a high school girl named Hamako who tries to save enough money to buy her family's ancestral land. Her plan to obtain it through work seems sound enough, but trouble in finances and love, including the theft of her money and a doomed infatuation with a dreamboat who happens to be gay, present serious obstacles. Of course, if the previous film taught Mari anything it was to persevere, and she makes forays into nude modeling and singing in efforts to cobble together a sufficiently large nest egg to buy the land. Do any of these schemes actually work? You'll have to add this one to your queue if you want to find out.
On a related note, we learned that Daiei Co. released an Atsumi record in conjunction with this film, and that it also engineered the publication of a photo book. Cross promotion of pinku films was a common tactic back then. In fact, many stars performed live in cinemas between double features, either singing, dancing, or reenacting bits from the films. Japanese law was strict about nudity onscreen, but we've been told these live performances sometimes featured full nudity, which is interesting to contemplate. Atsumi made a lot of public appearances. Below, for example, she's in Shimizu Park in Chiba, where a gaggle of photographers shot pictures of her in her undies. We have images from another Atsumi public appearance we'll share later.
*We can't find a romanized title for this film anywhere, but Zoku Imokinchaku is probably right. It's at least close. If anyone wants to correct us feel free. The official title is 続・いそぎんちゃく.
Take off your coat. Stay a while.
If the Siri voice application for iPad is ever given a visual form, we vote for this one. The two panels above show lovely Japanese actress Sayaka Seri, aka Meika Seri, who made her debut in 1973 with Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale: Inquisition and Torture, but became well known for the Nikkatsu hit (Maruhi) shikijô mesu ichiba, aka Secret Chronicle: She Beast Market, which was released in 1974. These photos date from that year. You may be wondering if Seri keeps disrobing in subsequent shots. Actually, she does, and if you're really good maybe we'll show you those a bit later.
Oshida and Co. may have been to reform school but once a boss always a boss.
First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.
But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.
Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.
The headlines that mattered yesteryear.
1931—Nevada Approves Gambling
In the U.S., the state of Nevada passes a resolution allowing for legalized gambling. Unregulated gambling had been commonplace in the early Nevada mining towns, but was outlawed in 1909 as part of a nationwide anti-gaming crusade. The leading proponents of re-legalization expected that gambling would be a short term fix until the state's economic base widened to include less cyclical industries. However, gaming proved over time to be one of the least cyclical industries ever conceived.
1941—Tuskegee Airmen Take Flight
During World War II, the 99th Pursuit Squadron, aka the Tuskegee Airmen, is activated. The group is the first all-black unit of the Army Air Corp, and serves with distinction in Africa, Italy, Germany and other areas. In March 2007 the surviving airmen and the widows of those who had died received Congressional Gold Medals for their service.
1906—First Airplane Flight in Europe
Romanian designer Traian Vuia flies twelve meters outside Paris in a self-propelled airplane, taking off without the aid of tractors or cables, and thus becomes the first person to fly a self-propelled, heavier-than-air aircraft. Because his craft was not a glider, and did not need to be pulled, catapulted or otherwise assisted, it is considered by some historians to be the first true airplane.
1965—Leonov Walks in Space
Soviet cosmonaut Aleksei Leonov leaves his spacecraft the Voskhod 2 for twelve minutes. At the end of that time Leonov's spacesuit had inflated in the vacuum of space to the point where he could not re-enter Voskhod's airlock. He opened a valve to allow some of the suit's pressure to bleed off, was barely able to get back inside the capsule, and in so doing became the first person to complete a spacewalk.
1966—Missing Nuke Found
Off the coast of Spain in the Mediterranean, the deep submergence vehicle Alvin locates a missing American hydrogen bomb. The 1.45-megaton nuke had been lost by the U.S. Air Force during a midair accident over Palomares, Spain. It was found resting in nearly three-thousand feet of water and was raised intact on 7 April.
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