A step by step guide to being a total badass.
This incredibly cool collectible poster was made to promote Wakai kizoku-tachi: 13-kaidan no Maki, aka 13 Steps of Maki: The Young Aristocrats, which is more girl gang goodness from the schlockmeisters at Toei Company. Etsuko Shihomi (sometimes spelled Shiomi) plays Maki of the 13 Steps, leader of the Stray Cats, a group of very tough, martial arts trained femi-delinquents. Maki and the gang bury an arrogant one percenter up to her neck on a beach in retaliation for a traffic related insult, which is all good fun, but the victim is Takako, daughter of the powerful, yakuza connected owner of Ebihara Tourism. Once she digs herself out of the sand she retaliates. This in turn brings re-retaliation from the Cats, which brings re-re-retaliation from Takako, and pretty soon things are well out of control.
The movie is based on an Ikki Kajiwara/Masaaki Satô comic, and director Makoto Naitô uses some amazing comic book style, multi-character framing, as seen in our screen grabs below. This is top notch work from Toei's pinky violence line, about as fun as a Japanese actioner gets. And in supporting roles you'll encounter Sonny Chiba, Meika Seri, and Yûko Kanô. Watching movies like this almost makes up for all the Nikkatsu roman porno misfires we slog through. Almost. Etsuko Shihomi is considered a bit of a film icon in Asia because her martial arts skills were real, and she appeared in so many movies. We have numerous posters of hers to share later and they're even more amazing than this one. Wakai kizoku-tachi: 13-kaidan no Maki premiered in Japan today in 1975.
Step one is here, on the bottom of my platform boot. Have a close look.
Step two is don't put your face where people tell you. We'll get to step three after you heal.
Kanô and company are still Crazy after all these years.
Today's deep dive into the pinku pile has produced this two panel promo for Sukeban: Tamatsuki asobi, aka Girl Boss: Crazy Ball Game, which starred Yûko Kanô and premiered today in 1974. Not every pinku movie had these types of posters but we've acquired quite a few. We'd upload others, but we don't know what films some of them are for. We'll get around to sharing them anyway, though.
Looking below, you'll see we've grabbed some promo photos. These came from an online auction. The last panel shows Yûko Kanô's co-stars Ritsuko Fujiyama, Emi Jô, Harumi Tajima, Rie Saotome, and Ryôko Ema having some wild and watery fun. Sukeban: Tamatsuki asobi has it all—violence, sex, violence, Yakuza, violence, and more. You can read a bit more about it at our write-up from some years ago, located at this link.
When Meiko comes 'round trouble is sure to follow.
We're in Japan again today with another Meiko Kaji poster. Above you see an incredibly rare circular promo for the pinku film Joshû sasori: Dai-41 zakkyo-bô, aka Female Prisoner Scorpion: Jailhouse 41, along with the standard promo. It premiered in Japan today in 1972. Meiko's paid her debt to society for now, so we'll let her go, but don't worry. She's a career criminal—she'll be back.
Maximum security, maximum thrills.
Japanese manga artist Toru Shinohara painted two posters for Meiko Kaji's classic Female Convict series. We shared the first, for Joshuu sasori: Dai-41 zakkyo-bô, aka Female Convict Scorpion: Jailhouse 41, back in 2014. Here's the second, for Joshû sasori: 701-gô urami-bushi, aka Female Prisoner Scorpion: #701's Grudge Song. It premiered in Japan today in 1973. We'll get back to Shinohara a bit later.
We're gambling that you'll like this poster.
Some of our proudest shares on this website have been the rare posters we've shown you for Hijirimen bakuto, aka, Hidirimen bakuto, aka Red Silk Gambler. All of those amazing promos have now proliferated online and you'll often see them used whenever someone writes about the movie. Well, we have one more to add to the mix, which is the tateken sized promo featuring all the main cast members—Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, Sanae Tsuchida, Reiichi Hatanaka, and Reiko Ike. This should pretty much cover it for this film. Click here and scroll to see the entire collection. Hijirimen bakuto premiered in Japan today in 1972.
Reiko Ike leaves everyone's tongues tied in nots.
Yes, we just shared a rare calendar page of pinku legend Reiko Ike, but what are you gonna do when she stars in photos like this one? We can't not post it. That's a double negative, we know, but some thoughts can only be expressed that way. We can't not not share this photo, because that would be immoral. Is that even right? Not the immoral part. The not part. If you decide you're not not not not going to do something, that means you're going to do it, right? Or maybe you can only successfully use a single double negative, and all the extra nots can only be used as emphasis rather than meaning, like saying you're never never never never going to do something, in which case that would mean you're not going to do it. Tricky questions. We could avoid them by using a single positive, but that would lack the exactness of the double negative. We will post it lacks the punch of we can't not post it. The meaning is similar, but the double negative removes our control over the decision, which is useful when the Pulp Intl. girlfriends look at the site. Baby, we couldn't not post it. So the double negative is better than the single positive and there's no such thing as a double positive. Well, maybe that's not strictly true. For instance, we're double positive about posting this photo. And gramatically speaking, people do say yes yes under certain circumstances, but those circumstances shouldn't occur while looking at naked photos on a computer. If that happens, we can only suggest that it's time to ask someone on a date.
Seems like she gets tougher to work for every year.
The internet is all about change. When we first wrote about Miki Sugimoto’s 1973 pinku flick Sukeban–Kankain Dasso, aka Girl Boss: Escape from Reform School, we shared a rare tateken sized promo poster and mentioned that it was the first of its kind to appear online, while the standard sized promo could be found anywhere. Six years later it's the tateken poster that's everywhere online, while good scans of the standard promo seem to have disappeared. So here's a good scan of the standard promo. Sukeban–Kankain Dasso premiered in Japan today in 1973.
You have the right to remain dead.
We already showed you a rare hand-painted poster for the pinky violence actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs. Today we're showing you the tateken poster, which is rare too, so much so that this may be the best scan you'll of it see online. The kind of washed out look is part of the design. If you haven't seen the movie, it's about a vigilante cop played by Miki Sugimoto who is released from prison by a government agency in order to take down the kidnappers of a powerful politician's daughter.
Like most pinku movies, there's some sexual violence, and many reviewers excoriate this admittedly overused plot device. We don't claim those reviewers are wrong, but it should be noted that rape in pinku is often symbolic, serving both to advance the immediate plot and implant a deeper message. In this case the main perpetrator in the sexual assault of a young Japanese woman is wearing U.S. Navy coveralls. The depth of negative feeling about the U.S. occupation of Japan is made clear. All that said, the constant use of sexual assault in Japanese film—if it was ever artistically justified at all—definitely jumped the shark with the arrival of Nikkatsu Studios' roman porno offerings. We've talked about that before.
One interesting part of assessing vintage art is that at the time it was created the artists often thought they were making a certain statement, but decades later their art is perceived as sending the exact opposite message. Such is the case with pinky violence movies, in which maverick male filmmakers—in this case Yukio Noda—showed Japanese women taking on and usually destroying an entrenched male power structure, but only after being driven to it through degradation and violence. Which in screen terms meant rape. Were there other ways to show women driven to the point where they would kill? No doubt, but in patriarchal 1970s Japan the shock of these films was not how women were driven to kill men, but that they did—and often got away with it.
Miki Sugimoto deals with with some very bad men in Zero Woman, but her focus never wavers. She's to rescue the kidnapped daughter and dispose of the abductors in such a way that no news coverage or police investigation points back toward the father. Wrapped in a crimson raincoat she dispatches villain after villain, but learns that not even the presumed good guys are redeemable—not the politician, not the cops, nobody. It's grim, cynical, nihilistic stuff—and a classic of the genre. Zeroka no onna: Akai wappa opened in Japan today in 1974.
When you gamble with her you're gambling with your life.
Hibotan bakuto: oryû sanjô, which in English was called Red Peony Gambler: Oryu's Return, is the sixth of eight films in the Red Peony Gambler series. Uploading its special round promo poster in one piece makes it kind of small, so we've also broken it into two pieces so you can pull them off the page and paste them together if you're inclined. It's an incredibly rare piece, so credit would be appreciated. The movie premiered today in 1970, and stars Junko Fuji, a prolific actress who made more than ninety films during a busy run between 1963 and 1972, and another dozen or so after that.
The plot here involves a greedy yakuza cartel and the downtrodden farmers who oppose the imposition of a new tax. The farmers are basically planning to strike in protest, which angers the yakuza because they stand to loose profits with the yearly village festival approaching. Drastic measures seem to be the only solution, but Junko stands in the way with guile, guts, gambling skill, and gunplay. And as a fallback position she's good with fists and sword. Hibotan bakuto: oryû sanjô isn't quite top tier pinky violence, but it's beautifully shot, the blood flies high and far, and ultimately the film is a winner.
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