The cat is definitely out of the bag.
This cool poster is for the Japanese roman porno flick Bakeneko Toruko furo, aka A Haunted Turkish Bathhouse, a movie you should think of as an off-the-program addition to the website today, as it is not playing at Noir City. Obviously, the poster reveals that this is a ghost cat movie, and the title does too—a bakeneko is a cat that has changed into a yōkai, or supernatural creature. They made plenty of these ghost cat flicks in Japan, including Kaidan nobori ryu, aka Black Cat’s Revenge, which we talked about a while back.
This one stars Naomi Tani, Misa Ohara, Yumiko Tatsuno, and the luscious Terumi Azuma. Tani is whipped to death, no thanks to her husband, and comes back to haunt her killers as an avenging cat spirit. If you're a cat person, you might be thinking you'd love this. But the thing about these movies is the cats are basically just thrown into shots from off camera by production assistants, or sometimes suspended from wires, and there's no doubt their treatment was not very kind. It's good they have nine lives, because to us it looks like they need all of them to get through these movie shoots.
Below you see two more posters for the same film, alternate versions that are completely different from the one above. All three pieces are visible around the internet, but the red ones have never before been shared at this size or clarity. Watch the movie if you can. You'll find it interesting, especially the bathhouse elements (hint, hint). Whether you can watch it or not, please be kind to cats—they're a little evil in normal form anyway, but as bakeneko they're just plain lethal. Bakeneko Toruko furo premiered in Japan today in 1975.
Yumi Yumi Yumi puts her knife in your tummy.
A couple a years ago we wrote briefly about and shared a poster for the Yumi Takigawa headlined pinku flick Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701. Above is another poster from the film, actually the standard poster, as opposed to the bo-ekibari, or horizontal two-piece we showed you before. It's a great image, as is the very Yumi shot of Takigawa below. See the other poster here.
Oshida and Co. may have been to reform school but once a boss always a boss.
First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.
But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.
Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.
Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Some people just can't keep out of trouble.
We already showed you a poster for Reiko Oshida's 1971 pinku actioner Zubekô banchô: zange no neuchi mo nai, aka Delinquent Girl Boss: Worthless To Confess. She returns above on two rare alternate promos. Those inclined can visit our earlier write-up on the movie here.
There isn't much chasing in The Great Chase but the movie is definitely great.
Norifumi Suzuki's Karei-naru tsuiseki, aka The Great Chase is fast, funny, and bizarre entertainment. Etsuko Shihomi plays a Formula 1 driver who also works for the Japanese secret service, in this case taking down an international drug syndicate. Shihomi was already a star in Japanese cinema from her supporting roles in Sonny Chiba's Streetfighter and its spin-offs. Karei-naru tsuiseki sees her honing her solo chops—literally, as she karates the shit out of dozens of guys. But you get so much more than fistfights here—you get Shihomi in disguises, a corpse filled with cocaine, a girl in armor being force fed a banana, a nun brawl in a church, a mob boss dressed as a bear, a fight on what has to be the world's highest cable car, and more. Pure cheese, but of the most flavorful sort, and with a top notch promo poster featuring Shihomi in a discolicious polka dot two-piece. We have posters for five other Shihomi actioners and she looks badass on all of them. We'll share those in the future. Karei-naru tsuiseki premiered today in 1975.
Liars and tigers and bloodspray—oh mai!
Beautiful and very rare, the two posters above were made to promote Toei Company’s Urufu gai: Moero ôkami-otoko, aka Wolfguy: Enraged Lycanthrope, a rollicking thriller that premiered in Japan today in 1975 and starred Shin’ichi Chiba, better known in the West as Sonny Chiba. Based on a manga series by Kazumasa Hirai, the movie involves a vicious invisible tiger that’s killing the members of a Tokyo rock band who gang-raped a woman named Miki and infected her with syphilis because a powerful politician wanted her relationship with his son sabotaged. The tiger is the manifestation of Miki’s curse. You may be saying to yourself, “But none of that has anything to do with lycanthropy.” You’d be right, but there is in fact lycanthropy here—Chiba the tough reporter is a werewolf. He can’t yet harness his power, but try telling that to J-CIA, a secret organization that will stop at nothing until they obtain Chiba’s vital fluids and create human-wolf hybrids. Hero and heroine’s paths and genitals eventually cross, and from this union Chiba realizes how to control his wolfly abilities. But there’s more, oh so much more, to this film. Urufu gai: Moero ôkami-otoko is gory good fun, low budget, but well worth a viewing thanks to Nami Etsuko as Miki and, of course, the legendary Chiba. Good luck tracking down a copy. Ours was a cable television rip with all the crazy Japanese commercials intact.
Hello Pulp International readers! I'm Commercial Girl. The Pulp guys have asked me to introduce five screenshots from Urufu gai: Moero ôkami-otoko. Please enjoy and have a wonderful Tuesday!
The enraged lycanthrope acquits himself admirably in a fight as none other than Steve McQueen the King of Cool looks on with studied approval.
Some girls don’t like wolf blood so when you find one who digs it this much she’s a keeper. Napkins? Nonsense! This blood is finger licking good.
Wild thing you make my heart sing… and squirt like a lawn sprinkler. It’s just give give give with this girl.
Hey, douche nozzles, why the fuck did I hire you? Look at my mouth. That thing hanging there? That's called a cigarette. What does it need? Here’s a hint—why does it emphysema like you never fuckin' listen?
Shhh…I can hear her spirit speaking to me through her portrait. She says KFC bucket meals are 30% off for a limited time only. Um, Wolfguy, you turned off the tv in the other room, right?
Hi! Commercial Girl here again. The Pulp guys say Tuesday sucks especially hard. Even more so when your fantasy baseball team goes 2 for 39 and you lose seventeen points! So here’s one more screenshot because you need extra cheering up! All of us in Kiss want every one of you out there to remember to rock 'n' roll all night and party EVERY DAY! Geishas RULE! Sushi and blow FOREVER! So long Tokyo! Or as you say here, Sayonara!
When two incendiary personalities meet the result is bound to be explosive.
The rare poster above was made to promote the Japanese pinku thriller Asu naki furaiha, aka Jeans Blues: No Future, and it's the only panel-length promo for the movie we've ever seen. Meiko Kaji plays Seiko, who robs the bar where she works. Tsunehiko Watase plays Jiro, who rips off the Yakuza. They crash their stolen getaway cars into each other and from that accidental meeting a partnership is formed and the two scam and rob their way across the countryside like Bonnie and Clyde.
Jiro is a bit more serious of a criminal than Seiko, and is in more severe trouble, but Seiko is loyal to a fault now that she's found a kindred spirit. She refuses to leave Jiro even though the Yakuza are destined to turn up—in Japanese movies you can't realistically hope to shake those guys. But even if doom is the final destination there's fun on the road to ruin—speed, adventure, laughs, a little barnyard nookie, and regularly spaced cop murders. Plus you get Kaji and with her you can't lose, even if she does. Watching this was time well spent. Asu naki furaiha premiered in Japan today in 1974.
Young dogs learn new tricks all by themselves.
More Japanese goodness, a poster for Nihiki no mesu inu, starring Mayuki Ogawa in the tale of a Turkey miss—basically a prostitute who services men in Turkish baths—whose plans to get rich in the stock market, open a beauty salon, and marry her sweetie are turned upside down by the arrival of her boyfriend-stealing half sister Mako Midori. The Association of Tokyo Film Journalists gave Midori a Burū Ribon Shō—a Blue Ribbon Award—for Best New Face in this role, her debut, and she went on to star in many popular films, including the bizarro psychodrama Môjû, aka Blind Beast, which we may discuss at a later date. Nihiki no mesu inu premiered in Japan today in 1964.
Azuma turns to banditry and heads roll.
Dokufu oden kubikiri asa is known in English by many titles—officially it's aka Poisonous Oden and Decapitator Asa or Samurai Executioner. But in our efforts to locate it we discovered it's known online also as Decapitation of an Evil Woman and Vamp and Samurai. Do we even need to tell you about this one, considering how much info is given away by the titles? A country girl played by Terumi Azuma goads a country boy into theivery and they and two partners quickly become notorious bandits hunted by the authorities. The story is derived from the real-life Oden Takahashi, who in 1879 became the last woman executed by decapitation in Japan. Despite this inspiration, much of the movie is played for laughs, with quite a bit of slapsticking, bungling, and yelling. Of course, it has to take a serious turn eventually, and indeed all four gang members soon become seasoned killers—just in time to start being whittled down by those annoyingly persistent authorities. We were surprised by the comedic tone saturating much of the film, but since Japanese audiences already knew the story of Oden Takahashi, maybe some foolishness was needed to keep them interested. We could have done without it, but the movie is still pretty good, and at sixty-one minutes you don't lose too much life to it. The poster above is exceedingly rare, never before seen online we're pretty sure. The one below is more common, but still very nice. Dokufu oden kubikiri asa premiered in Japan today in 1977.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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