Vintage Pulp Sep 22 2016
Oshida and Co. may have been to reform school but once a boss always a boss.

First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.

But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.

Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.


Sportswire Jun 27 2016
When worlds collide you want front row seats.

So, everything we write today, pretend we wrote it yesterday. Ready? We talked briefly about Muhammad Ali's proto-MMA experience a few weeks ago. We've been saving this item to share. It's an actual unused ticket stub for the Muhammad Ali-Antonio Inoki exhibition match at the Nippon Budokan arena today yesterday in 1976, exactly forty years forty years and one day ago. Oh yes. This is rare. At least we think it is, because we've never seen another one. We've uploaded it vertically below so you can get a good look at it by dragging it to your desktop and rotating it.


Sportswire Jun 7 2016
Ali invades Japan and helps invent MMA.

When Muhammad Ali died last week we remembered we had some rarities laying around, but it took a few days to find them. These are the items we were searching for—posters from Ali's June 1976 match at Tokyo's Nippon Budokan arena with Japanese wrestler Antonio Inoki. In what would now be called a mixed martial arts bout, Ali and Inoki fought to a draw, however this was not a freeform battle, but rather a tightly regulated exhibition match. Nevertheless, Ali's leg was so damaged from Inoki's repeated kicks that an infection set in and for a brief time the medical discussion turned to amputation. Today the Budokan match is considered by Ali fans an embarrassment in the boxer's storied career, but it was also an important precursor to MMA, a case study in how boxing and MMA are incompatible sports, and yet another example of Ali's trailblazing nature. He was the king and he will be missed. 


Intl. Notebook May 4 2016
It's a hard job but they make it look easy.

What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O'Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here. 


Vintage Pulp Mar 12 2016
Young dogs learn new tricks all by themselves.

More Japanese goodness, a poster for Nihiki no mesu inu, starring Mayuki Ogawa in the tale of a Turkey miss—basically a prostitute who services men in Turkish baths—whose plans to get rich in the stock market, open a beauty salon, and marry her sweetie are turned upside down by the arrival of her boyfriend-stealing half sister Mako Midori. The Association of Tokyo Film Journalists gave Midori a Burū Ribon Shō—a Blue Ribbon Award—for Best New Face in this role, her debut, and she went on to star in many popular films, including the bizarro psychodrama Môjû, aka Blind Beast, which we may discuss at a later date. Nihiki no mesu inu premiered in Japan today in 1964.


Vintage Pulp Feb 18 2016
When the sun goes down in the city.

Hotels, museums, and restaurants are all important aspects of travel, but what you really need to know is where to score hookers and cocaine, right? Or is that just us? Above, assorted covers from MacFadden-Bartell’s famed sleaze series After Dark, published late 1960s and early 1970s, and which purports to tell readers where and how vice can be found in different cities, as well as the unique variations that exist in each place. Don’t leave home without one. And a pack of condoms.


Vintage Pulp Feb 6 2016
Junko can’t come to the phone right now—she’s taking dictation.

OL nikki: Nureta satsutaba premiered in Japan today in 1974 and starred Aoi Nakajima as a woman named Junko who’s seduced by a banker involved in a scheme to embezzle 900 million yen. That’s like $350 in U.S. money. Just kidding—it’s actually a shade over a million dollars in 1974, we think. We gather that the inspiration for this film was an actual embezzlement scheme at Tokyo’s Shiga Bank. The “OL” of the title stands for “office lady,” and the entire title would translate roughly as “office lady diary: wet wad of money.” Hah hah. Wad. Um, this was the fourth entry in what was a very popular series, with seven made all together, though not all starring Nakajima. We have posters for other OL movies and we’ll get those up down the line, hopefully. 


Vintage Pulp Dec 3 2015
She can cause serious bodily harm with knives and swords.

Zubekô banchô: Tôkyô nagaremono, known in the English speaking world as Delinquent Girl Boss: Tokyo Drifters, was Reiko Oshida’s second spin in the Girl Boss series after Delinquent Girl Boss: Blossoming Night Dreams was a hit in cinemas less than three months earlier. Toei Company must have planned for a sequel all along, but a follow-up installment in fewer than 90 days? Not surprisingly, the final product feels a tad aimless—though on the plus side, nobody gets fucked by a German shepherd (yes, we’re still having problems with that). There are some funny bits in this movie, which is good, because when substance is lacking comedy is a perfect time-filler. You also get reform school hi-jinks, a stylish Oshida, and a final mass sword fight against the Yakuza—so what more do you need? Zubekô banchô: Tôkyô nagaremono premiered in Japan today in 1970.


Vintage Pulp Oct 20 2015
Hourly rates, always open, friendly service.

Poster for Tokyo Himitsu Hotel: Kemono no Tawamure, aka Hotel Tokyo: Beast Play, with Junko Miyashita and Naomi Oka. Hotel cum brothel serves as backdrop for standard roman porno exercise, which is to say, spiced with bdsm, but in this case with the addition of murder. Tokyo Himitsu Hotel: Kemono no Tawamure premiered in Japan today in 1976.


Vintage Pulp Jan 5 2015
Do I make you horny, baby?

Morbosità di una orientale, which would translate as something like “morbidity of an easterner,” was originally a 1977 Japanese film called Tokyo Chatterly fujin, and was released in English as Lady Chatterley in Tokyo. Katsuhiko Fujii helmed the production, and Izumi Shima starred, but every other name on these promos is a Western pseudonym for a Japanese performer. Ann Charlton, Janet Glythe, Price Williams, and King Byrbo never existed except as credits created for the art you see here, and are in reality Junko Miyashita, Kyoko Aoyama, Tatsuya Hamaguchi, and Minoru Okochi. What was the point of doing that? We don’t know. Japanese films had played in Italy before without being Westernized in this way, so it’s a mystery we presume we’ll never solve.

The film keeps to the themes—but not the plot—of D.H. Lawrence’s Lady Chatterley’s Lover. When a millionaire’s son is rendered impotent by an accident, his wife succumbs to the charms of the groundskeeper’s willy, the chauffeur’s stickshift, and the construction worker’s retractable ruler. We last saw the amazingly striking Izumi Shima being molested by an invisible man, and here her paramour punches through a windowpane and fondles her through the splintered glass. That’s horny. Not to be outdone, Shima humps a tree. That’s horny. Also, a stallion fucks a mare. Really. So every living creature in this film is incredibly horny. Did it make us horny? Hey, you think we typed this with our fingers? Think again.


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History Rewind
The headlines that mattered yesteryear.
October 26
1951—Churchill Becomes Prime Minster Again
The Conservative Party wins the British general election, making Winston Churchill prime minister for the second time. Churchill is nearly 76 at the time, making him the second oldest prime minister in history after William Gladstone. Churchill remains PM until 1955, when he steps down at 81 due to ill health.
1964—The Night Caller Is Executed
In Australia, Eric Edgar Cooke, who had earned the nickname Night Caller, is hanged after being convicted of murder. He had terrorized Perth for four years, committing 22 violent crimes, eight of which resulted in deaths. He becomes the last person to be executed in Western Australia.
October 25
1938—Archbishop Denounces Dance Music
The Archbishop of Dubuque, Francis J. L. Beckman, makes headlines in the U.S. when he attacks swing music as a degenerated musical system destined to gnaw away at the moral fiber of young people. His denouncement follows on the heels of the music being banned in Germany due to its African and Jewish origins.
1993—Vincent Price Dies
American actor Vincent Price, who had achieved the height of his fame acting in low budget horror movies, and became famous again as the macabre voice in Michael Jackson's song "Thriller," dies at age 82 of complications from emphysema and Pariknson's disease.
October 24
1929—Stock Market Crashes
Black Thursday, a catastrophic crash on the New York Stock Exchange, occurs when the value of stocks suddenly declines and continues to decline for a month. The event leads to a subsequent crash in world stock prices and precipitates the Great Depression. This after famous economist Irving Fisher had declared that stock prices had reached a permanently high plateau.

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