|Vintage Pulp||Feb 6 2016|
OL nikki: Nureta satsutaba premiered in Japan today in 1974 and starred Aoi Nakajima as a woman named Junko who’s seduced by a banker involved in a scheme to embezzle 900 million yen. That’s like $350 in U.S. money. Just kidding—it’s actually a shade over a million dollars in 1974, we think. We gather that the inspiration for this film was an actual embezzlement scheme at Tokyo’s Shiga Bank. The “OL” of the title stands for “office lady,” and the entire title would translate roughly as “office lady diary: wet wad of money.” Hah hah. Wad. Um, this was the fourth entry in what was a very popular series, with seven made all together, though not all starring Nakajima. We have posters for other OL movies and we’ll get those up down the line, hopefully.
|Vintage Pulp||Dec 3 2015|
Zubekô banchô: Tôkyô nagaremono, known in the English speaking world as Delinquent Girl Boss: Tokyo Drifters, was Reiko Oshida’s second spin in the Girl Boss series after Delinquent Girl Boss: Blossoming Night Dreams was a hit in cinemas less than three months earlier. Toei Company must have planned for a sequel all along, but a follow-up installment in fewer than 90 days? Not surprisingly, the final product feels a tad aimless—though on the plus side, nobody gets fucked by a German shepherd (yes, we’re still having problems with that). There are some funny bits in this movie, which is good, because when substance is lacking comedy is a perfect time-filler. You also get reform school hi-jinks, a stylish Oshida, and a final mass sword fight against the Yakuza—so what more do you need? Zubekô banchô: Tôkyô nagaremono premiered in Japan today in 1970.
|Vintage Pulp||Oct 20 2015|
Poster for Tokyo Himitsu Hotel: Kemono no Tawamure, aka Hotel Tokyo: Beast Play, with Junko Miyashita and Naomi Oka. Hotel cum brothel serves as backdrop for standard roman porno exercise, which is to say, spiced with bdsm, but in this case with the addition of murder. Tokyo Himitsu Hotel: Kemono no Tawamure premiered in Japan today in 1976.
|Vintage Pulp||Jan 5 2015|
Morbosità di una orientale, which would translate as something like “morbidity of an easterner,” was originally a 1977 Japanese film called Tokyo Chatterly fujin, and was released in English as Lady Chatterley in Tokyo. Katsuhiko Fujii helmed the production, and Izumi Shima starred, but every other name on these promos is a Western pseudonym for a Japanese performer. Ann Charlton, Janet Glythe, Price Williams, and King Byrbo never existed except as credits created for the art you see here, and are in reality Junko Miyashita, Kyoko Aoyama, Tatsuya Hamaguchi, and Minoru Okochi. What was the point of doing that? We don’t know. Japanese films had played in Italy before without being Westernized in this way, so it’s a mystery we presume we’ll never solve.
The film keeps to the themes—but not the plot—of D.H. Lawrence’s Lady Chatterley’s Lover. When a millionaire’s son is rendered impotent by an accident, his wife succumbs to the charms of the groundskeeper’s willy, the chauffeur’s stickshift, and the construction worker’s retractable ruler. We last saw the amazingly striking Izumi Shima being molested by an invisible man, and here her paramour punches through a windowpane and fondles her through the splintered glass. That’s horny. Not to be outdone, Shima humps a tree. That’s horny. Also, a stallion fucks a mare. Really. So every living in creature in this film is incredibly horny. Did it make us horny? Hey, you think we typed this with our fingers? Think again.
|Vintage Pulp||Dec 6 2014|
You know that we’re sticklers about sharing art on its premiere date. Just by coincidence we had two tabloids published today, which we’ve shared above, and we also have movie promo art. This all makes for a very naked day on Pulp Intl., but that’s the way it happens sometimes. We take no responsibility—this is the smut of previous generations, not ours, so blame your grandpa. Anyway, the above poster is for Toei Studios’ Tôkyô dîpu surôto fujin, aka Tokyo Deep Throat, aka Deep Throat in Tokyo. This is a non-pornographic film because, as we’ve mentioned many times before, such acts were illegal to show in Japan at the time, so what you have here is really a pinku or softcore flick with a lot of suggestive action—such as star Kumi Taguchi tonguing a mango, as seen on the poster art—but no actual sex.
The plot is similar to the real Deep Throat in that a woman has a clitoris in her throat. How did it get there? Well, her husband had her undergo implantation surgery after she refused to give him a hummer. We know. She won’t go down on him, but somehow he’s able to make her go under the knife. Whatever. After the surgery oral sex is equally pleasurable for both of them, though she seems to have lost her voice, and what happens is… zzzzzzzzz. Where were we? What time is it? Oh yes—plot. Taguchi can now orgasm by eating a banana—that’s not a euphemism, as she does exactly that twice—and there’s some mobster stuff and a murder that really isn’t. But none of it matters. Just know that with a disastrously crappy transfer from the original print, production values here are so low you’ll feel like you’re in a sleazy, mid-disco era Kabukicho wankhouse. Not that we’d know. Tôkyô dîpu surôto fujin premiered in Japan today in 1975.
|Modern Pulp||Nov 27 2014|
|Vintage Pulp||Oct 19 2014|
Above, an alternate promo for Yoru no saizensen: Tôkyô onna chizu, aka Secret Zone of Tokyo. This one is nice, but the previous version is one of the coolest Japanese posters we’ve seen.
|Vintage Pulp||Mar 7 2014|
Above, a Midnight from today 1966 with cover star Nobu McCarthy, wild, wicked and willing. Or so Midnight claims. Born Nobu Atsumi in Canada of Japanese extraction, McCarthy won the 1955 Miss Tokyo pageant, and later parlayed a chance Los Angeles encounter with a talent agent into a television and theater career dotted with film roles. As far as Midnight’s suggestion of availability goes, McCarthy was already married with children by 1966, and probably already too well-known to have to stoop to cheap publicity techniques on the covers of second rate tabloids. Which means we’re putting this quote entirely on the editors. After many years on screen and stage, McCarthy died of an aortal aneurysm while filming Gaijin—Ama-me Como Sou in 2002. Below is a still of her from her first credited film role in the 1958 Jerry Lewis comedy The Geisha Boy.
|Vintage Pulp||Jan 21 2013|
Above is a January 1978 cover for Australia’s Adam, a magazine you know well by now if you frequent this site. The art here illustrates Terry P. Duval’s story “The Final Run,” in which a hapless truck driver picks up what he thinks is a damsel in distress, but who soon shows she’s a pure femme fatale. Adam began in 1946, and this is the magazine near the end—it folded, looks like, in May 1978. Inside this issue you get the usual literary, artistic and photographic treats, including five pages of Patti Clifton shots, plus skiing Nazis, and a profile of the notorious but misunderstood Tokyo Rose, who we wrote about last year. Readers also get to visit a Dakhma, aka Tower of Silence, a Zoroastrian structure where dead bodies—considered in the religion to be unclean—are left to be sun baked and picked apart by scavenging birds, thus preventing putrefaction which would pollute the earth. Mmm. Fun! The author visits a tower near Yazd, Iran, and must have gotten there just before the government shut all such structures down permanently. Today, the only towers still used for ritual exposure are in India. So put those on your travel itinerary. And lastly, on the rear page, you get Paul Hogan in another ad for Winfield cigarettes. Forty-seven scans appear below.
|Vintage Pulp||Nov 12 2012|
Above is a poster for the Japanese sexploitation movie Tôkyô neon chitai: Josei jishin de go shidô itashimasu, aka Tokyo Neon Zone: Lesson to You, which is pretty much in the same vein as this movie for which we showed you a poster a few weeks ago. Tôkyô neon chitai starred Rina Nagisa, Mami Sakura and Ami Takashima, and was directed by Shoichi Ikeda. Nagisa made several other pinku/roman porno flicks, all of which seem to be fairly obscure today. That is to say, we haven't been able to track down a copy of any of them. However we do have another Nagisa poster we’ll show you later. Tôkyô neon chitai: Josei jishin de go shidô itashimasu premiered in Japan today in 1977.