|Vintage Pulp||Oct 4 2017|
|Vintage Pulp||Sep 14 2017|
A. B. Cunningham wrote more than twenty mysteries starring small town sheriff Jess Roden, with Death Haunts the Dark Lane coming fourteenth. An heiress is murdered and the sheriff has to sniff out the killer—literally making use of tracking dogs, which is why you see a hound in Robert Stanley's cover art. The series was popular at the time, but isn't that fondly remembered today. But this Dell mapback edition from 1948, like all the company's mapbacks, is highly collectible.
|Vintage Pulp||Jun 27 2017|
The Scarlet Slippers is a mystery starring Fox's recurring characters Johnny and Suzy Marshall. These two are downmarket Nick and Nora Charles copies, complete with a dog sidekick, which just goes to show that every good idea is borrowed by another writer eventually. The two are hired by L.A. lawyers to help in a trial, with the goal of proving their client's innocence. Fox was in reality a Dutch writer named Johannes Knipscheer, a name we plugged into the trusty translator to learn it means—ready for this?—“cut shave.” Appropriate—Suzy has an extra close shave herself when she falls into the clutches of a murderer. Don't worry, though. She survives to play the ditz in subsequent outings. Male authors, right? Give 'em a typewriter and they'll concoct a woman who's part candyfloss every time. 1952 copyright on this, with James Meese art on the front and a cool graphic on the rear.
|Vintage Pulp||Apr 5 2017|
“A lusty novel about Florida crackers,” the cover bluntly proclaims, but the crackers actually originate from Mississippi, which they've had to leave in disgrace after a preacher becomes the source of a scandal. In Florida he takes up his dubious ways while his son gets into woman trouble of his own. Author Charles H. Baker, Jr. wins extra points for his usage of the word “ho,” a tricky term, with so much encompassed by its single syllable, and which we've discussed in detail before.
Dell Publications pioneered the usage of mapbacks, which you probably know, but sometimes the company deviated from that tradition and this book is a very nice example. Just take a look at the amazing rear cover below. The front was painted by Victor Kalin, the back presumably by some under-appreciated in-house artist, and the whole shebang was published in 1951.
|Vintage Pulp||Mar 19 2017|
Our subhead is a little inside joke with the Pulp Intl. girlfriends. But not really that inside, because inside jokes can't be figured out by outsiders, whereas this is pretty straightforward—we always forget to take out the garbage. The look on the woman's face is perfect. We see it constantly. Cover artist Robert Stanley used this type of guileless expression often. He really had painting it down pat. There's only one explanation for that—he forgot about the garbage all the time too.
|Vintage Pulp||Feb 7 2017|
Rafael DeSoto painted this cover for the 1951 Dell paperback edition of Martha Albrand's 1950 novel Wait for the Dawn. This is one of the author's many romance thrillers, and what you get is a woman living in France who meets the perfect man, only to find out that he's a murderous goon. Pretty much every woman will have experienced that at some point. But this guy isn't all bad—he's rich, and as we know that buys a lot of second chances. Albrand was born in Germany as Heidi Loewengard, and wrote as Albrand, Katrin Holland, and Christine Lambert. In all she churned out around forty novels and was respected enough that an award was named after her, the Martha Albrand Award for First Nonfiction, which was active from 1989 to 2006, then discontinued. You can see a couple more cool DeSoto covers here and here.
|Vintage Pulp||Jan 19 2017|
3 Doors to Death is a collection of Nero Wolfe mystery novellas by Rex Stout, published by the Viking Press in 1950, with this Dell paperback appearing in 1952. The stories are “Man Alive,” “Omit Flowers,” and “Door to Death,” and as the cover states, these all star Stout's famed detective Nero Wolfe, who was created back in 1935, and since has been adapted to stage, film, radio, and television. His assistant Archie Goodwin is on hand to assist in each of the tales. The art on this paperback was painted by Rafael DeSoto, who we've featured before, like here and here. And we should mention we found this cover at Noah Stewart's book blog. We recommend a visit there for more interesting covers.
|Vintage Pulp||Nov 6 2016|
A shell collecting vacationer in Florida comes across a damsel in distress during a late night beach walk and she of course draws him into intrigue way over his head. Before he knows it he's stumbled across a corpse and gotten involved in a murder investigation, as the damsel seems less and less like she's in distress as opposed to causing it for others. Author Richard Powell was known for the wit he mixed into his mysteries, and Shell Game is heavy on the repartee—if light on actual mystery. This Dell edition appeared in 1951 and the fun cover art is by Robert Stanley.
|Vintage Pulp||Jun 9 2016|
Novels set in South Florida and the Keys are basically a sub-genre of popular literature today, but Theodore Pratt was one of the earlier writers to continually set his work there, using the area for thirty-five novels. Mercy Island involves a group—local captain, youthful crewman, hard-headed sportsman, and beautiful wife—who are stranded on a deserted island when their fishing boat runs aground. But the island isn't empty. It's occupied by a man with a criminal past who has been hiding out there to dodge the law. As tensions rise and food runs short it becomes less clear who is the real danger to the group. Originally written in 1941, the book was immediately made into a hit movie starring Ray Middleton, Gloria Dickson, and Otto Kruger. This Dell paperback appeared in 1954 with uncredited cover art.
|Modern Pulp | Vintage Pulp||Feb 15 2011|
James M. Cain was never one to shy away from provocative subject matter, and The Butterfly, published in 1946, is no exception. In this one a middle-aged coal miner arrives at his backwoods home one day to find a nineteen year-old girl sitting on his stoop. It turns out she’s his long lost daughter, who he’s never known because his wife left him eighteen years ago. The girl, Kady, is precocious to say the least, which means seduction inevitably follows and, just as inevitably, dangerous complications pile up rather quickly. But nothing is quite what it seems and by the end, paternity is in doubt all over the place. The Butterfly isn’t considered one of Cain’s best, but we thought it was a diverting read, certainly worth the time spent. As with most Cain books, it had many editions, but this one is the 1964 Dell paperback, which we think has the best cover art.
Moving on to the 1982 film adaptation, entitled simply Butterfly, we find ourselves running out of kind words. The film starred Pia Zadora, and while it generated some good reviews and a lot of publicity owing to its supposed steaminess, time has since rendered a judgment and it isn't a kind one. Zadora was not the person for the role of Kady. We have little doubt she's alluring in real life, but cinema is not real life and it takes more than just ordinary beauty to light up the screen as a femme fatale. Same with men. Bogart wasn’t a classic looker, but he had that thing. Zadora doesn’t. The critics who defended her in this role are still answering for it today, and her award as Newcomer of the Year ranks as one of the Golden Globes' biggest embarrassments. Despite her unwonderful performance, Butterfly is worth a glance for its camp factor, as well as for appearances by Orson Welles as a smalltown judge and Ed McMahon as a boozehound. But if you really want to be entertained, read the book instead.