|Vintage Pulp||Aug 30 2017|
But even with the considerable story depth injected into Contratto Carnale, the main attraction is female skin, with Strindberg indulging in a totally nude nap and Somer getting her kit off at several junctures, including at the aforementioned slave castle. This is actually really shocking, all things considered, but you'll be too blinded by her hotness to contemplate that. It's a shame there are so few decent promo images of her, but that's how it was with low budget 1970s movies. Strindberg, at least, posed for a few magazines, and those photos, including the promos below from the film, show what a great beauty she is. There's other beauty in Contratto Carnale too, such as exteriors shot around the Ghanaian coast and in some outlying villages. Also nice is the soundtrack, which is interspersed with a couple of classic West African tunes. Add it all together and you have a decent-not-great flick. Contratto Carnale premiered in Italy today in 1973.
|Vintage Pulp||May 25 2010|
Above is an amazing German promo poster for Der Schwanz des Skorpions, aka La coda dello scorpione, aka The Case of the Scorpion’s Tail. You may have noticed we’re on a bit of a giallo kick of late. This one was directed by Sergio Martino, who also gave us the unforgettably titled thrillers Your Vice Is a Locked Room and Only I Have the Key and The Bodies Bear Traces of Carnal Violence. When a woman inherits a million dollars from a husband who died in a plane crash, people start crawling out of the woodwork and all of them want a share of the loot. We won’t go into more detail, except to say that it’s pretty good, and the interesting Swedish actress Anita Strindberg—whose fantastically-shaped mouth probably fueled about fifty million erotic fantasies during the seventies—co-stars with hunky George Hilton. The title refers to a scorpion cufflink that’s a clue to the killer’s identity, but we didn’t really pay too much attention to the plot details because we were too busy contemplating the anti-gravitational properties of Strindberg’s two, uh, body modifications. They must be among the first to appear on a movie screen, so Der Schwanz des Skorpions isn’t just a fun giallo, it’s also historically significant. Sort of. It opened in West Berlin, West Germany, today in 1973.