He lives in a fetid swamp, has terrible grooming habits, and zero career prospects. But at least he listens to me.
David V. Reed’s, aka David Vern’s The Thing That Made Love was originally published in Mammoth Detective in 1943 as The Metal Monster Murders. The first paperback version appeared in 1946 as I Thought I’d Die, and the above version from New York City’s Universal Publishing and Distributing Corporation, which marketed digest sized paperbacks under the imprint Uni-Book, hit stores in 1951 with Robert Stanley cover art. What you get here is a man blamed for murder, but who claims the slayings were the work of a metal swamp monster. The women die battered, but with ecstatic facial expressions. Which raises the question—what exactly is happening to them? You can read a review of the book here.
Update: We learned that Stanley's cover art also appeared in 1952 on Florenz Branch's Whipping Room, for Intimate Novels. Often these cover reworks are clumsy, but we think this makeover is actually pretty good. Not as good as the original, but close.
New York City
, Mammoth Detective
, The Thing That Made Love
, The Metal Monster Murders
, I Thought I’d Die
, David V. Reed
, David Vern
, Robert Stanley
, Florenz Branch
, cover art
As your decorator, I recommend putting the rug over there for a splash of color, and the clock over here to remind you that you’re basically just worm food.
Carter Dickson was the pseudonym of John Dickson Carr, one of the most prolific authors of the pulp and post-pulp periods, as well as what is known as the Golden Age of Detective Fiction. He published novels from 1930 to 1972, and also wrote radio scripts and worked in television and movies. 1958’s The Skeleton in the Clock is not one of his most appreciated books, but we love the Robert Stanley cover art. By the way, there’s literally a skeleton grandfather clock in this book, which prompted us to wonder if such a thing existed in real life. After much searching, the answer is no, apparently, but we did remember there was a coffin clock with a skeleton inside in the midnight movie classic The Rocky Horror Picture Show. Time is fleeting indeed.
Um, what exactly did you mean when you said your boyfriend was a big dumb ape?
We love this cover for Fredric Brown’s 1949 thriller The Dead Ringer, with art by Robert Stanley. Brown wrote about 250 books, including The Fabulous Clipjoint. This one includes the same protagonists as Clipjoint, Ed Hunter and Uncle Ambrose, sticking close to Am’s circus roots (he was a carny pitchman before he became an amateur sleuth) as they try to solve a series of slayings plaguing a traveling carnival. This one may be worth a read solely for the bizarre fact that a chimp gets murdered. How many mysteries can say that?
The headlines that mattered yesteryear.
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
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