 Like an Oreo cookie, the best part of Highway 301 is the stuff in the middle. 
Though we can’t find much online about the making of the 1950 b-budget film noir Highway 301, we have a suspicion what happened during its production. The studio holding the purse strings, Warner Bros., had a look at the rough cut and said there’s no way we’re putting out a movie this intense. How intense is it? Influential New York Times critic Bosley Crowther called it “a straight exercise in low sadism.” So what does a studio do when it has on its hands a movie it thinks is likely to bad vibe audiences right out of the cinema? Simple—tell the audiences before the movie starts how it’s going to end. Get three sitting state governors—W. Kerr Scott of North Carolina, John S. Battle of Virginia, and William P. Lane, Jr. of Maryland—to announce in a prologue that crime does not pay, and that every member of the Tri-State Gang depicted in the movie ended up dead, except for one, who ended up in prison. Was Warner Bros. really responsible for such a blatant mutilation of Highway 301? It’s a very good bet, simply because a screenwriter can’t write a script that counts on the participation of three state governors. But for Jack Warner, well, all it would have taken was a phone call to each. If you pretend the hamfisted prologue never happened, what you end up watching is one of the most underrated and entertaining noirs ever filmed. There are two robberies, a few shootouts, and other action pieces, but the intensity in this film is supplied by its unflinching exploration of the vagaries of fate. Taking an elevator rather than the stairs, choosing to hide rather than run, heading for the back exit rather than the front—it’s decisions such as that determine the fortunes and misfortunes of the characters, and which gnaw at the nerves of an audience that knows which choice is right but can only watch events unfold. At the center of it all is Steve Cochran as the gang’s murderous leader, a guy who solves every problem with a gun. The supporting cast includes Virginia Grey, Gaby Andre, and Robert Webber, and all are good in their roles. While we know the Tri-State Gang will lose in the end, there’s still plenty of suspense supplied by Gaby Andre’s predicament—she knows too much and the only reason she’s still alive is because Cochran thinks she’s beautiful. But the spell will soon wear off and at that point she’ll be just another dead witness—unless she can escape. Fate continues to intervene. Will it intercede on her behalf? Or against? We know not to anticipate her survival based on her status as the protagonist female. The body count has already told us movie convention is no refuge. That’s the genius of Highway 301—there’s no respite from tension. Every sigh of relief catches in the throat as peril mounts yet again.
Writer/director Andrew L. Stone deserves a lot of credit for putting this together. He was an experienced hand at this point, but never before had he created something so innovative. Highway 301 ends on a down note with more moralizing, but sandwiched in between is a highly recommendable drama. Flawed, yes, but only due to the intrusion of front office types, we suspect. A re-release without the moral parentheses and intermittent narration would elevate this to classic status. The poster at top is classic in its own right. It was painted by someone who signed it Aziz, and the Arabic script in the lower right corner confirms it was made for release in the Middle East or North Africa, most likely Egypt, but don’t quote us on that.
    
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The headlines that mattered yesteryear.
1937—The Hindenburg Explodes
In the U.S, at Lakehurst, New Jersey, the German zeppelin LZ 129 Hindenburg catches fire and is incinerated within a minute while attempting to dock in windy conditions after a trans-Atlantic crossing. The disaster, which kills thirty-six people, becomes the subject of spectacular newsreel coverage, photographs, and most famously, Herbert Morrison's recorded radio eyewitness report from the landing field. But for all the witnesses and speculation, the actual cause of the fire remains unknown. 1921—Chanel No. 5 Debuts
Gabrielle Bonheur "Coco" Chanel, the pioneering French fashion designer whose modernist philosophy, menswear-inspired styles, and pursuit of expensive simplicity made her an important figure in 20th-century fashion, introduces the perfume Chanel No. 5, which to this day remains one of the world's most legendary and best selling fragrances. 1961—First American Reaches Space
Three weeks after Russian cosmonaut Yuri Gagarin became the first human to fly into space, U.S. astronaut Alan Shepard completes a sub-orbit of fifteen minutes, returns to Earth, and is rescued from his Mercury 3 capsule in the Atlantic Ocean. Shepard made several more trips into space, even commanding a mission at age 47, and was eventually awarded the Congressional Space Medal of Honor. 1953—Hemingway Wins Pulitzer
American author Ernest Hemingway, who had already written such literary classics as The Sun Also Rises, A Farewell to Arms, and For Whom the Bell Tolls, is awarded the Pulitzer Prize for fiction for his novella The Old Man and the Sea, the story of an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream. 1970—Mass Shooting at Kent State
In the U.S., Ohio National Guard troops, who had been sent to Kent State University after disturbances in the city of Kent the weekend before, open fire on a group of unarmed students, killing four and wounding nine. Some of the students had been protesting the United States' invasion of Cambodia, but others had been walking nearby or observing from a distance. The incident triggered a mass protest of four million college students nationwide, and eight of the guardsmen were indicted by a grand jury, but charges against all of them were eventually dismissed.
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