Femmes Fatales Apr 27 2017
LUST FOR GOLD
One thousand and one nights with Marlene.

Above, a photo of German actress Marlene Dietrich, mystical and regal, playing Lady Jamila in the 1944 Arabian Nights style adventure Kismet, aka Oriental Dream. The film is about a beggar who schemes to marry off his daughter to a member of the Baghdad royal court while himself wooing the Queen of the Grand Vizier's harem. It was one of nearly sixty motion pictures in which Dietrich appeared between 1919 and 1979. If you want to check out the dance number depicted in the photo, look here.

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Vintage Pulp Oct 29 2016
TOUCHED BY AN ANGEL
Desire is easy. It's fulfillment that's hard.


This unusual promo pamphlet was made for the Australian release of May Britt's romantic drama The Blue Angel, which opened Down Under today in 1959. 20th Century Fox's publicity department was calling it “one of the great classic films of all times,” though it had only been out a few months. The lesson here is never believe the publicity department. In the film, which is a remake of Marlene Dietrich's 1930 classic of the same name, Swedish bombshell May Britt plays a burlesque performer named Lola-Lola who dances and sings nightly at a smalltown cabaret called the Blue Angel. She draws the romantic attention of a prudish, perhaps even virginal, high school professor, and all kinds of complications follow, ranging from the good (love and romance) to the bad (scorn and unemployment).

It's been said that Britt was chosen over Marilyn Monroe for this role, but if that's true, we're looking at a remarkably different movie than Monroe would have made. For one thing, while financed by 20th Century Fox, the movie is set in Germany and everyone in it hails from somewhere in Europe. We can't imagine that was the plan if Monroe had starred, but as a remake of a German classic, we suppose it's possible. Anotherbig difference is that Britt is not in any way Monroesque. While both are blonde and beautiful, Britt has a knowing, grown-up, real-woman demeanor, her voice a throaty contralto, while Monroe played wiggly-hipped high-pitched kittenish to the hilt. We can only assume the role was intended as a departure for Monroe, and a major departure it would have been.

But this is Britt's film and one thing is sure—she has talent. This isn't a surprise. She had already been in thirteen movies by this point. The Blue Angel came out the year before she met and married Sammy Davis, Jr. She made one more movie then was out of show business until after she and Davis divorced eight years later. These would have been her prime moviemaking years, but she chose to be a wife and mother,has said she chose correctly, and more power to her. Yet The Blue Angel gives a strong indication what sort of star she might have been. 20th Century Fox may have jumped the gun calling the film one of the great classics of all times, but now that it's actually an old film, and it's undoubtedly good thanks to May Britt and the very capable Curd Jürgens, maybe that description isn't so far off after all.

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Hollywoodland Nov 12 2015
SCREENLAND MAGIC
It’s a Delight from beginning to end.

Above and below are assorted scans from an issue of Screenland published this month in 1940. The issue we posted previously was from 1923. In the intervening years contributor Delight Evans had become editor, and as a result had become one of Hollywood’s most powerful starmakers. Evans was uniquely talented and got her break when, as a fifteen-year-old, she had a story purchased by Photoplay. That was in 1915. By 1917 she was working for Photoplay in Chicago, and quickly ascended to an associate editor position there. At least one online source says she was an editor at Screenland by 1923, but even for someone that gifted twenty-three is a bit young to be helming one of America’s biggest magazines. We have an issue from December 1923 and it was Frederick James Smith in the corner office. But Evans was in charge by at least 1934, which we can confirm because we have an issue from that year too. When did she actually take the reins? No idea. This is where it would be nice to click over to a Wikipedia page or something, but she doesn’t have one. A trailblazer like this—can you believe it? But we shall dig. Evans needs some online exposure, so we’ll see what we can do. Twenty-one scans with a galaxy of stars below. 

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Vintage Pulp Jan 29 2015
HOLLYWOOD SWINGING
Everybody who was anybody got inside.

Above and below, scans from the French show-biz and showgirl magazine Paris-Hollywood, issue 26, from 1948. The front cover features Marguerite Chapman, the rear Arlene Dahl, and in between you get Cyd Charisse, Patricia Roc, Martha Vickers, Alexis Smith, Anne Jeffreys, Luce Feyrer, Edwige Feuillère, Marlene Dietrich, and other luminaries. That's quite a collection of celebs. In upcoming years the magazine would spend more time on cabaret dancers, but its early issues were all about international stars. We picked up a few of these in Paris a while back and we’ll get to some detailed scans of those soon. In the meantime, you can see more from Paris-Hollywood here, here, and here.

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Vintage Pulp Jun 22 2014
MARLENE'S EYES
Paris gives Dietrich first class treatment.

Above are scans from Paris Magazine, one of the more elegant celeb and art publications of the 1930s. Marlene Dietrich popped up quite a bit in its pages (with eyes famously enhanced by Max Factor), and you also get images of Joan Walsh, photography from Rémy Duval, Roger Schall, Jablonowsky, and Fred Wallentin, all from 1934. We have more scans from an issue containing a couple of nice shots of Josephine Baker that we’ll get up soonish. Until then you can see more from Paris Magazine here. 
 
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Femmes Fatales Feb 10 2014
MIRANDA WARNING
They always say to aim high in life but I’ve found aiming low gets good results too.

Isa Miranda was born in Italy in 1909 as Ines Isabella Sampietro and by 1933 was acting in films. The next year she earned widespread acclaim in Max Ophüls’ La Signora di tutti, a role that paved the way for her to leap to Hollywood where she was billed as an Italian Marlene Dietrich. The above promo shows Miranda in character as Anna from 1939’s Hotel Imperial, a movie in which she shot nobody in the crotch, despite her low aim here.

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Vintage Pulp Nov 11 2013
BERLIN WALL ART
 
Before moving back to items from other countries, we thought we’d share a few more pieces related to Germany—this time vintage posters. Below are seven excellent examples of thriller and film noir promo art that appeared in that country from 1932 to 1955. They are, top to bottom, Highway 301, Night and the City, Thunder Road, Notorious twice, because both posters are great, Night of the Hunter and Blonde Venus.
 

 
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Vintage Pulp Jul 13 2013
CLINICALLY SUPPRESSED
Half a century and countless social changes later only one story in Suppressed remains shocking.

This July 1955 Suppressed serves up its usual outrage, with Erroll Flynn bedding a woman half his age, Debra Paget scandalizing audiences with her dancing, and Marlene Dietrich, Greta Garbo, Paulette Goddard and others brazenly indulging in “promiscuity, free living and flagrant exhibitionism.” Which is to say, they moved on to other sexual partners without bothering to get divorced. The magazine also takes a swipe at Terry Moore, who “resorts to suggestive gowns rather than talent.” We’d love to have read what Suppressed would have printed when Moore posed nude for Playboy in 1984 at age 55, but it was long defunct by then. After bashing celebs, the editors move on to fashion, offering a primer on hepcat style, but before you rush out to buy a pair of zebra print shoes, remember that the line forms behind us. Later, the magazine offers readers a peek inside a mental asylum, and in the process shows a few hair-raising practices. Among them are violent patients being penned together like cattle, and a delirious alcoholic who is “brought back to reality by shock treatment.” We think the easiest way to shock an alcoholic back to reality is to tell him he’s out of booze, but what do we know? It’s ironic, though, that all the sexual innuendo and moral outrage mustered by Suppressed seems so misplaced now, and the one story editors probably thought of as uncontroversial—electrically shocking alcoholics—is truly frightening. How times change.

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Vintage Pulp Apr 22 2013
AN UNCENSORED WORLD
Uncensored takes readers from New York City to Spain to Havana in search of dirt.


Uncensored returns to Pulp Intl. for the first time in over a year with an issue published this month in 1955. The story of Ava Gardner and Frank Sinatra’s tumultuous relationship (and the Spanish bullfighter who helped ruin it) has been covered numerous times, so no need to get into it again just now, but the photos are certainly worth a look. Uncensored shares other nice images as well. There’s Eartha Kitt (described as not much to look at “unlike such Negro beauties as Dorothy Dandridge and Lena Horne”), Sarita Montiel (who in Mexico was allegedly on the receiving end of a horsewhipping by Miguel Aleman’s jealous wife), and Marlene Dietrich (seen both onstage performing and offstage fulfilling a G.I.’s request for a kiss). The latter photo, from 1945, appeared in Life and many other magazines and remains one of the most famous Dietrich images. So Hollywood starlets take note: if you want millions of dollars in free publicity, no need to get arrested or leak nude photos—just kiss a fan.

Uncensored readers also meet Father Divine, (who we wrote about here), his alleged rival Prophet Jones, get a glimpse of nightlife in the so-called Bohemia of NYC’s Greenwich Village, and are introduced to “The World’s Hottest Hot Spot,” Havana, Cuba. Readers see photos of an actual drug deal taking place on some backstreet and learn that the city is “Babylonian bedlam,” where “one can buy marijuana, cocaine, forbidden wormwood liquor, illegal bon bons, or just oblivion.” There’s a photo of a woman outside a revolving repository at Havana’s Orfanato Beneficia (Beneficia Orphanage) where mothers could leave their unwanted babies as easily as mailing a postcard. The caption on the photo? “Despite its bawdiness, Havana has a heart.” A baby depository? Is it any wonder there was a revolution? Twenty-four scans below for your enjoyment.

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Intl. Notebook Jan 11 2013
VISIONARY ART
They only have eyes for you.

We were researching our recent post on fascist-era femme fatale Isa Miranda when we stumbled across fourteen sets of eyes from some of the most famous starlets of the 1930s. They were on a Brazilian fashion blog (seemingly defunct, since it hasn’t been updated for more than a year), and we gather they came from a book—Fashion at the Time of Fascism—which we’d love to read if we could find a copy. Anyway, just a little eye candy for Friday.

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Next Page
History Rewind
The headlines that mattered yesteryear.
June 23
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
June 22
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
June 21
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
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